On the left is the same photo as this one, cropped differently and of course without the autograph.
On the right is the photo that may be the one used the most to promote the film. We’ll have a better idea about that once I’m done with all this stuff. Until just now, I always thought it was a cropped version of this photo (that version of which I’ve only seen on the Web and believe to have been cut from a UK lobby card), but now I realize they were taken a second or two apart. Look at their arms.
As always, there is no shot in the film that matches up either of these two photos. Mr. Pearl does throw Johnny into the table as at left, but the shot cuts from a close-up of Pearl grabbing Johnny and pushing him to a close-up of Johnny landing; there is no shot of the two of them. Also, Johnny’s hand never touches the mic stand as it does in the photograph. There is nothing even close enough to bother with a frame grab.
We see Pammy looking in the mirror fairly clearly in the film, but just like these photos, in the film we see it from her father’s perspective, and she’s not quite in the same pose as in the photo. Here’s the closest frame from the film:
1080 px (H) x 862 px (W), 96 dpi, 297 kb (image)
1080 px (H) x 856 px (W), 96 dpi, 311 kb (image)
1080 px (W) x 856 px (H), 96 dpi, 289 kb (image)
1080 px (H) x 862 px (W), 96 dpi, 257 kb (image)
black and white photographic prints, 8 in (H) x 10 in (W) (works);
inscriptions: [on photos] TS-69-34A/4; TS-72-8A/14; TS-78-2/16; TS-113-4A/6;
(on borders) TIMES SQUARE
853 px (W) x 480 px (H), 72 dpi, 872 kb (image)
frame capture from Times Square (1980)