U.K. Lobby Cards (post 2 of 3)

Posted on 17th November 2016 in "Times Square"
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Color 8"x10" lobby card, 1981  Text:  TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

This shot of Nicky joining in as Pammy dances at the Cleo Club appears to me to have been taken within seconds of TS-104-17A/7 from the US Press Materials folder, and this color 8×10, the purpose of which I still don’t know. (Its post is here.) Although the presence of Miguel Pinero and the various extras would seem to indicate all three were taken on the actual day of the shoot, they were shot either during a run-through or an unused take (or an unused portion of a used shot), as none of them match up to the action as shown in the film, even allowing for the different vantage points of the still and movie cameras.

 

Color 8"x10" lobby card, 1981 Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

Another shot of Pammy and Nicky performing, or having just finished performing, “Your Daughter Is One” in the WJAD studio. It’s a shot we haven’t seen so far. The word “Rickenbacker” is clearly visible on the guitar’s headstock, so this photo belongs to the series of photographs from before it was removed (as it appears in the film) (yes, that’s from a different scene, but it’s the same guitar).

Color 8"x10" lobby card, 1981: Pammy and Nicky drop a television off the roof of a New York City building. Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

Here Pammy and Nicky push their first television off a rooftop. A shot of them throwing their last one appeared in the songbook and inside the soundtrack album. In the film, Pammy doesn’t hold the box flap back, and Nicky is barely visible behind the box until after the TV is gone. Pammy and Nicky dropping their first television [Image 3 from the "Times Square" 2-sided poster] However, another shot that was obviously taken a split second after this one appeared way back as a tiny part of the collage that made up the double-sided promo poster. In that shot, the television is obviously on its way out of the box and down. Of course they didn’t really let the TV’s plummet to the street if it wasn’t shown happening in that shot), but it never occurred to me before now that not only did they catch them, they had to catch them completely intact right after they left the shot so they could be thrown off again in retakes. Either that, or part of the budget went for multiple identical junk television sets.

Pammy and Nicky throw their first television; frame from "Times Square" (1980)

 

 

[Robin Johnson and Trini Alvarado as Nicky and Pammy in the Cleo Club]
[Robin Johnson and Trini Alvarado as Nicky and Pammy in the WJAD studio]
[Robin Johnson and Trini Alvarado as Nicky and Pammy drop a television]
Lobby cards (AAT ID: 300208593)
8 in (H) x 10 in. (W)
1981, Great Britain (works);

 

Times_Square_UK_Lobby_Card-4_manual_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 515 kb
Times_Square_UK_Lobby_Card-5_manual_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 592 kb
Times_Square_UK_Lobby_Card-6_manual_crop_1080px.jpg
1080 px (W) x 854 px (H), 96 dpi, 648 kb (images)

 

[Robin Johnson and Trini Alvarado as Nicky and Pammy drop a television]
detail from [Double-sided promotional poster, outside] (image)
image 3 from 2-sided poster_800px.jpg
800 px (W) x 686 px (H), 96 dpi, 411 kb (image)

 

vlcsnap-2016-07-23-20h33m29s240.png
853 px (W) x 480 px (H), 72 dpi, 449 kb (image)
frame capture from Times Square (1980)
captured 2016-07-23

 

Times Square ©1980 StudioCanal/Canal+

 

Another 2-fer

Posted on 8th October 2016 in "Times Square"
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Two more UK black and white press photos on a single 8 x 10 print.

2 UK TIMES SQUARE B&W Press Photos on a single 8x10 print. The bottom photo is in the Press Kit, the top photo appears nowhere else as of this writing.  Captions:  A ROBERT STIGWARD PRESENTATION FOR EMI FILMS - TIMES SQUARE.  IN  A DISTRESSED CONDITION, NICKY (ROBIN JOHNSON) TRIES TO TELL HER STORY OVER THE AIR FROM THE RADIO STATION.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.  A ROBERT STIGWARD PRESENTATION FOR EMI FILMS - TIMES SQUARE.  NICKY (ROBIN JOHNSON) AND PAMELA (TRINI ALVARADO) SURVEY THE CROWDS BELOW THEM IN TIMES SQUARE.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

Like the previous one of these, we have here one familiar picture and one new one.

 

The top photo, which  appears nowhere else as of this writing, from 2 UK TIMES SQUARE B&W Press Photos on a single 8x10 print.  Caption:  A ROBERT STIGWARD PRESENTATION FOR EMI FILMS - TIMES SQUARE.  IN  A DISTRESSED CONDITION, NICKY (ROBIN JOHNSON) TRIES TO TELL HER STORY OVER THE AIR FROM THE RADIO STATION.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

A ROBERT STIGWARD PRESENTATION FOR EMI FILMS – TIMES SQUARE. IN A DISTRESSED CONDITION, NICKY (ROBIN JOHNSON) TRIES TO TELL HER STORY OVER THE AIR FROM THE RADIO STATION. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

 

At least I’ve never seen the top photo before, of Nicky waiting for her cue from Johnny to start her performance. Or perhaps it’s Robin waiting for her cue from Allan Moyle.

 

 

Bottom photo from 2 UK TIMES SQUARE B&W Press Photos on a single 8x10 print. The bottom photo is in the Press Kit.  Caption:  A ROBERT STIGWARD PRESENTATION FOR EMI FILMS - TIMES SQUARE.  NICKY (ROBIN JOHNSON) AND PAMELA (TRINI ALVARADO) SURVEY THE CROWDS BELOW THEM IN TIMES SQUARE.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

A ROBERT STIGWARD PRESENTATION FOR EMI FILMS – TIMES SQUARE. NICKY (ROBIN JOHNSON) AND PAMELA (TRINI ALVARADO) SURVEY THE CROWDS BELOW THEM IN TIMES SQUARE. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

 

The bottom photo of Pammy looking on as Nicky decides whether to perform or not is a cropped version of TS-22-32 from the UK Press Kit (whose US-style numbering has me doubtful if it was really part of the Press Kit). Unfortunately it doesn’t have a nifty little UK-style number added like its counterpart on the other 2-fer.

Both captions repeat the peculiar misspelling of Robert Stigwood’s name as “Stigward”.

