Times Square Program Book, Japan, June 1981, pages 12-13 (post 5 of 5)

Posted on 7th April 2018 in "Times Square"
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1981 Japanese program book for TIMES SQUARE (1980), center spread (pp. 12-13)

The center two pages of the Japanese souvenir book feature, alongside a somewhat out of place Yankees logo, three beautifully reproduced photos.

The first, of Pammy and Nicky atop the Times Square Theater marquee, isn’t a frame from the film, and I haven’t yet found it as a publicity still, so it would seem to be making its first and possibly only appearance here.

The inset of Nicky singing in the Cleo Club looks like it was taken just before or after this publicity still (discussed here). This will turn up again later on the Mexican movie poster.

And the last shot: in the film we don’t see see Nicky’s face and the knife on her wrist in the same shot. This photo would seem to have been taken between AFD publicity still TS-109-16/12, which appeared in the US Press Material pack in 1980, and TS-81/34 from 1981, which I don’t have, but Karen Dean (DefeatedandGifted) does, along with several other Items I haven’t got. (Actually I’m fairly certain I do have a version of TS-81/34, but not as an AFD print, but consarn it I can’t seem to find it.)

This last shot would also seem to be making its first and only appearance, and isn’t it beautiful? I don’t know if it comes across in my digitization, but something about the lighting and quality of the printing make it look almost like a painting.

Incidentally, I just noticed that TS-C-34/29 in Karen’s collection is the same photo as the one that accompanied the film review in Playboy Vol. 28 No. 1 from January 1981, which until this moment I thought had only ever appeared there. Now I suspect that the “C” that appears in some of the AFD press photo code numbers means that there’s also a color version somewhere.

I also came across a photo I’d gotten several years ago and totally overlooked while preparing items for this blog. I think it’s a rejected publicity photo, the only one of three shots taken within seconds of each other not to see the light of day… until next time.

 

Times Square program book, pp. 12-13
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_12-13_1080px.jpg
1080 x 1486 px, 96 dpi, 762 kb (image)
©1980 Butterfly Valley N. V.
 
Times Square©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 20-24 (post 4 of 5)

Posted on 26th March 2018 in "Times Square"
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“Let’s get together at … Hippy Power” (?)

1981 Japanese program book for TIMES SQUARE (1980), p. 21

 

 

 

Here at the end of the Japanese program book, we get the movie’s credits, an ad for the soundtrack album, and… the Times Square Top Ten? I can only imagine what’s being said, in relation to the film, about Make-Up, Music, Fashion, Life Style, Play, Foods, Dream, Sports, Sex, and Friendship. Okay, Music and Friendship I get, but Sports?

 

Page 21, bearing a “Hippy Power” button and the unfinished caption, “Let’s get together at,” features two shots that are neither frames from the film, nor are publicity stills I’ve yet come across. The shot atop the marquee bears a strong resemblance to this color still, and is probably another still shot at that same time, and the shot of the girls entering the abandoned pier is from an entirely different angle than the scene in the film. Also, neither Nicky nor especially Pammy smiles during that sequence in the film. The point being, this is the only place these pictures appear, as far I know.

 

 

I don’t know if the street photo that is the background of page 20 has anything to do the film, other than being New York City. The inset photo of Nicky is from the shot used on one of the Italian lobby posters. Accompanying the credits on page 22, the shot of Pammy and Nicky erupting onto the street after the chase through the Adonis Theater is I believe making its first appearance here; it will later be a press photo distributed in Germany. The other two photos are frames from the film but with more image visible at the tops and bottoms, which as I mentioned last time lead me to believe that these were taken from a full-frame exposure that was matted for release, and may still exist as a TV print.

Page 23 features the soundtrack album cover, the Japanese “Same Old Scene” single picture sleeve, and, clockwise from top right: a shot of Robin and Trini between takes that had previously appeared in Movie 81 No. 2; the image from the cover of the “Same Old Scene” single, which had also appeared in the soundtrack gatefold, the songbook, and the aforementioned Movie 81 No. 2; a shot of Johnny that had been a UK lobby card and an illustration in Movie 81 No.2; and guess where the shot of Robin had appeared previously? Of course! It was in Film Review Vol. 31 No. 1.

