Film Review Vol. 31 No. 2, February 1981

Posted on 30th June 2018 in "Times Square"
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Cover (p. 1) of Film Review Vol 31 No 2 February 1981

Contents entry from Film Review Vol 31 No 2 February 1981, contents page (p. 3)  text:  47 TIMES SQUARE Adventures of two teenage girls (Robin Johnson and Trini Alvarado) and all-night disc jockey Tim Curry who gives a boost to their dream of rock stardom.

Times Square probably hadn’t had its January 15th opening yet when the February issue of Film Review came out. Unlike the article in the previous month’s issue, this isn’t a review at all, but a promotional summary of the film, with the exception of the backhanded compliment that most of the movie’s appeal is in the casting of Robin and Trini.

Film Review Vol 31 No 2 February 1981, p. 47  text:  HARD TIMES  Times Square is a movie about youth. New York and rebellion — with a prominent soundtrack of New Wave music. Two girls, from totally opposite backgrounds, find themselves thrown together in the same private ward undergoing psychiatric tests. In spite of their initial incongruity, the girls find a common link in that they have both been misunderstood for most of their young lives. In retaliation they escape their remedial surroundings and disappear into the heart of the Big Apple.  Nicky Marotta, the stronger, older and more street-wise of the two girls, instils a rebelliousness into the weaker, 12-year-old Pamela Pearl, and together they form a united attack against everything Pamela's father, and the bourgeois in general, stand for. Not before long the daring duo earn a certain infamy following a series of amusing and some rather more destructive pranks, including pilfering on the one hand and the levering of television sets off the top of New York apartment blocks on the other. With the assistance of a sympathetic DJ, the girls also gain air time and a wider notoriety, and are even allowed to sing their protest songs over the radio.  If it hadn't been for the casting of 15-year-old newcomer Robin Johnson as Nicky and Trini Alvarado (who played the lead in Robert Altman's Rich Kids) as Pamela, the film might well have lost a lot of the appeal it has. Tim Curry completes the billing as the DJ up against more than he can handle, with Peter Coffield as Pamela's short-sighted father.  Times Square is an EMI release and was directed by Alan Moyle, with songs by The Pretenders, Lou Reed, Suzi Quatro, Robin Johnson, and many others.  Times Square can also lay claim to being the first major release to present a look at New Wave music.  Tim Curry as the late-night DJ Robin Johnson as the rebellious Nicky Trini Alvarado as the introverted Pamela

HARD TIMES

Times Square is a movie about youth. New York and rebellion — with a prominent soundtrack of New Wave music. Two girls, from totally opposite backgrounds, find themselves thrown together in the same private ward undergoing psychiatric tests. In spite of their initial incongruity, the girls find a common link in that they have both been misunderstood for most of their young lives. In retaliation they escape their remedial surroundings and disappear into the heart of the Big Apple.

Nicky Marotta, the stronger, older and more street-wise of the two girls, instils a rebelliousness into the weaker, 12-year-old Pamela Pearl, and together they form a united attack against everything Pamela’s father, and the bourgeois in general, stand for. Not before long the daring duo earn a certain infamy following a series of amusing and some rather more destructive pranks, including pilfering on the one hand and the levering of television sets off the top of New York apartment blocks on the other. With the assistance of a sympathetic DJ, the girls also gain air time and a wider notoriety, and are even allowed to sing their protest songs over the radio.

If it hadn’t been for the casting of 15-year-old newcomer Robin Johnson as Nicky and Trini Alvarado (who played the lead in Robert Altman’s Rich Kids) as Pamela, the film might well have lost a lot of the appeal it has. Tim Curry completes the billing as the DJ up against more than he can handle, with Peter Coffield as Pamela’s short-sighted father.

Times Square is an EMI release and was directed by Alan Moyle, with songs by The Pretenders, Lou Reed, Suzi Quatro, Robin Johnson, and many others.

Times Square can also lay claim to being the first major release to present a look at New Wave music.