 

 

[2 “Times Square” black and white press photos on 1 8×10″ print 1 of 2]
black-and-white photograph, AAT ID: 300128347, 7.75 in (W) x 10 in (H) (work);
1981 2-photo UK 8×10-1_1080px.jpg
1080 px (H) x 863 px (W), 96 dpi, 312 kb (image)

1980
[IN A DISTRESSED CONDITION, NICKY (ROBIN JOHNSON) TRIES TO TELL HER STORY OVER THE AIR FROM THE RADIO STATION.]
[detail of 2 “Times Square” black and white press photos on 1 8×10″ print 1 of 2]
1981 2-photo UK 8×10-1_top_1080px.jpg
inscription:
[on photo] 20
[on border]A ROBERT STIGWARD PRESENTATION FOR EMI FILMS – TIMES SQUARE. IN A DISTRESSED CONDITION, NICKY (ROBIN JOHNSON) TRIES TO TELL HER STORY OVER THE AIR FROM THE RADIO STATION. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.
1080 px (W) x 950 px (H), 96 dpi, 404 kb (image)
[NICKY (ROBIN JOHNSON) AND PAMELA (TRINI ALVARADO) SURVEY THE CROWDS BELOW THEM IN TIMES SQUARE.]
[detail of 2 “Times Square” black and white press photos on 1 8×10″ print 1 of 2]
1981 2-photo UK 8×10-1_bottom_1080px.jpg
inscription:
[on border]
A ROBERT STIGWARD PRESENTATION FOR EMI FILMS – TIMES SQUARE. NICKY (ROBIN JOHNSON) AND PAMELA (TRINI ALVARADO) SURVEY THE CROWDS BELOW THEM IN TIMES SQUARE. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.
1080 px (W) x 943 px (H), 96 dpi, 406 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

“Nick & Slick”

Posted on 28th September 2016 in "Times Square"
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Two UK black and white press photos on a single 8 x 10 print.

2 UK TIMES SQUARE black and white press photos on a single 8x10 print.  The top photo is a version of TS-72-8A/14 from the US press kit, cropped to show less at the top and more at the left, right, and bottom.  It has a tiny number 20 at its lower right.  The bottom photo appears nowhere else as of this writing.  Text:  A ROBERT STIGWARD PRODUCTION FOR EMI FILMS - TIMES SQUARE.  PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) SING LIVE ON THE AIR.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.  A ROBERT STIGWARD PRODUCTION FOR EMI FILMS - TIMES SQUARE.  PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) DEFACE PAMELA'S 'LOSTGIRL' POSTER.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

Who exactly printed these, and why, are mysteries, as I haven’t yet come across any publication that used them, but their country of origin is made clear by the captions announcing Times Square’s release in the UK.

A bigger mystery is why the photo captions lead off by misspelling Robert Stigwood’s surname “Stigward”. There’s at least one more 2-on-1 8×10 like this one (see next post), and it maintains the “Stigward” spelling.

 

 

This top photo from a single 8x10 print (2) contaniing 2 UK TIMES SQUARE Press Photos, is a version of TS-72-8A/14 from the US press kit, cropped to show less at the top and more at the left, right, and bottom.  It has a tiny number 20 at its lower right, in the style of the photos from the UK Press Kit.  Text:  A ROBERT STIGWARD PRODUCTION FOR EMI FILMS - TIMES SQUARE.  PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) SING LIVE ON THE AIR.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

A ROBERT STIGWARD PRODUCTION FOR EMI FILMS – TIMES SQUARE. PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) SING LIVE ON THE AIR. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

The top photo is a version of TS-72-8A/14 from the US press kit, cropped to show less at the top and more at the left, right, and bottom. The most interesting thing about it it the tiny number 20 at its lower right, in the style of the photos from the UK Press Kit.

This bottom photo appears nowhere else as of this writing.  Text:  A ROBERT STIGWARD PRODUCTION FOR EMI FILMS - TIMES SQUARE.  PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) DEFACE PAMELA'S 'LOSTGIRL' POSTER.  RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

A ROBERT STIGWARD PRODUCTION FOR EMI FILMS – TIMES SQUARE. PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) DEFACE PAMELA’S ‘LOSTGIRL’ POSTER. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.

 

The bottom photo, as far as I know, has never appeared anywhere else. It comes from the end of the dancing-along-42nd-Street scene, when they find that someone has spray painted “No Sense Makes Sense – The Sleez Sisters” across a “Missing” poster of Pammy on the side of a city bus. Needless to say, the shot in the film is from a significantly different angle. Also, the scene cuts as Nicky is blacking out Pammy’s eyes, and here Pammy and Nicky admire her completed work, including Nicky’s addition of the legend “Nick & Slick”.

For what it’s worth, this moment is to me the biggest continuity error in the movie. In the film, only Pammy is around when Nicky utters the phrases “Sleez Sisters” and “No Sense Makes Sense”. In the script, there are indications that Johnny has had them in the WJAD studio several times broadcasting their philosophy to the tri-state area, but in the movie, local girls are apparently receiving psychic transmissions from Pier 56. It still works though, adding to the dream logic that underpins the entire movie. There’s no way this could have happened, but of course it did, because it has to. Yes, it makes no sense, but No Sense Makes Sense. It’s pointless to argue about logic flaws in Times Square, because logic isn’t the point, the point is raw emotion, as embodied in Nicky Marotta.

That the incoherent form of the film reflects the intent in this way is a complete accident; I’m certain Allan Moyle and Jacob Brackman weren’t trying to create a film that delivered its message through continuity problems. Moyle has said (in the Anchor Bay DVD commentary) that the script should have had another year’s development before filming, to iron out some of those problems; and if someone other than Robert Stigwood had produced it, the problems created after Moyle left the film wouldn’t have occurred. As I’ve said before, though, if this had happened, Times Square would have been a radically different movie, and wouldn’t have starred Robin Johnson, and I wouldn’t be here blathering on about it.

Now, “No Sense Makes Sense” having its origins as a Charles Manson quote, again betraying the late ’60s-early ’70s sensibilities of the film’s creators, and our heroines adopting it as a rallying cry, and myself using it to explain away the movie’s structural flaws… well, it makes me feel a little icky, but please somebody else discuss this in the comments. I’m really only here to show all the pictures I’ve collected, not to analyze the film. (Every once in a while I just can’t help myself though, as you can see.)

