On the left is the same photo as this one, cropped differently and of course without the autograph. On the right is the photo that may be the one used the most to promote the film. We’ll have a better idea about that once I’m done with all this
“… in one of those inexplicable chance occasions, out of the blue, Robin Johnson appeared…” Four more stills from the Times Square U.S. press kit. I don’t really have anything to say about these, but when have I let that stop me. It means nothing, but I notice in
“Times Square… introduces Robin Johnson, dynamic 16-year-old Brooklyn actress and singer in her film debut.” Okay, forget what I said last time about posting the pictures in the order they occur in the film. There are too many without Robin in them to do it in a way that I
Generally referred to as The Press Kit, this is the big-ass promotional package AFD released in North America. Since they didn’t have a table of contents, I can’t be sure what all was in it, not without examining all of them… which is impossible because I’m afraid most of them
This is either the only truly unique item I have, or the most worthless. It’s a 15″ x 22.5″ board, unsigned, gray on the back, and the front being pen and colored ink or watercolor (I don’t know nearly enough about art technique to be able to tell reliably). I’ve
Before moving on, I mentioned some time ago some pictures I’ve only seen on the Web and not found any physical copies of. So, here they are. Some of them anyway. I’d found a bunch of these at Cineplex, having been digitized by Baseline Research, but as I was assembling
At least that’s what it was called when I got it. It’s only a folder though in the sense that it’s folded, not that it contained something else like the press kits which have pockets to hold papers and photos. This is just a big piece of heavy glossy stock,
Magazines are dated ahead by their publishers to try to keep them on the stands longer than their competitors. The date on a magazine usually refers to when it is supposed to be replaced by the next issue, not when it actually comes out. Anyway, although this issue of
Even the culturally barren industrial wasteland of Northeast Ohio was receiving word of the impending great event. I’m kidding, of course; Cleveland, Akron, Youngstown… this area birthed Pere Ubu, the Dead Boys, and Devo, so it seems right that not only did the August 21 1980 Scene make the
The May 1980 issue of Photoplay mentioned Times Square’s production in Ken Johns’ Last Word column. The image of Nicky singing “Damn Dog” in the Cleo Club was later published in at least one more magazine after the film’s release, but I haven’t yet seen it anywhere else, or in