Tim Curry’s photo is UK Press Kit photo #4, which had been previously published in Mediascene Prevue Vol. 2 No. 2, Sept.-Oct. 1980, and The Aquarian, April 23-April 30 1980. Robin’s is TS-57-26/1 from the US Press Material folder, which was used for both the soundtrack album cover and the North American movie posters, and published, oh, lots of places previously. Seriously, I’m sure I’ve already listed them somewhere. Maybe next time it turns up I’ll do another reassessment, but not today.

The unusually sultry photo of Trini, however, hasn’t appeared anywhere else, as far as I know.

 

Why did I say earlier that the movie hadn’t opened yet? Because there was an ad announcing its opening on page 10.

TIMES SQUARE movie advertisement, from Film Review Vol 31 No 2 February 1981, p. 10

This is the exact same ad I posted on December 7, 2016. Yes, we now know that someone cut up a copy of this magazine and sold the pieces, and yep, I bought one. It’s a shame that these artifacts tend to be worth more sold by the half-page, but here we are.

 

(Yeah, this post should have gone up over a year ago, probably between Films Illustrated, Vol. 10 No. 113 and Movie 81 No. 2. I had everything ready to go, and somehow accidentally passed over it. Well, here it is now.)

 

The previous posts mentioned above (except for the many soundtrack and poster variants):

Film Review, Vol. 31 No. 1, January 1981
Times Square UK Press Kit (post 2 of 4)
Times Square isn’t a punk picture”
“The Trend Settles in New York”
Times Square Press Material folder (post 1 of 5)
UK Movie Ad
Films Illustrated, Vol. 10 No. 113
Movie 81 No. 2

 

 

Hard times (article, AAT ID: 300048715)
Film Review Vol. 31 No. 2, February 1981, p. 47 (magazine (periodical), AAT ID: 300215389)
29.6 x 21.2 cm. (work);
1981-02 TS Film Review Feb 1981 V31 N2 – 0002_1080px.jpg
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(images)
 

 

Times Square ©1980 StudioCanal/Canal+

 

Robin and Trini “Bandphotos”, UK 1981

Posted on 18th June 2018 in "Times Square"
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More recently-turned-up Times Square publicity from England. Exactly how these fit in with the rest of it, I’m not sure. I’m guessing they were relatively early UK publicity, since the photos still have the American numbers on them. Perhaps before their own publicity machine got going, EMI contracted with Alan Band to send out photos of the stars. So, maybe there’s a Tim Curry Bandphoto out there somewhere as well.

The photo of Robin is her out-of-costume headshot, the only one she or any of the cast got. We’ve previously seen the American version and another UK version distributed by ITC, one of the movie’s co-producing companies. Looking at them now, the US version has been shrunk to fit with the AFD caption at the bottom, while the ITC version looks like its caption stripe has been placed over top of this Bandphoto version. The Bandphoto caption has been severely edited from the one accompanying the other two, which read “Robin Johnson makes her motion picture acting and singing debut after being discovered by chance at her high school in Brooklyn for the co-starring role with Tim Curry and Trini Alvarado in ‘Times Square.'”

The photo of Trini in costume as Pammy is the one used on the US movie poster and the soundtrack album cover. It was included in the US Press Material folder and appeared in the AFD Campaign Pressbook. The Bandphoto caption, judging by the initials, was edited by Alan Band himself to be far more breathlessly exciting than the US caption had been (“Trini Alvarado, who made an impressive screen debut in Robert Altman’s “Rich Kids,” now is co-starred with Robin Johnson and portrays Pamela Pearl, troubled daughter of an ambitious politician, who becomes a runaway and a rebel against authority in “Times Square.”)

The blue Bandphoto stamps read:

MUST
RETURN

CREDIT
BANDPHOTO
ALAN BAND ASSOCIATES
25 LONGDOWN ROAD
FARNHAM, SURREY, ENGLAND

I’m surprised that this particular photo of Trini — this specific print — is maybe the only item I’ve found that’s showing any age-related image problems (the discoloration along her left cheek). Considering their age, all the Times Square items I’ve come across have held up remarkably well.