 

 

[2 “Times Square” black and white press photos on 1 8×10″ print 2 of 2]
black-and-white photograph, AAT ID: 300128347, 7.75 in (W) x 10 in (H) (work);
1981 UK 2-photo 8×10-3_1080px.jpg
1080 px (H) x 852 px (W), 96 dpi, 321 kb (image)

1980
[20 – PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) SING LIVE ON THE AIR.]
[detail of 2 “Times Square” black and white press photos on 1 8×10″ print 2 of 2]
1981 UK 2-photo 8×10-3_top_1080px.jpg
inscription:
[on photo] 20
[on border]A ROBERT STIGWARD PRODUCTION FOR EMI FILMS – TIMES SQUARE. PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) SING LIVE ON THE AIR. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.
1080 px (W) x 911 px (H), 96 dpi, 358 kb (image)
[PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) DEFACE PAMELA’S ‘LOSTGIRL’ POSTER.]
[detail of 2 “Times Square” black and white press photos on 1 8×10″ print 2 of 2]
1981 UK 2-photo 8×10-3_bottom_1080px.jpg
inscription:
[on border]A ROBERT STIGWARD PRODUCTION FOR EMI FILMS – TIMES SQUARE. PAMELA (TRINI ALVARADO) AND NICKY (ROBIN JOHNSON) DEFACE PAMELA’S ‘LOSTGIRL’ POSTER. RELEASED IN THE UK BY COLUMBIA-EMI-WARNER.
1080 px (W) x 921 px (H), 96 dpi, 391 kb (image)

 

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square UK Press Kit (post 3 of 4)

Posted on 9th August 2016 in "Times Square"
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First, some pictures.

Tim Curry as Johnny LaGuardia on the roof outside the WJAD studio, in the UK press kit photograph numbered 5.  This photo was taken a second before or after the photo numbered TS-79-28/8 in the US press kit.  The text from the press kit's photo captions page:  5. TIM CURRY stars as an all-night disc jockey, who, perched in his studio high above Times Square follows and encourages the progress of the runaway girls, who thanks to his efforts become minor media celebrities.

5. TIM CURRY stars as an all-night disc jockey, who, perched in his studio high above Times Square follows and encourages the progress of the runaway girls, who thanks to his efforts become minor media celebrities.

 

 

UK Press Kit photo #5 is another headshot of Tim Curry, this time as Johnny appears at the end of the film as he’s watching the concert though his telescope on the deck outside WJAD. The most interesting thing about this photo is, at first glance it looks like TS-79-28/8 from the US press kit, but it isn’t. It’s not just cropped differently; Tim’s head is tilted up slightly and he hasn’t got the beginnings of a smile he sports in the US photo. It’s a different photo, taken just before or just after.

Photos 6, 7, and 8 are pictures of Robin. Unfortunately I don’t have Photo 6, and none of the photos without the little number are of Robin alone.

Robin Johnson as Nicky Marotta atop the Times Square Theater marquee, in the UK press kit photograph numbered 7. The text from the press kit's photo captions page: 6/7/8. 15-year-old screen newcomer ROBIN JOHNSON stars as Nicky Marotta, a street-wise young runaway who, thanks to a radio DJ's patronage, is able to fulfil her fantasies of becoming a star of the "new wave".

6/7/8. 15-year-old screen newcomer ROBIN JOHNSON stars as Nicky Marotta, a street-wise young runaway who, thanks to a radio DJ’s patronage, is able to fulfil her fantasies of becoming a star of the “new wave”.


In Photo 7, Nicky kneels at the edge of the Times Square Theater marquee, deciding if she wants to perform or not. She never looks up in the film like she’s doing here, though, not without turning to look at Pammy or the Blondells. Perhaps she’s waiting here for a cue from Allan Moyle.
Robin Johnson as Nicky Marotta in the Cleo Club, in the UK press kit photograph numbered 8. The text from the press kit's photo captions page: 6/7/8. 15-year-old screen newcomer ROBIN JOHNSON stars as Nicky Marotta, a street-wise young runaway who, thanks to a radio DJ's patronage, is able to fulfil her fantasies of becoming a star of the "new wave".

6/7/8. 15-year-old screen newcomer ROBIN JOHNSON stars as Nicky Marotta, a street-wise young runaway who, thanks to a radio DJ’s patronage, is able to fulfil her fantasies of becoming a star of the “new wave”.

 

Photo 8 has Nicky scoping out the Cleo Club for Pammy, before revealing her attempt at poetry to her. This one is really close to the shot as it appears in the film, but it isn’t. The POV is slightly to the left of the movie camera, and although Robin is doing the same nervous finger-pulling, her hands are never in that exact position. This is the same almost-but-not-quite situation we saw with the shots of Trini from the later scene in the club where Mr. Pearl confronts Pammy.

I don’t have any photos numbered 9 or 10, and the caption sheet has no entries for them.

Trini Alvarado as Pamela Pearl, in the UK press kit photograph numbered 11. The text from the press kit's photo captions page: 11. TRINI ALVARADO, 12-year-old star of Robert Altman's RICH KIDS, is Pamela Pearl, daughter of a well-to-do New York family who runs away to find a new and exciting life in the city’s streets.

11. TRINI ALVARADO, 12-year-old star of Robert Altman’s RICH KIDS, is Pamela Pearl, daughter of a well-to-do New York family who runs away to find a new and exciting life in the city’s streets.

 

 

Photo 11 is a shot of Trini from the end of the same scene in the Cleo Club as Photo 8. In the film she never looks in thIS direction while smiling. Also, this photo has been lit in such a way as to make the background disappear entirely. The photographer took the opportunity to make this a true glamor portrait, not just an on-set publicity still. The glass on the table by her elbow shows that it was taken on the set, though.

Most of the photos in the UK Press Kit are very grainy and dusty compared to the US photos, as if they were printed from copies themselves. I’ve cleaned up the dust and scratches that were on the physical copy of the prints, but I’ve left most of the ones that were in the print itself, except the ones that were so huge I couldn’t stand to leave them.