And that perfect image on the back cover is a detail from another publicity still that will appear later as a German lobby card.

 

 

Times Square program book, pp. 20-24
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_20_1080px.jpg
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96 dpi (images)

©1980 Butterfly Valley N. V.
 
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608 x 1080px, 96dpi (contrast-adjusted frame captures from Times Square (1980))
Times Square ©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 14-19 (post 3 of 5)

Posted on 14th March 2018 in "Times Square"
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As before, I have no clue as to the text, but the image on page 14 of the Japanese souvenir program for Times Square is another frame from the movie. The photo of Pammy and Nicky on page 15 is the promotional shot which was used for the cover of the Italian “Help Me!” single, and as the illustrations on the soundtrack album’s paper sleeves. The color shot of Johnny and Pammy on page 15, accompanied for some reason by a button featuring black and white hands cradling a dove, looks like a frame from the film, but isn’t. It will turn up later as a lobby card in Germany. For some reason, it’s reversed.

Both photos on page 17 are frames from the film. The photo of the Sleez Girls on page 18, featuring coulda-been-Nicky Zoe Lund, is a frame from the film, but the shot of Nicky just below is a promotional photo that previously appeared in Joepie No. 365. And Pammy and Nicky dancing at each other in the Cleo Club on page 19 is a shot that had been used as a UK lobby card. Whether they were really “honoring America” is a question only they, and perhaps the Japanese, could answer.

Look again at the photo on page 14, and compare it to the frame capture below. There’s a bit more at the bottom, and lot more at the top, of the photo in the program book. This is the first evidence I’ve seen that Times Square was shot “full-frame;” the entire frame of the 35mm film was exposed with a normal lens, and its widescreen aspect ratio achieved by matting the top and bottom when the prints were made. If it was shot so the extra space was clean of production detritus, a film shot that way could be shown on television using that full frame instead of making a pan-and-scan version and losing the sides of the image. It’s been decades since I’ve seen a television-formatted version of Times Square. Does anyone know if the TV/video print was full frame or pan-and-scan? Because if it was full frame, that would be worthy of preservation in its own right.

Closest frame from <strong>Times Square</strong> to the photo on page 16 of the Japanese program book.

Closest frame from Times Square to the photo on page 16 of the Japanese program book.

 

 

Times Square program book, pp. 14-19
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_14_1080px.jpg
Press Book Japan 1981_15_1080px.jpg
Press Book Japan 1981_16_1080px.jpg
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Press Book Japan 1981_19_1080px.jpg
96 dpi (images)

©1980 Butterfly Valley N. V.
 
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608 x 1080px, 96dpi (contrast-adjusted frame captures from Times Square (1980))

 

Times Square©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 8-11 (post 2 of 5)

Posted on 2nd March 2018 in "Times Square"
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Here are the next four pages from the Japanese souvenir program for Time Square. These pages apparently have everything you need to know about the producer, director, and stars. Again, if anyone wants to contribute a translation, or donate to a fund for hiring a professional translator, you will have my thanks and the thanks of a grateful nation.

Three of the four pictures on page 8 are more cases of actual frames from the film being used as publicity stills: the shots of the Sleez Girls, Pammy in the phone booth, and Nicky blacking out Pammy’s eyes on the bus poster. Nicky looking directly at us is part of the shot of her in front of the mirror, which previously appeared in Australian Women’s Weekly Vol. 48 No. 5.

Page 9 is two shots that aren’t frames from the movie, and that were distributed for publication as 35mm slides, Pammy and Nicky. The “I ♥ NY” button… well… okay…

Page 10 features some old AFD publicity stills, finally! Trini is cropped from TS-61-14/10, and Robin is TS-57-26/1, the shot used for the album cover and North American poster. Tim Curry’s photo was previously published in color as a UK lobby card and in Movie 81 No 2.

Page 11 is TS-82-30[/4], also used in the AFD campaign pressbook, on the UK soundtrack sampler, and as the basis for a line drawing in a soundtrack ad published in Record Mirror, January 24 1981.