The previous posts mentioned above:

Robin Johnson’s Times Square Headshot, “TS-Spec.3”
Headshot, ITC version
Times Square Press Material folder (post 2 of 5)
AFD Campaign Pressbook (pages 1-4)

 

 

TS-Special/3
black-and-white photograph, AAT ID: 300128347
UK ; 22.9 x 20.1 cm. (work)
TS-Special 3 auto_1080px.jpg
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TS-Special 3 back_layers_1080px.jpg
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TS-11-25/5
black-and-white photograph, AAT ID: 300128347
UK ; 23.2 x 20.2 cm. (work)
TS-11-24-5 Trini headshot UK_auto_layers_1080px.jpg
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TS-11-24-5 Trini headshot UK_back_manual_layers_1080px.jpg
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Times Square ©1980 StudioCanal/Canal+

 

15 or 16 UK Promo Photos

Posted on 6th June 2018 in "Times Square"
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As promised, here are all I have so far from the series of 8×10 black and white publicity stills from the UK, whose only true common denominator is that they have a small one- or two-digit number on a tiny inset square as part of the print. The typical still from the US has a handwritten string of letters and numbers. Some of these have captions pasted to their backs, some have “TIMES SQUARE” stamped on their backs, the ones that came with the UK Press Kit matched up with numbers on an enclosed caption sheet, although I don’t think my copy of that Press Kit was complete.

I’m not sure if I have fifteen or sixteen of these because there are two #4s. The highest number I have is 36, implying that there are twenty or twenty-one more out there somewhere.

In preparing this post, I noticed something. I have two copies of number 20, and they’re not identical.

The second copy is darker and cropped differently. I thought perhaps it was something I might have done when digitizing them, but the number is in a different place. It’s possible I made one look a little darker than the other, but I’m sure I didn’t crop away that much of the first one, and, well, the number is part of the print. It seems there may have been multiple printings of these stills. Perhaps the #4 of Pammy and her father is a reprint of a photo that’s supposed to have a different number, and whoever stuck the number on and printed it made a mistake.

The photos above previously appeared in these posts, except for the second copy of #20:

Times Square UK Press Kit (post 2 of 4)
Times Square UK Press Kit (post 3 of 4)
“6”
UK Promo Photos 4, 13, and 21, 1980-81
UK Promo Photos 20 and 26, 1980-81
UK Promo Photo #29
“34”
Nicky Marotta, 1980

 

 

Times Square publicity stills 1, 3, 4, 4 [2nd version], 5, 6, 7, 8, 11, 13, 20, 20 [2nd version], 21, 26, 29, 34, 36
black-and-white photographs, AAT ID: 300128347
UK ; 20.3 x 25.4 cm. (works)

 

Times Square ©1980 StudioCanal/Canal+

 

Record World, Vol. 37 No. 1729, September 13, 1980

Posted on 1st May 2018 in "Times Square"
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Back cover of Record World Vol. 37 No. 1729, September 13, 1980, p. 126.  Text:  JUST RELEASED The Original Soundtrack from the Motion Picture TIMES  SQUARE A Robert Stigwood Production A 2-RECORD SET Featuring Music by... SUZI QUATRO, THE PRETENDERS, ROXY MUSIC, GARY NUMAN, MARCY LEVY & ROBIN GIBB, TALKING HEADS, JOE JACKSON, XTC, THE RAMONES, ROBIN JOHNSON & TRINI ALVARADO, THE RUTS, D.L. BYRON, LOU REED, DESMOND CHILD & ROUGE, GARLAND JEFFREYS, THE CURE, PATTI SMITH GROUP, DAVID JOHANSEN RS-4-4203 INCLUDES THE FIRST SINGLE: "Rock Hard" by Suzi Quatro DL-104 RSO Records, Inc. ® ©1980 RSO Records, Inc.

 

 

 

 

 

 

 

 

 

Most of the “new” items that turn up now are variations of things we’ve already seen. This Times Square soundtrack ad is identical to the ones shown here, but unlike those two it’s still attached to the magazine it was published in. It’s page 126, the back cover, of Record World Vol. 37 No. 1729 from September 13, 1980, a recording industry trade publication, which also has an announcement of the soundtrack on the front cover…

 

 

… and coverage of the soundtrack’s announcement at 1980’s RSO Convention, featuring an appearance by Suzi Quatro.