There are two sets of text pages, and two profiles of Robin in each. The longer profile is almost the same as the one from the US press kit. Almost… but not quite. Aside from the slight rewording of nearly every sentence, this UK version spells Allan Moyle’s name correctly, where the US press kit and the film itself spell it “Alan”. The UK version describes Robin’s “discovery” on the steps of Brooklyn Tech in 1979 when she was 15 (which is accurate), and the US version has it happening in 1980 and gives her age as 16. I’m starting to wonder if the UK Press Kit wasn’t made up first, and the US version derived from it. (The photo captions also state Robin’s age as 15, which she was during the making of the film; she was 16 during its marketing.)

The only difference between the two sets in the UK Press Kit is that the text on the pages without the Times Square letterhead contain American spellings of words, and the pages with Times Square letterhead contain British spellings (“centers”/”centres”, etc.).

“TIMES SQUARE” STAR ROBIN JOHNSON IS A NATURAL

One day Brooklyn’s Technological High School’s front steps may be legendary as the spot where a star was “born”, a ’79 equivalent to Hollywood’s Schwab’s Drug Store, On those steps, smoking a cigarette while waiting for classes to begin, 15 —year—old ROBIN JOHNSON was discovered by a casting scout on the lookout for possible candidates for the lead in TIMES SQUARE.

“He gave me this card and said to call this number if I was interested in being in a movie,” Robin recalls in her inimitible Brooklyn-accented speech. “I thought ‘Oh! Another wise guy’, but gave it a try.”

What Robin didn’t know at the time was that director Allan Moyle, who had written the original story for TIMES SQUARE with Leanne Unger, was determined to cast only the young actress who would be precisely right for the crucial central role of Nicky Marotta, a gusty teenager, loose and without adult super- vision and determined to be a rock star.

The talent search had already bypassed many of the traditional avenues and gone to youth centres, punk clubs, and placed ads in papers like the Village Voice, Soho News, Aquarian. “We were looking for someone who WAS Nicky,” Moyle admits. “Robin’s definitely not that doomed child. Luckily for the picture, Robin’s brought a lot more humour to the character than I had originally envisioned.”

Without any previous experience – “I had sung in a choir when I was 12” – Robin won the role over literally thousands of other candidates. After being cast, she entered an intensive programme of coaching in singing and dance/movement. Making the film meant that the novice was quickly transformed into a seasoned professional. Robin worked seven days a week for three months, for as a minor, the new star had to continue her studies with a tutor on the set and more lessons on Saturday. On Sunday, recording or dancing demands would take up the day. The veteran members of the New York crew were impressed with the professionalism of both Robin and her even younger co-star, 13-year-old TRINI ALVARADO. Both exhibited an almost non-stop flow of dedication, energy, high spirits and raucous good humour.

Robin lives with her older sister Cindy and her mother, in- Brooklyn. Born on May 29th, 1964, Robin never gave any thought to becoming an actress until TIMES SQUARE.

Her inclination previously ran toward sketching (I’m not into landscapes; give me cartoons with some people in there “) and, whenever the opportunity arose, banging on drums. And although she first started dating when she was 11, she’s not worried about permanent relationships at this point in her life. “I’m closest with my sister Cindy, who’s a year older. We’re both Geminis and I like to argue, especially in a friendly way.”

Like many young women her age, Robin can identify with Nicky’s rebelliousness and non-conformity, traits which land Nicky in trouble with the law and into the arms of Rosie (ANNA MARIE HORSFORD), a concerned social worker. “Nicky can’t put things over on Rosie like she does with others,” Robin figures, “and that’s the reason she admires her. I have trouble with authority figures, too, which means anybody with the upper hand – like my mother or my teachers.” But for director Allan Moyle, who might be considered the supreme authority figure, Robin has only praise: “We’re alike in certain ways and that made it easier to relate. Allan’s absolutely brilliant for inspiration, for giving you energy for a scene. When he wants you to do a scene better, he gets you to think, not bullying or intimidating, I want to work with him again.”

Robin sees Nicky as a teenager who masks what she really feels and tried to make her real, “She was bitter about being abandoned. Her Dad’s a loser. All she can do is pity him, not be mad at him now. Nicky has a lot of gutsiness that I really admired. Her philosophy always was, ‘When you’re mad, show it’.”

Gutsiness is a trait Robin and Nicky have in common. Robin, besides being bright, witty and talented, is seemingly fearless, whether performing atop a 42nd Street theatre marquee or being dunked into the icy December water of the polluted Hudson River. “Nerves don’t get you anywhere,” she says.

Robin was coached for TIMES SQUARE by veteran Sue Seaton, who has worked with Katharine Hepburn and Gilda Radner, But that throaty timbre is unmistakably her own, perhaps a result of the ”Kool” cigarettes she smokes incessantly.

The closest Robin had ever been to a movie set before TIMES SQUARE was when a scene for “The Wanderers” was shot in her neighbourhood. Now, the world of movies is opening for her.

“Let me tell you about this movie business,” she says seriously. “There’s no right for anyone to get an attitude just because so many people are aware of your job. What I say is, it’s entertainment and it’s a job. I hope TIMES SQUARE does well, but it’s not the answer to my life. Most, I loved meeting and working with so many wonderful people.”

There is one confession she’ll make when prodded about the rigors of working in the realm of make-believe: “Oh yeah,” she says with a grimace, “chewing roses was pretty disgusting. I’d never tasted flowers before.”

Two things of interest, both in the credits as listed in the letterhead: first, the order of the cast. The film’s credits are “Starring TIM CURRY, TRINI ALVARADO, and introducing ROBIN JOHNSON as Nicky.” This letterhead’s credits read “Starring ROBIN JOHNSON, TRINI ALVARADO and TIM CURRY.” So, for a brief moment, Robin had top billing.

Second, I just noticed… all the promotional materials, as well as the film itself, misspell Leanne Ungar’s name “Unger”. Of course, in Moyle’s earlier film The Rubber Gun (1977), she had a music engineering credit that spelled her name “Lianne Ungen,” so I suppose this was a step up.