I am not a student of theology. Was Jesus a dropout?

The above-mentioned frames from the movie:

Sleez Girls; Frame from TIMES SQUARE (1980)
Pammy calls her father; frame from TIMES SQUARE (1980)
Nicky blacks out Pammy's eyes; Frame from TIMES SQUARE (1980)

Further reading:

Times Square Press Material folder (post 1 of 5)
Times Square Press Material folder (post 3 of 5)
Times Square Press Material folder (post 5 of 5)
U.K. Lobby Cards (post 1 of 3)
Movie 81 No. 2, February 1981
AFD Campaign Pressbook (pages 1-4)
TIMES SQUARE Trailer
Record Mirror, January 24, 1981

 

 

Times Square program book, pp. 8-11
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_8_1080px.jpg
Press Book Japan 1981_9_1080px.jpg
Press Book Japan 1981_10_1080px.jpg
Press Book Japan 1981_11_1080px.jpg
96 dpi (images)

©1980 Butterfly Valley N. V.
 
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608 x 1080px, 96dpi (contrast-sdjusted frame captures from Times Square (1980))
Times Square©1980 StudioCanal/Canal+

 

Another Italian Times Square Lobby Poster

Posted on 10th November 2017 in "Times Square"
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Two images from the film TIMES SQUARE (1980); ((1) Robin Johnson (2) Tim Curry and Trini Alvarado) with accompanying text:  TIMES SQUARE ROBERT STIGWOOD presenta "TIMES SQUARE"con TIM CURRY • TRINI ALVARADO  e per la prima volta sullo schermo ROBIN JOHNSON con PETER COFFIELD • HERBERT BERGHOF • DAVID MARGULIES  ANNA MARIA HORSFORD  produttori esecutivi KEVIN McCORMICK e JOHN NICOLELLA  diretto da ALAN MOYLE  prodotto da ROBERT STIGWOOD e JACOB BRACKMAN  sceneggiatura di JACOB BRACKMAN  soggetto di ALAN MOYLE e LEANNE UNGER EMI  produttore associato BILL OAKES  una produzione EMI-ITC  Technicolor • STEREOFUTURSOUND  IDIF

This is exactly what the post title says: a second lobby poster from Italy. There may be more, but so far I’ve only come across two.

The text is exactly the same as the other one and the Italian movie poster. Robin as Nicky is on the left, in a photo taken during the shooting of the final sequence, which is I believe making its first published appearance on this poster. We’ll be seeing it a few more times; it’s possible those future items actually came out before this, but they’re all from the spring or summer of 1981.

And on the right, we see an adult man giving vodka to a thirteen-year-old-girl, but it’s okay: he’s not interested in her, he wants to know about her sixteen-year-old roommate. Um… yeah. Sure, there’s really both more and less going on in that scene than that implies, but, I think you’d have a pretty hard time getting that from script to screen nowadays.

 

 

Times Square lobby poster (1)
poster, AAT ID: 300027221
Italy ; 46.9 x 64.5 cm. (work)
Times Square 1981 Italy Lobby Poster 1_1080px.jpg
783 px (H) x 1080 px (W), 96 dpi, 427 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square Lobby Poster, Italy

Posted on 30th October 2017 in "Times Square"
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Two images from the film TIMES SQUARE (1980) ((1) Robin Johnson and other cast members (2) Trini Alvarado)  with accompanying text:  TIMES SQUARE ROBERT STIGWOOD presenta "TIMES SQUARE"con TIM CURRY • TRINI ALVARADO  e per la prima volta sullo schermo ROBIN JOHNSON con PETER COFFIELD • HERBERT BERGHOF • DAVID MARGULIES  ANNA MARIA HORSFORD  produttori esecutivi KEVIN McCORMICK e JOHN NICOLELLA  diretto da ALAN MOYLE  prodotto da ROBERT STIGWOOD e JACOB BRACKMAN  sceneggiatura di JACOB BRACKMAN  soggetto di ALAN MOYLE e LEANNE UNGER EMI  produttore associato BILL OAKES  una produzione EMI-ITC  Technicolor • STEREOFUTURSOUND  IDIF

A little less than half the size of a standard one-sheet poster, and not quite twice the size of a lobby card, this was apparently designed for display in theater lobbies in Italy. I guess this is what they got in place of lobby cards, which still puts them way ahead of the US which got nothing comparable.