The most intriguing thing in the article, however, is this:

A forty-minute video presentation highlighting key scenes and music from the motion picture was shown.

There was a promotional video nearly half the length of the entire film!

This was published a month before the movie’s premiere, and only says the event happened “recently.” The five-and-a-half minute in-store soundtrack promo video contains many brief tantalizing clips of footage not in the movie… who knows what lost footage might have appeared in the RSO Convention promo video!

 

 

“Hits of the Week -Albums – “TIMES SQUARE” (Original Motion Picture Soundtrack).” (article, AAT ID: 300048715)
“‘Times Square,’ ‘Shogun’ Soundtracks Previewed at RSO National Convention” (article, AAT ID: 300048715)
[Just released – the original soundtrack from the motion picture Times Square] (advertisement, AAT ID: 300193993)
Record World, Vol. 37, No. 1729, September 13, 1980, pp. 1, 9, 118, 126 (magazine (periodical), AAT ID: 300215389)
32.4 x 24.3 cm., 126 pp (work);
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Record World ©1980 RECORD WORLD PUBLISHING CO., INC.
Times Square ©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 20-24 (post 4 of 5)

Posted on 26th March 2018 in "Times Square"
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“Let’s get together at … Hippy Power” (?)

1981 Japanese program book for TIMES SQUARE (1980), p. 21

 

 

 

Here at the end of the Japanese program book, we get the movie’s credits, an ad for the soundtrack album, and… the Times Square Top Ten? I can only imagine what’s being said, in relation to the film, about Make-Up, Music, Fashion, Life Style, Play, Foods, Dream, Sports, Sex, and Friendship. Okay, Music and Friendship I get, but Sports?

 

Page 21, bearing a “Hippy Power” button and the unfinished caption, “Let’s get together at,” features two shots that are neither frames from the film, nor are publicity stills I’ve yet come across. The shot atop the marquee bears a strong resemblance to this color still, and is probably another still shot at that same time, and the shot of the girls entering the abandoned pier is from an entirely different angle than the scene in the film. Also, neither Nicky nor especially Pammy smiles during that sequence in the film. The point being, this is the only place these pictures appear, as far I know.

 

 

I don’t know if the street photo that is the background of page 20 has anything to do the film, other than being New York City. The inset photo of Nicky is from the shot used on one of the Italian lobby posters. Accompanying the credits on page 22, the shot of Pammy and Nicky erupting onto the street after the chase through the Adonis Theater is I believe making its first appearance here; it will later be a press photo distributed in Germany. The other two photos are frames from the film but with more image visible at the tops and bottoms, which as I mentioned last time lead me to believe that these were taken from a full-frame exposure that was matted for release, and may still exist as a TV print.

Page 23 features the soundtrack album cover, the Japanese “Same Old Scene” single picture sleeve, and, clockwise from top right: a shot of Robin and Trini between takes that had previously appeared in Movie 81 No. 2; the image from the cover of the “Same Old Scene” single, which had also appeared in the soundtrack gatefold, the songbook, and the aforementioned Movie 81 No. 2; a shot of Johnny that had been a UK lobby card and an illustration in Movie 81 No.2; and guess where the shot of Robin had appeared previously? Of course! It was in Film Review Vol. 31 No. 1.

And that perfect image on the back cover is a detail from another publicity still that will appear later as a German lobby card.

 

 

Times Square program book, pp. 20-24
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_20_1080px.jpg
Press Book Japan 1981_21_1080px.jpg
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96 dpi (images)

©1980 Butterfly Valley N. V.
 
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Times Square ©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 14-19 (post 3 of 5)

Posted on 14th March 2018 in "Times Square"
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As before, I have no clue as to the text, but the image on page 14 of the Japanese souvenir program for Times Square is another frame from the movie. The photo of Pammy and Nicky on page 15 is the promotional shot which was used for the cover of the Italian “Help Me!” single, and as the illustrations on the soundtrack album’s paper sleeves. The color shot of Johnny and Pammy on page 15, accompanied for some reason by a button featuring black and white hands cradling a dove, looks like a frame from the film, but isn’t. It will turn up later as a lobby card in Germany. For some reason, it’s reversed.