 

 

TIMES SQUARE UK Press Kit photo_5
1080 px (W) x 864 px (H), 96 dpi, 263 kb (image)
TIMES SQUARE UK Press Kit photo_7
1080 px (W) x 864 px (H), 96 dpi, 260 kb (image)
TIMES SQUARE UK Press Kit photo_8
1080 px (W) x 865 px (H), 96 dpi, 282 kb (image)
TIMES SQUARE UK Press Kit photo_11
1080 px (W) x 865 px (H), 96 dpi, 245 kb (image)
black and white photographic prints, 8 in (H) x 10 in (W) (works);

1980
inscriptions: [on photos] 5; 7; 8; 11;
[on reverse] TIMES SQUARE

 

“TIMES SQUARE” STAR ROBIN JOHNSON IS A NATURAL, pp. 1-4
8.5 in (W) x 11 in (H) (works);
1080 px (H) x 832 px (W), 96 dpi, 238 kb (image)
1080 px (H) x 832 px (W), 96 dpi, 200 kb (image)
1080 px (H) x 832 px (W), 96 dpi, 233 kb (image)
1080 px (H) x 832 px (W), 96 dpi, 115 kb (image)

 

“TIMES SQUARE” STAR ROBIN JOHNSON IS A NATURAL, pp. 1-3
8.27 in (W) x 11.69 in (H) (works);
1080 px (H) x 755 px (W), 96 dpi, 283 kb (image)
1080 px (H) x 755 px (W), 96 dpi, 262 kb (image)
1080 px (H) x 755 px (W), 96 dpi, 254 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square Soundtrack Promotional Video

Posted on 22nd January 2016 in "Times Square"
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Apparently, in 1980, RSO sent this videotape to record retailers to play in-store to promote the soundtrack to Times Square. It features the two songs performed in the film, “Your Daughter Is One” and “Damn Dog.” The fact that the lyrics to “Your Daughter Is One” consist primarily of curse words and racial slurs guaranteed that it would never be played in any store for more than thirty seconds. The fact that nobody at RSO, from the tape’s conception to its distribution, realized that would happen, boggles the mind.
 

 

The middle portion of the tape is an edit of the dance the girls do along 42nd Street to “Life During Wartime” by Talking Heads. Much of this sequence is made up of shots that do not actually appear in the film; unfortunately here they’re only four or five frames long. Even more unfortunately, this digitization is at such low resolution that individual frames turn into pretty smears of color.
 

This video was originally digitized and uploaded on February 24 2012 by “PsychoticNorman”. I’ve offered to buy or borrow the tape to make a higher quality transfer, but have not received a reply. I have fixed the aspect ratio and brightened and sharpened the image a little. You can see PsychoticNorman’s original upload here. My file is technically at a higher resolution, but that’s an artifact of my editing software refusing to save at the small resolution of the original file. I’ve tried to make it easier to look at, but there isn’t really any more detail.

 

 

 

TIMES SQUARE soundtrack promotional video (trailer (motion picture) AAT ID: 300263866), videotape promoting the film and soundtrack for use in record stores, 5:29 (work); H264 – MPEG-4 AVC (part 10) (avc 1), 480 px (W) x 386 px (H), 19.4 MB (video); MPEG AAC (mp4a) stereo 48000 Hz (audio)
(video modified 25 December 2015 from the file digitized by PsychoticNorman at https://www.youtube.com/watch?v=S38UzHtkmeA)

 

RSO Promo Video Image4.png, RSO Promo Video Image5.png, RSO Promo Video Image15.png, RSO Promo Video Image17.png, RSO Promo Video Image21.png, RSO Promo Video Image22.png: frame captures from “TIMES SQUARE soundtrack promotional video”, 655 px (W) x 486 px (H), 72 dpi (images)

 

Soundtrack Promotional Poster OP-200

Posted on 8th September 2015 in "Times Square"
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"Times Square" soundtrack promotional poster, 32" (H) x 48" (W), 1980 Text: The Original Motion Picture Soundtrack A Robert Stigwood Production TIMES SQUARE ™ A 2-RECORD SET Featuring Music Of: SUZI QUATRO, THE PRETENDERS ROXY MUSIC, GARY NUMAN TALKING HEADS, JOE JACKSON MARCY LEVY & ROBIN GIBB XTC, THE RAMONES GARLAND JEFFREYS, THE CURE LOU REED, DESMOND CHILD & ROUGE THE RUTS, D.L. BYRON ROBIN JOHNSON & TRINI ALVARADO PATTI SMITH GROUP, DAVID JOHANSEN RSO Records, Inc. ® © 1980 RSO Records, Inc. OP-200

 

“O” is for “oversized,” I assume. This image is the same size as the image of the last poster, but trust me, the actual poster is double the size — just as tall and twice as wide. At four feet wide, it may be the largest poster in my collection; the UK “Quad” movie poster may be larger… we’ll see when we get there.

You can see for yourself how the elements from the previous poster, themselves rearranged from the album cover (as seen on the promotional slick), have been rearranged here. The very background is still yellow, but it’s been overlaid with a blue rectangle. Nicky and Pammy have been moved into the upper right corner, and the RSO cow removed from Nicky’s Johnny LaGuardia button. The title has been enlarged and moved into the upper left. The bottom half is the pixellated photo of the final concert, just like in the last poster, but nearly all of it is visible here. The red paint streak here stretches all across the bottom, and serves as a background to highlight the artist names.

The biggest difference here, though… no mention of the movie’s opening date. This double-sized poster promotes the record and the record only.

I never saw this poster in its natural habitat (on the wall of a record store), but I find it more visually pleasing than most of the other posters, except for the poster-side of the 2-sided poster. I guess my eye just likes the red and the blue better than the yellow. I sincerely doubt I’ll ever live somewhere with enough wall space to hang it up, though.