The shot on the left of Nicky being dragged out of the WJAD studio is a cropped version of the one we saw on one of the UK lobby cards. The shot of Trini Alvarado as Pammy on the right, in costume for the final concert sequence, is the same shot used for the soundtrack inner record sleeves and on the cover of the “Help Me!” single (the Italian one, anyway). I think this is the first and possibly only time we get to see it in full color. The black background and glamorous lighting make me suspect it was taken by Mick Rock at the same time as this black-and-white photo, but that’s all it is, a suspicion.

The text is identical to the full Italian poster, slightly reformatted.

TIMES SQUARE
ROBERT STIGWOOD presenta “TIMES SQUARE” con TIM CURRY • TRINI ALVARADO
e per la prima volta sullo schermo ROBIN JOHNSON con PETER COFFIELD • HERBERT BERGHOF • DAVID MARGULIES
ANNA MARIA HORSFORD produttori esecutivi KEVIN McCORMICK e JOHN NICOLELLA diretto da ALAN MOYLE
prodotto da ROBERT STIGWOOD e JACOB BRACKMAN sceneggiatura di JACOB BRACKMAN
soggetto di ALAN MOYLE e LEANNE UNGER
EMI produttore associato BILL OAKES una produzione EMI-ITC Technicolor • STEREOFUTURSOUND IDIF

 

 

Times Square lobby poster (2)
poster, AAT ID: 300027221
Italy ; 46.9 x 64.5 cm. (work)

Times Square 1981 Italy Lobby Poster 2_1080px.jpg
783 px (H) x 1080 px (W), 96 dpi, 451 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

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Movie 81 No. 2, February 1981

Posted on 1st July 2017 in "Times Square"
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Australian movie magazine containing article about TIMES SQUARE (1980)

“There’s a hot new talent, Robin Johnson in Robert Stigwood’s Times Square…”

contents and editorial page of Australian movie magazine containing article about TIMES SQUARE (1980) relevant text: There's a hot new talent, Robin Johnson in Robert Stigwood's Times Square...

 

Times Square was still in theaters in London when the February Movie 81 came out in Australia and editor John Fraser made the above announcement.

Movie 81 No. 2, February 1981, pp. 14-15  Text:  TIMES SQUARE  AN APPRAISAL BY TERRY O BRIEN  Like the music which accompanies it on a pulsating soundtrack of rock, Times Square is a story of the streets. It’s about rebellion on a small scale, a search for some kind of basic freedom and a need to live life rather than simply exist. By setting the story in Times Square (surely the definitive microcosm of all that is good and bad in pre-packaged urban society), there’s a perfect, ready-made background of excitement, urgency and even danger that is inherent in that milieu. Surviving day to day in this environment is Nicky Marotta (Robin Johnson) a free spirit with aspirations of becoming a rock star. Her very wayward, uncompromising manner lands her in a psychiatric hospital for tests. While there, she meets Pamela Pearl (Trini Alvarado), a shy girl whose personality, unlike Nicky’s, has been submerged by her environment. She is, in fact, at quite the opposite end of the spectrum to Nicky. Moreover, Pamela’s father is a politician who has promised to clean up the seedier side of Times Square. The two girls escape from the hospital and, in their own way, take on the establishment with acts that supposedly symbolise their rejection of the plastic culture. Their exploits are covered and encouraged by Johnny LaGuardia (Tim Curry), a disc-jockey who turns the couple into celebrities with a following which allows Nicky, ultimately, a brief moment of fame as a rock singer. Another aspect of the story is the effect that each of the girls has on the other. Nicky’s life-style allows Pamela to experiment with her own and to break out of her protective shell. (It’s interesting that once she has had her freedom she decides to return to her father, though, one suspects, on her own terms.) Conversely, the poetic and sensitive Pamela brings about a change in Nicky who finds she has her first real friend and, subsequently, a basis for believing in herself. Robin Johnson, in her movie debut, is a sensation. Her Nicky is vibrant, exciting and fragile—and one of the most interesting movie characters in years. She is a find of the first order! Trini Alvarado is her perfect foil and willing pupil. Tim Curry’s eccentric exploitive disc-jockey is a far cry from his Frank N’ Furter in The Rocky Horror Picture Show, but is, again, a fascinating performance. The movie’s feeling of rebellion and non-acceptance of some of society’s values is reflected in the music—a constant background of rock by some of today’s more prominent performers. James A. Contner’s cameras have caught some spectacular shots of New York, especially from atop the building from which Johnny broadcasts. Times Square is a showcase for some new and little-seen talent.  Producers: Robert Stigwood Jacob Brackman Director: Allan Moyle  The neon nerve centre of young New York, tuned to a furious rock beat—amps up, full power on, with all-night disc jockey Johnny (Tim Curry) perched in his skyscraper studio waiting for the moment.