Both photos on page 17 are frames from the film. The photo of the Sleez Girls on page 18, featuring coulda-been-Nicky Zoe Lund, is a frame from the film, but the shot of Nicky just below is a promotional photo that previously appeared in Joepie No. 365. And Pammy and Nicky dancing at each other in the Cleo Club on page 19 is a shot that had been used as a UK lobby card. Whether they were really “honoring America” is a question only they, and perhaps the Japanese, could answer.

Look again at the photo on page 14, and compare it to the frame capture below. There’s a bit more at the bottom, and lot more at the top, of the photo in the program book. This is the first evidence I’ve seen that Times Square was shot “full-frame;” the entire frame of the 35mm film was exposed with a normal lens, and its widescreen aspect ratio achieved by matting the top and bottom when the prints were made. If it was shot so the extra space was clean of production detritus, a film shot that way could be shown on television using that full frame instead of making a pan-and-scan version and losing the sides of the image. It’s been decades since I’ve seen a television-formatted version of Times Square. Does anyone know if the TV/video print was full frame or pan-and-scan? Because if it was full frame, that would be worthy of preservation in its own right.

Closest frame from <strong>Times Square</strong> to the photo on page 16 of the Japanese program book.

Closest frame from Times Square to the photo on page 16 of the Japanese program book.

 

 

Times Square program book, pp. 14-19
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_14_1080px.jpg
Press Book Japan 1981_15_1080px.jpg
Press Book Japan 1981_16_1080px.jpg
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96 dpi (images)

©1980 Butterfly Valley N. V.
 
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Times Square©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 8-11 (post 2 of 5)

Posted on 2nd March 2018 in "Times Square"
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Here are the next four pages from the Japanese souvenir program for Time Square. These pages apparently have everything you need to know about the producer, director, and stars. Again, if anyone wants to contribute a translation, or donate to a fund for hiring a professional translator, you will have my thanks and the thanks of a grateful nation.

Three of the four pictures on page 8 are more cases of actual frames from the film being used as publicity stills: the shots of the Sleez Girls, Pammy in the phone booth, and Nicky blacking out Pammy’s eyes on the bus poster. Nicky looking directly at us is part of the shot of her in front of the mirror, which previously appeared in Australian Women’s Weekly Vol. 48 No. 5.

Page 9 is two shots that aren’t frames from the movie, and that were distributed for publication as 35mm slides, Pammy and Nicky. The “I ♥ NY” button… well… okay…

Page 10 features some old AFD publicity stills, finally! Trini is cropped from TS-61-14/10, and Robin is TS-57-26/1, the shot used for the album cover and North American poster. Tim Curry’s photo was previously published in color as a UK lobby card and in Movie 81 No 2.

Page 11 is TS-82-30[/4], also used in the AFD campaign pressbook, on the UK soundtrack sampler, and as the basis for a line drawing in a soundtrack ad published in Record Mirror, January 24 1981.

I am not a student of theology. Was Jesus a dropout?

The above-mentioned frames from the movie:

Sleez Girls; Frame from TIMES SQUARE (1980)
Pammy calls her father; frame from TIMES SQUARE (1980)
Nicky blacks out Pammy's eyes; Frame from TIMES SQUARE (1980)

Further reading:

Times Square Press Material folder (post 1 of 5)
Times Square Press Material folder (post 3 of 5)
Times Square Press Material folder (post 5 of 5)
U.K. Lobby Cards (post 1 of 3)
Movie 81 No. 2, February 1981
AFD Campaign Pressbook (pages 1-4)
TIMES SQUARE Trailer
Record Mirror, January 24, 1981

 

 

Times Square program book, pp. 8-11
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_8_1080px.jpg
Press Book Japan 1981_9_1080px.jpg
Press Book Japan 1981_10_1080px.jpg
Press Book Japan 1981_11_1080px.jpg
96 dpi (images)

©1980 Butterfly Valley N. V.
 