 

 

“Times Square” Original Motion Picture Soundtrack promotional poster OP-200
poster, AAT ID: 300027221; color, 32 in (H) x 48 in (W) (work);
1080 px (H) x 715 px (W), 96 dpi, 622 kb (image)

1980
inscription:
The Original Motion Picture Soundtrack
A Robert Stigwood Production
TIMES SQUARE ™
A 2-RECORD SET
Featuring Music Of:
SUZI QUATRO, THE PRETENDERS
ROXY MUSIC, GARY NUMAN
TALKING HEADS, JOE JACKSON
MARCY LEVY & ROBIN GIBB
XTC, THE RAMONES
GARLAND JEFFREYS, THE CURE
LOU REED, DESMOND CHILD & ROUGE
THE RUTS, D.L. BYRON
ROBIN JOHNSON & TRINI ALVARADO
PATTI SMITH GROUP, DAVID JOHANSEN
RSO Records, Inc. ®
© 1980 RSO Records, Inc.
OP-200

 

 

The U.S. Movie Poster

Posted on 7th July 2015 in "Times Square"
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The "Times Square" US movie poster.  Text:  In the heart of Times Square a poor girl becomes famous, a rich girl becomes courageous and both become friends. TIMES SQUARE ROBERT STIGWOOD Presents "TIMES SQUARE" Starring TIM CURRY ● TRINI ALVARADO  And Introducing ROBIN JOHNSON Also Starring PETER COFFIELD ● HERBERT BERGHOF ● DAVID MARGULIES ● ANNA MARIA  HORSFORD Executive Producers KEVIN McCORMICK ● JOHN NICOLELLA Directed by ALAN MOYLE Screenplay by JACOB BRACKMAN Story by ALAN MOYLE and LEANNE UNGER Produced by ROBERT STIGWOOD and JACOB BRACKMAN Associate Producer BILL OAKES An EMI Release Distributed in the U.S. and Canada By AFD (Associated Film Distribution) R RESTRICTED UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN Soundtrack available on RSO Records and Tapes AFD T.M.   ©1980 Associated Film Distribution RSO TM Records, Inc. 262 GAU GRAPHIC ARTS INTERNATIONAL UNION OFFICIAL UNION LABEL 796 PRINTED IN U.S.A. Property of National Screen Service Corporation. Licensed for use only in connection  with the exhibition of this picture at the theatre licensing this material. Licensee  agrees not to trade, sell or give it away, or permit others to use it, nor shall  licensee be entitled to any credit upon return of this material. This material  either must be returned or destroyed immediately after use. 800099
The final design for the movie poster retains the two overlapping askew rectangles from the poster side of the double-sided poster. That poster had a black rectangle over a purple rectangle over a red background; here it’s changed to yellow over blue over white. The colorized collage of Nicky and Pammy remains, but Pammy’s head has been lowered in relation to Nicky’s, and Nicky’s right shoulder and arm have been removed, and her collar shortened, to make room. The button with Johnny’s face has been placed on Nicky’s left lapel. It’s the same colorization job, with Nicky’s blue eyes and a ton of eye shadow, although there’s less contrast and there isn’t as much detail in the hair.

The round splotch of vivid fuschia with its outer drops turning to musical notes (which started as a cloud of red-orange smoke with its outer edges turning to notes) is now a streak of red paint whose splatters are just splatters.

The logo is exactly the same, just a little faded-looking in comparison because of the lowered contrast.

The tagline, “In the heart of Times Square a poor girl becomes famous, a rich girl becomes courageous and both become friends,” … well, they had to say something. It seems momentous until you start to think about what it actually says. It is literally what happens, but it’s not exactly what the movie is about.

Finally, the fantastic strips of DYMO label tape from the double-sided poster have become a clear italic sans-serif font on strips of fuschia (gotta have that fuschia somewhere). It looks great if you don’t have the original idea to compare it with. They sacrificed the design for the sake of clarity (it is easier to read), which is always the way, and is usually the right decision. Although… it is a watering down of the marketing towards a New Wave audience, to market the film more to a mass audience, and in hindsight we all know how well that worked.

 

 

“Times Square” Full Color One-Sheet Poster 800099
color, 27 in (W) x 41 in (H) (work);
706 px (W) x 1080 px (H), 96 dpi, 432 kb (image)

1980
inscription:
In the heart of Times Square
a poor girl becomes famous,
a rich girl becomes courageous
and both become friends.
TIMES SQUARE
ROBERT STIGWOOD Presents “TIMES SQUARE”
Starring TIM CURRY ● TRINI ALVARADO
And Introducing ROBIN JOHNSON
Also Starring PETER COFFIELD ● HERBERT BERGHOF ● DAVID MARGULIES ● ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK ● JOHN NICOLELLA
Directed by ALAN MOYLE
Screenplay by JACOB BRACKMAN
Story by ALAN MOYLE and LEANNE UNGER
Produced by ROBERT STIGWOOD and JACOB BRACKMAN
Associate Producer BILL OAKES
An EMI Release Distributed in the U.S. and Canada
By AFD (Associated Film Distribution)
R RESTRICTED
UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN
Soundtrack available on RSO Records and Tapes
AFD T.M.
©1980 Associated Film Distribution
RSO TM Records, Inc.
262 GAU GRAPHIC ARTS INTERNATIONAL UNION OFFICIAL UNION LABEL 796
PRINTED IN U.S.A.
Property of National Screen Service Corporation. Licensed for use only in connection
with the exhibition of this picture at the theatre licensing this material. Licensee
agrees not to trade, sell or give it away, or permit others to use it, nor shall
licensee be entitled to any credit upon return of this material. This material
either must be returned or destroyed immediately after use.
800099

 

Times Square ©1980 StudioCanal/Canal+

 

The Mystery of the Double-Sided Poster, Side Two

Posted on 28th June 2015 in "Times Square"
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Designed to be opened one fold at a time, the blue side is a promotional presentation for "Times Square" and its soundtrack, and the red side is a full poster. This is the red side.  Text:  TIMES SQUARE Can you feel my fever? Can you hear me howl? I'm just a Damn Dog. Tune into me because I am tuned into you. STICK IT IN YOUR EAR. NO SENSE MAKES SENSE They tell me I'm crazy. But the truth is I just know bullshit when I see it.Fully opening the two-sided poster reveals my favorite version of the image most associated with Times Square.

As I mentioned last time, I find the red background more visually pleasing than the yellow used on the movie poster and soundtrack album cover. There are several other differences in this version, as well. The Seiniger designers have collaged the black and white photos of Robin and Trini, but here they’re of equal height; the future versions will make Trini seem significantly shorter than Robin. Also, this is the only time we get to see Robin’s right shoulder; the movie poster and album cover cut her out at the lapel.