 

The two-page spread later in the issue is comprised of “An Appraisal by Terry O’Brien,” which from here in the 21st Century reads more like a promotional press release than a critical review. It is, though, an early adopter of the tone of most of the remaining publicity for Times Square, shifting its focus as hard as it can from the movie overall to Robin herself. “She is a find of the first order!”

The neon nerve centre of young New York, tuned to a furious rock beat—amps up, full power on, with all-night disc jockey Johnny (Tim Curry) perched in his skyscraper studio waiting for the moment.

TIMES SQUARE
AN APPRAISAL BY TERRY O BRIEN

Like the music which accompanies it on a pulsating soundtrack of rock, Times Square is a story of the streets. It’s about rebellion on a small scale, a search for some kind of basic freedom and a need to live life rather than simply exist. By setting the story in Times Square (surely the definitive microcosm of all that is good and bad in pre-packaged urban society), there’s a perfect, ready-made background of excitement, urgency and even danger that is inherent in that milieu. Surviving day to day in this environment is Nicky Marotta (Robin Johnson) a free spirit with aspirations of becoming a rock star. Her very wayward, uncompromising manner lands her in a psychiatric hospital for tests. While there, she meets Pamela Pearl (Trini Alvarado), a shy girl whose personality, unlike Nicky’s, has been submerged by her environment. She is, in fact, at quite the opposite end of the spectrum to Nicky. Moreover, Pamela’s father is a politician who has promised to clean up the seedier side of Times Square. The two girls escape from the hospital and, in their own way, take on the establishment with acts that supposedly symbolise their rejection of the plastic culture. Their exploits are covered and encouraged by Johnny LaGuardia (Tim Curry), a disc-jockey who turns the couple into celebrities with a following which allows Nicky, ultimately, a brief moment of fame as a rock singer. Another aspect of the story is the effect that each of the girls has on the other. Nicky’s life-style allows Pamela to experiment with her own and to break out of her protective shell. (It’s interesting that once she has had her freedom she decides to return to her father, though, one suspects, on her own terms.) Conversely, the poetic and sensitive Pamela brings about a change in Nicky who finds she has her first real friend and, subsequently, a basis for believing in herself. Robin Johnson, in her movie debut, is a sensation. Her Nicky is vibrant, exciting and fragile—and one of the most interesting movie characters in years. She is a find of the first order! Trini Alvarado is her perfect foil and willing pupil. Tim Curry’s eccentric exploitive disc-jockey is a far cry from his Frank N’ Furter in The Rocky Horror Picture Show, but is, again, a fascinating performance. The movie’s feeling of rebellion and non-acceptance of some of society’s values is reflected in the music—a constant background of rock by some of today’s more prominent performers. James A. Contner’s cameras have caught some spectacular shots of New York, especially from atop the building from which Johnny broadcasts. Times Square is a showcase for some new and little-seen talent.