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Times Square©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981 (post 1 of 5)

Posted on 18th February 2018 in "Times Square"
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1981 Japanese program book for TIMES SQUARE (1980), p.1 (cover)

This was almost certainly aimed at theatergoers and not the press, but I can’t be 100% certain, since as I’ve noted before, Google Translate makes a total hash of Japanese, and I don’t have the funds to have it professionally translated. (If anyone wants to help on that score, by donating some dough or a homemade translation, I’d be too happy to accept.)

 

It’s a very slick publication and gives the impression that EMI and Towa expected the movie to do well in Japan. I don’t know if it was any more successful there than in the rest of the world, though. It’s most impressive due to the many photos in it that were published nowhere else (as far as I know, as of this writing [and even as I’m writing this, I’m finding previously published examples]), and its use of misapplied pseudo-Americanisms, also present on the Japanese movie poster and promotional flyer.

 

The cover features the image most prominently seen on the picture sleeve for Roxy Music’s “Same Old Scene” Japanese single, released as a Times Square tie-in. The image also appeared in the press folder, on the inside of the soundtrack album, in the songbook, and in Movie 81 No. 2. The other shot, of Nicky and Pammy atop the Times Square Theatre marquee, previously appeared also in Movie 81 No. 2, and as a UK lobby card. The logo is a redesign of the US one, now incorporating a pair of portable headphones.

 

The inside front cover features a photo that had previously appeared, cropped differently and much smaller, in photoplay Vol. 32, No. 1.

The first small photo on the title page appeared, cropped much differently and in color, in the previously mentioned Movie 81 No. 2. The other led off the “interview” with Robin in Joepie No. 365, also in color.

Page 4 is a photo that had been a UK lobby card.

The small inset on page 5 had appeared in color in both Film Review Vol. 31 No. 1 and Movie 81 No 2. The larger photo is a first, I think: an actual frame from the movie (shown below). All the previously published photos had been stills taken at the time of shooting, or during pre-take run-throughs, none of which match up precisely with any similar images from the movie. The Yankees logo was probably there as a token of American and New York authenticity, and I’d bet appeared without the payment of any applicable license fees.

On page 6, the shot with Jay Acovone as the plainclothes cop, and the large photo of Mr. Pearl watching Pammy in the Cleo Club, are making their first, and possibly only, appearances here. The shot of Nicky with her guitar in the hideout is making its first appearance, but will turn up later in color. And the inset of Nicky singing Damn Dog had seen print in color in Joepie No. 365.

On page 7, the shot from the concert in Times Square had appeared on the sleeve for the UK soundtrack sampler. Nicky kneeling on the theater marquee with Pammy standing behind her, is similar to others that had already seen print but is making its first appearance here. The shot of Nicky and Pammy squeegeeing windshields is another frame from the film (!). And the “Burn Pot Not People” button probably signaled “American subculture” to a Japanese audience, but the most generous I could be is that it might be an unfortunate leftover from an early draft of the script, which I doubt anyone involved in making this program book had any knowledge of.

This booklet is 24 pages in total. Another batch of pages next time.

 

 

Times Square program book, p. 1-7
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_1_1080px.jpg
Press Book Japan 1981_2_1080px.jpg
Press Book Japan 1981_3_1080px.jpg
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©1980 Butterfly Valley N. V.
 
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Times Square ©1980 StudioCanal/Canal+

 

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Times Square promotional flyer, Japan, 1981

Posted on 6th February 2018 in "Times Square"
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"Times Square" promotional flyer from Japan, 1981 "Times Square" promotional flyer from Japan, 1981, p 2

 

The front side of this approximately 7.5 by 10.5 inch sheet reproduces the Japanese movie poster, the only difference being the absence of the credit for EMI at the lower right.

 

The back is breathlessly loaded with more information about the film, the girls, and the soundtrack than you’d think could possibly exist, and if anyone wants to translate it or help pay for a professional translation, I’d be happy to provide all the details hidden therein.