This side doesn’t use the DYMO label-style typeface, but it does use Nicky’s pins as a design element, floating quotes from the film and Tim Curry’s image in badges. The Tim Curry button will later find its way to Nicky’s left lapel, which for now plays host to a button with the RSO cow. The buttons-scattered-across-the-poster idea will later be used by the Japanese promotion artists, although their choices of what constitute statements of rebellion will face a bit of a language barrier.

The artists do a masterful job of colorizing the black and white photographs, but either they had no color reference photos or they made an artistic decision for reasons of their own, because they made Robin’s eyes blue. Robin’s eyes are green with a trace of brown. Trini’s eyes here are pretty much the color of Robin’s eyes in real life. I don’t know what color Trini’s eyes really are.

There are color photos that were taken at the same time as the black and white shot of Nicky so I also don’t know why they felt the need to slather eye shadow on Nicky that she certainly wasn’t wearing. I’ve never once had the feeling that Nicky was an eye shadow kind of girl. The closest thing we ever see to her applying make-up is to paint a mask across the entire top half of her face. Even though the poster designers had finally gotten a very good handle on what the film was trying to get across, they didn’t quite understand the character of Nicky. It’s another attempt to make her just a little more girly, like the Press Folder’s misspelling her name as “Nikki.”

 

 

[“Times Square” double-sided promotional poster, inside]
color, 39 in (H) x 25.75 in (W) (work);
712 px (W) x 1080 px (H), 510 kb (image)
1980, Seiniger & Associates

inscription:
TIMES SQUARE
Can you feel my fever? Can you hear me howl? I’m just a Damn Dog.
Tune into me because I am tuned into you.
STICK IT IN YOUR EAR.
NO SENSE MAKES SENSE
They tell me I’m crazy. But the truth is I just know bullshit when I see it.

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square Press Material folder (post 4 of 5)

Posted on 23rd May 2015 in "Times Square"
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Robin Johnson as Nicky Marotta, holding her Rickenbacker guitar in the WJAD studio.  Publicity still from the "Times Square" US Press Materials folder.  Text:  (on image) TS-69-34A/4  (on border)TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-69-34A
Robin Johnson is a runaway teenage product of the streets who dreams of becoming a rock music star and lets nothing get in her way to make it to the top in “Times Square.”

Publicity still of Trini Alvarado and Robin Johnsonperforming "Your Daughter Is One" in the WJAD studio, from the "Times Square" US Press Materials folder.   Text:  TS-72-8A/14 TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-72-8A
Robin Johnson (right) is determined to become a rock music star, Trini Alvarado is her fellow teenage runaway and their wild, bizarre escapades in New York make them minor media celebrities when reported by an all-night radio disc jockey in “Times Square.”

 

On the left is the same photo as this one, cropped differently and of course without the autograph.

On the right is the photo that may be the one used the most to promote the film. We’ll have a better idea about that once I’m done with all this stuff. Until just now, I always thought it was a cropped version of this photo (that version of which I’ve only seen on the Web and believe to have been cut from a UK lobby card), but now I realize they were taken a second or two apart. Look at their arms.

Publicity still of Trini Alvarado in the Cleo Club, from the "Times Square" US Press Materials folder. Text: (on image) TS-113-4A/6 (on border) TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-113-4A
Trini Alvarado is co-starred as the troubled teenage daughter of a New York politician whose lack of attention turns the girl into a teenage runaway and a try at becoming a dancing attraction in a sleazy nitery in “Times Square.”

Publicity still of Peter Coffield and Tim Curry in the WJAD studio from the "Times Square" US Press Materials folder. Text: (on image) TS-78-2/16 (on border) TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-78-2
Peter Coffield (left), ambitious New York politician and widower, confronts disc jockey Tim Curry when the all-night performer encourages Coffield’s runaway daughter to continue her rebellion against authority in “Times Square.”

 

 

As always, there is no shot in the film that matches up either of these two photos. Mr. Pearl does throw Johnny into the table as at left, but the shot cuts from a close-up of Pearl grabbing Johnny and pushing him to a close-up of Johnny landing; there is no shot of the two of them. Also, Johnny’s hand never touches the mic stand as it does in the photograph. There is nothing even close enough to bother with a frame grab.

We see Pammy looking in the mirror fairly clearly in the film, but just like these photos, in the film we see it from her father’s perspective, and she’s not quite in the same pose as in the photo. Here’s the closest frame from the film:

Pammy Pearl experiments with her look in the Cleo Club - frame grab from "Times Square" (1980)

 

 

TS-69-34A/4
1080 px (H) x 862 px (W), 96 dpi, 297 kb (image)
TS-72-8A/14
1080 px (H) x 856 px (W), 96 dpi, 311 kb (image)
TS-78-2/16
1080 px (W) x 856 px (H), 96 dpi, 289 kb (image)
TS-113-4A/6
1080 px (H) x 862 px (W), 96 dpi, 257 kb (image)
black and white photographic prints, 8 in (H) x 10 in (W) (works);

1980
inscriptions: [on photos] TS-69-34A/4; TS-72-8A/14; TS-78-2/16; TS-113-4A/6;
(on borders) TIMES SQUARE
AFD
©1980 Associated
Film Distribution

 

vlcsnap-2015-04-12-11h40m58s217.png
853 px (W) x 480 px (H), 72 dpi, 872 kb (image)
frame capture from Times Square (1980)
captured 2015-04-12

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square Press Material folder (post 3 of 5)

Posted on 14th May 2015 in "Times Square"
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“… in one of those inexplicable chance occasions, out of the blue, Robin Johnson appeared…”

 

Four more stills from the Times Square U.S. press kit.

Publicity still of Trini Alvarado and Peter Coffield from the "Times Square" US Press Materials folder.  Text:  (on image) TS-117-13/15 (on border) TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-117-13
Trini Alvarado stars as the troubled daughter of an ambitious New York politician, played by Peter Coffield, and his lack of attention turns her into a rebellious runaway in “Times Square.”