 

 

 

Times Square
Japan : handbill : AAT ID: 300027033 : 26.9 x 19 cm. : 1981 (work);
Japanese Times Square promotional flyer, front auto crop 1080.jpg
1080 x 765 px, 96 dpi, 530 kb
Japanese Times Square promotional flyer, back auto 1 crop 1080.jpg
1080 x 769 px, 96 dpi, 800 kb (images)

 

Times Square ©1980 StudioCanal/Canal+

 

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“… a culture of ‘Rag-Dolls’…” 1981 Press Kit, Denmark

Posted on 4th January 2018 in "Times Square"
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This was sold to me as a Press Kit, but it looks to me more like the AFD Campaign Pressbook in intent, as it has a list of available promotional materials on the back. Theater owners might have a use for that, the press wouldn’t.

The Danish publicity for Times Square surprisingly abandoned the Cummins painting used in most of the rest of Europe, and instead went all the way back to the original promotional design by Seiniger & Associates that had only appeared on a promotional piece for American theater owners and record stores, which had inspired simplified versions for the US movie poster and the soundtrack album cover.

The artwork, unfortunately, in black and white. I assume the actual posters were in color, but as of this writing I haven’t seen one. They are essentially the double-sided poster poster art with the English text replaced by Danish.

ROBERT STIGWOOD præsenterer “TIMES SQUARE”
Med TIM CURRY TRINI ALVARADO og ROBIN JOHNSON
Med PETER COFFIELD • HERBERT BERGHOF • DAVID MARGUUES • ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK • JOHN NICOLELLA
Instruktion ALAN MOYLE
Produceret af ROBERT STIGWOOD og JACOB BRACKMAN
Drejebog JACOB BRACKMAN
Manuskript af ALAN MOYiE og LEANNE UNGER
Associate Producer Bill OAKES
En EMI-ITC Produktion

Soundtrack forefindes på plade og kassette

RSO

And, here’s the text from the promotional side, with my attempt at a translation. I welcome any corrections. I’d also be interested in copies of the actual publications/reviews the pull quotes came from.

Annonce-kliché nr. 1

Tekst-kliché nr. 2

Annonce-kliché nr. 2

TO PIGER GØR OPRØR MOD DERES FORÆLDRE, MYNDIGHEDERNE, SAMFUNDET – DET HELE!

FILMENS LÆNGDE:
3025 meter
CENSUR-FARVE:
RØD
WIDESCREEN

TRAILER:
35 m/RØD

UDLEJNING:

Udlejning: A/S Nordisk Film Udlejning

2 sp. annonce-kliché nr. 5

I 1955 blev »ungdomsoprør« personificeret i James Dean’s portræt afen rebelsk teenager i filmen »Vildt blod«. I 1969 skildrede Peter Fonda og Dennis Hopper 60-ungdommen i »Easy Rider«. 70’erne producerede en ny helt for de unge, da John Travolta blev berømt på »Saturday Night Fever«, og det er den samme producent, Robert Stigwood, der står bag filmen
TIMES SQUARE
der til tonerne af new wave-musik skildrer et par unge piger i New York i 1980.
Robin Johnson og Trini Alvarado har hovedrollerne som to teenagere, der løber hjemmefra og vender sig mod det bestående samfund ved bl.a. at gå i outreret tøj, dyrke new wave-musik og smadre TV-apparater. En nat-discjockey fatter interesse for dem og opmuntrer dem i sine radioprogrammer, og inden længe har der dannet sig en hel kult af »Klude-dukker« – et begreb, de to piger har skabt. Det går naturligvis ikke i længden, og de to sætteret festligt punktum for deres virksomhed ved at afholde en ulovlig midnatskoncert for deres fans på Times Square.
TIMES SQUARE er instrueret af canadieren Alan Moyle, der er meget kendt i sit hjemland som både skuespiller og instruktør. Robin Johnson debuterer i denne film, og Trini Alvarado har optrådt siden hun var 7. Sin filmdebut fik hun i Robert Altman’s »Rich Kids«. Alan Moyle har skrevet manuskriptet sammen med Leanne Unger. (Moyle fik ideen, da han fandt en ung piges dagbog gemt i en gammel sofa), og drejebogen skyldes Jacob Brackman, der har produceret filmen sammen med Robert Stigwood. Musikken i filmen synges, foruden af Robin Johnson, af en lang række kendte navne, bl.a. Roxy Music, Susi Quatro og Lou Reed.