Publicity still of Robin Johnson and Trini Alvarado in the "hideout" in Pier 56 from the "Times Square" US Press Materials folder.   Text:  TS-94-10A/13 TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-94-10A
Robin Johnson and Trini Alvarado co-star as two runaway teenagers in New York who create their own bohemian life style in a revolt against authority in Times Square.

Publicity still of Robin Johnson and Trini Alvarado on the northwest corner of 50th Street and 8th Avenue, from the "Times Square" US Press Materials folder.   Text:  TS-61-14/10 TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-61-14
Trini Alvarado as Pamela Pearl and Robin Johnson as Nicky Marotta become minor media celebrities when their bizarre runaway escapades are reported on radio by an all-night disc jockey in “Times Square.”

Publicity still of Robin Johnson, Trini Alvarado, and Miguel Pinero in the Cleo Club, from the "Times Square" US Press Materials folder.  Text:  (on image) TS-104-17A/7  (on border) TIMES SQUARE AFD ©1980 Associated Film Distribution

TS-104-17A
Trini Alvarado is a novice dancer on the runway of a sleazy Times Square nitery but keeps the job as a teenage attraction with the encouragement of her fellow runaway, played by Robin Johnson (lower left), in “Times Square.”

I don’t really have anything to say about these, but when have I let that stop me.

It means nothing, but I notice in the first pic, Pammy’s dad is on the right, looking down at her, and in the rest, Nicky is to the left and is looking up at Pammy (or would be if her head was turned; her eye level is below Pam’s). This is just an artifact of the four pictures I happened to post here, but, still…

The second pic: Robin sure rocked that Union suit, huh?

The third pic: this is another shot from the girls’ escape from the plainclothes cop in the Adonis Theater, as they’re about to descend into the subway at 50th Street and 8th Avenue. There’s a screengrab of this shot towards the bottom of this post and another photo from this scene is the third image in the gallery of close-ups in this post, in a collage with images of Times Square (the street).

The fourth pic of Pammy’s dancing debut is from the session that produced this. There’s yet another shot that will be used on a UK lobby card.

As usual, none of these are the actual shots from the film.

To punch up the Robin content in this post, here are the first five pages of the eight-page “Production Information” text packet. (Robin isn’t mentioned on the last three pages.)

The Robin stuff reads as follows. For the rest, you’re on your own, unless I get requests from the audience. (That’s you.)

TIMES
SQUARE

PRODUCTION INFORMATION

About The Motion Picture…

“Times Square” bursts on the screen with the earthy exuberance of the famed New York City crossroads, itself, and depicts the energy and antics of adolescents imbibing the heady rush of rebellion. It is set to the sound of today’s most outstanding rock music and showcases the excitement of three vividly strong performances–the transformation of an inhibited, awkward teener, done to perfection by Trini Alvarado; the radiance and effervescence of a new discovery in 16-year-old Robin Johnson, and an image-breaking character study of a disc-jockey on-the-edge by Tim Curry.

A contemporary drama that focuses on two teenage girls from opposite sides of the economic scale, “Times Square” needed two strong, young talents to work effectively as a film. Director Moyle was convinced that his leads would have to be found outside the normal casting pools and talent stables.

“I wanted two girls who were those characters,” he affirmed. “We sent out flyers, took ads in the Village Voice, Soho News, Aquarian, and contacted record stores and half-way homes. We scouted every rock dive, every disco, every club we could find.”

The final result of the massive search saw professionally trained Trini Alvarado cast as Pamela, the shy and inhibited only child of a successful politician, a widower who forgets his daughter amid the demands of his career. Trini had just won rave reviews for a stunning performance in her first film, Robert Altman’s “Rich Kids.”

For the demanding central role of Nicky an abandoned youngster reared in foster homes and the school of tough times, Moyle intended to cast an established, slightly older actress. But, in one of those inexplicable chance occasions, out of the blue, Robin Johnson appeared. She had been given the casting director’s number while standing on the steps of her high school in Brooklyn. An exceptionally bright, well-adjusted student, Robin certainly didn’t fit Moyle’s preconceived notions of what his Nicky was going to be. But with her raspy, husky Brooklyn style of vocalizing, a quick-witted sense of humor and a total lack of pretense, she stunned and charmed not only the director but producer Robert Stigwood as well. “Robin brought a great deal of warmth and an incredible amount of native humor to Nicky,” Moyle says admiringly.

About The Cast…

ROBIN JOHNSON, who makes her film debut as the explosive Nicky Marotta, was discovered outside her high school, Brooklyn Tech. That chance happening concluded a five-month nationwide talent hunt to find the dynamic, young singing actress for the demanding role. Robin had never acted previously. The 16-year-old New Yorker lives at home with her mother and a sister, Cindy. Her audition, both singing and reading script, overwhelmed everyone within hearing. Robin Johnson was Nicky Marotta.

I believe this is the first time the story of Robin’s “discovery” is told. It will quickly become one of the major selling points for the film.

 

 

TS-117-13/15
1080 px (W) x 868 px (H), 96 dpi, 277 kb (image)
TS-94-10A/13
1080 px (H) x 855 px (W), 96 dpi, 328 kb (image)
TS-61-14/10
1080 px (W) x 859 px (H), 96 dpi, 323 kb (image)
TS-104-17A/7
1080 px (W) x 862 px (H), 96 dpi, 310 kb (image)
black and white photographic prints, 8 in (H) x 10 in (W) (works);

1980
inscriptions: [on photos] TS-117-13/15; TS-94-10A/13; TS-61-14/10; TS-104-17A/7;
(on borders) TIMES SQUARE
AFD
©1980 Associated
Film Distribution

 

TIMES SQUARE PRODUCTION INFORMATION, pp. 1-5
8.5 in (W) x 11 in (H) (works);
1080 px (H) x 838 px (W), 96 dpi, 271 kb (image)
1080 px (H) x 838 px (W), 96 dpi, 376 kb (image)
1080 px (H) x 835 px (W), 96 dpi, 482 kb (image)
1080 px (H) x 835 px (W), 96 dpi, 354 kb (image)
1080 px (H) x 836 px (W), 96 dpi, 356 kb (image)

 

Times Square ©1980 StudioCanal/Canal+