»NEW YORKS SVAR PÅ STORKESPRINGVANDET…
Der er en masse god new-wave-musik i filmen«. Kaj Gosvig, Aktuelt

»TEENAGE-FILM MED MASSER AF MUSIK…
byder på spænding, dramatik, komik – og masser af musik!«
Peder Lyng, Ung Nu

»Robin Johnson er klart nyt fund som pigen, der er grim som arve-
synden, men har en sjæl, der er smukkere end forårets første blomster
…godt i tråd med de nye toner, der er slået an hos ungdommen«.
★★★★ Vi’unge

TWO GIRLS MAKE REBELLION AGAINST THEIR PARENTS, AUTHORITIES, SOCIETY – ALL OF IT!

FILM LENGTH:
3025 meters
RATED:
RED
WIDESCREEN

TRAILER: 35 m/RED

RENTAL: A/S Nordisk Film Rental

In 1955, ‘youth rebellion’ was personified in James Dean’s portrait of rebel teenager in the movie ‘Wild Blood’. In 1969, Peter Fonda and Dennis Hopper depicted the 60’s youth in ‘Easy Rider’. The 70s produced a new hero for the young when John Travolta became famous in ‘Saturday Night Fever’, and it is the same producer, Robert Stigwood, who is behind the movie
TIMES SQUARE
that to the sound of new wave music portrays a couple of young girls in New York in 1980.

Robin Johnson and Trini Alvarado have the main roles as two teenagers who run from home and turn against the establishment to wear bizarre clothes, play new wave music and smash TVs. A night-disc jockey becomes interested in them and encourages them on his radio programs, and soon creates a culture of “Rag-Dolls” – a concept that the two girls have created. Of course, it does not last long and the two bring their enterprise to a celebratory end by holding an illegal midnight concert for their fans in Times Square.

TIMES SQUARE is directed by Canadian Alan Moyle, who is widely known in his native country as both actor and director. Robin Johnson is debuting in this movie and Trini Alvarado has performed since she was 7. Her film debut had her in Robert Altman’s ‘Rich Kids’. Alan Moyle wrote the original story together with Leanne Unger. (Moyle got the idea when he found a young girl’s diary tucked in an old sofa), and the script is by Jacob Brackman, who produced the film together with Robert Stigwood. The music in the film is performed, besides Robin Johnson, by a number of well-known names, including Roxy Music, Susi Quatro and Lou Reed.

“NEW YORK’S ANSWER TO THE STORK FOUNTAIN … There is a lot of good new wave music in the movie.” Kaj Gosvig, Current

“TEENAGE FILM WITH MASSES OF MUSIC …
Offers excitement, drama, comedy – and lots of music!” Peder Lyng, Young Now

“Robin Johnson is clearly a new find as the girl who is ugly as original sin, but has a soul that is more beautiful than the first flowers of the spring … well in line with the new sounds that have caught on with the youth.” ★★★★ We Young Ones

Rebel Without A Cause was apparently retitled Wild Blood in Denmark. Sleez Sisters were renamed Rag Dolls. The Stork Fountain is a monument in the center of Copenhagen which has been the focus of numerous Danish protest movements. And “We Young Ones” certainly pulled no punches in their assessment of Robin.

Times Square opened in Denmark on May 8, 1981.

 

 

Times Square press kit
Denmark : promotional material : AAT ID: 300249572 : 32.2 x 23.1 cm. : 1981 (work);

TIMES SQUARE_Press Kit Denmark 1981 front_1080px.jpg
1080 x 775 px, 96 dpi, 511 kb
TIMES SQUARE_Press Kit Denmark 1981 back_1080px.jpg
1080 x 775 px, 96 dpi, 504 kb (images)

 
Times Square ©1980 StudioCanal/Canal+