Producers: Robert Stigwood
Jacob Brackman
Director: Allan Moyle

The real treasures here are the accompanying photographs. Within an assortment of publicity stills we’ve seen before are two more behind-the-scenes shots, one of Trini, Tim, and Robin on Pier 56 on the Hudson River, and one of Robin and Trini during the shooting of the concert in Times Square. The three-shot must come from the same break in shooting that produced the top photo on page 22 of Film Review, Vol. 31 No. 1, and the black and white photo in the UK Press Kit, and which I’ve noted before are among the very few photos from Times Square with the actors in costume smiling directly at the camera.

The shot of Robin and Trini probably was taken within moments of the slide of Robin in Aggie Doon makeup on 42nd Street; Nicky is only on that street in the makeup after she jumps from the marquee, and Pammy is never down there with her. This photo was taken either before, during a break in, or after filming.

The other photos are UK lobby cards (or suspected lobby cards), except the Yoram Kahana photograph from the session that also produced the shot that became half of the movie poster and soundtrack album cover, and the slide of Aggie Doon debuting Damn Dog, which I think is seeing its first publication here.

TIMES SQUARE movie advertisement from Movie 81 No. 2, February 1981, p. 47

 

 

 

 

And that’s not all! On page 47, we find an ad featuring for the first time the English South Pacific movie poster. The collaged artwork featuring a Mick Rock photo previously appeared in a production promotional ad in Screen International in June of 1980. Here we see the debut of the new tag line, “… is the music of the streets!” which still doesn’t exactly make sense, but is a step up from England’s “Go sleaze!”

 

 

 

 

 

But wait, there’s more! As a bonus, on pages 59, our friend Terry O’Brien gives the soundtrack a glowing review.

Soundtrack
TERRY O’BRIEN CHECKS OUT THE MOVIE MUSIC SCENE
TIMES SQUARE
Another double-album from the RSO stable and thus packaged for sure-fire entertainment. “Times Square” is “the music of the streets” and features some of the more familiar names of the New Wave. Suzi Quatro gets the set off with a blast on her “Rock Hard”—a gutsy number which happens to be the favourite of the film’s two young female leads played by Robin Johnson and Trini Alvarado. Second up is The Pretenders’ “Talk of the Town” followed by a great Roxy Music number, “Same Old Scene”. The Bowie influence is much in evidence in Gary Numan’s haunting “Down in the Park”, and “Help Me!” has a good commercial sound from Marcy Levy and Robin Gibb. Other standouts are Lou Reed’s classic “Walk on the Wild Side” and a revival of “You Can’t Hurry Love” by D. L. Byron. You’ll also find some good rock from Talking Heads, Joe Jackson, XTC, The Ramones, The Ruts, Desmond Child & Rouge, Garland Jeffreys, The Cure and Patti Smith Group. Robin Johnson and Trini Alvarado themselves are also featured on “Your Daughter is One” a nose-thumbing raspberry to society and “Damn Dog”, a solo by Johnson. A good collection.
TIMES SQUARE-RSO Records

 

 


Movie 81, No. 2, February 1981 (magazine (periodical), AAT ID: 300215389) ; 27.2 x 20 cm.; (contains:)
John Fraser, Editorial (editorial, AAT ID: 300026284), p. 3
Times Square : an appraisal by Terry O’Brien (review (document), AAT ID: 300026480), pp. 14-15
[Times Square is the music of the streets], (advertisement, AAT ID: 300193993), p. 47
Soundtrack : Terry O’Brien checks out the movie music scene : Times Square (review (document), AAT ID: 300026480), pp. 58-59 (work)
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©1981 Modern Magazines (Holdings) Ltd.


 

 

Allan Moyle, still at work

Posted on 8th February 2017 in "Times Square"
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Allan Moyle directs Trini Alvarado and Robin Johnson in the WJAD studio

And here’s another shot of Allan Moyle giving the girls direction, this time for the “Your Daughter Is One” sequence. I can only imagine what Trini and Robin are thinking, based on their expressions. I wonder what Moyle was telling them.

Behind Moyle, on the left and out of focus, is the assistant director, Alan “Hoppy” Hopkins. We can’t see the headstock on Nicky’s guitar, so we can’t tell if this was taken before or after the “Rickenbacker” nameplate was removed (it doesn’t appear in the film).

And again, surprisingly for what should be one of the most interesting Times Square finds ever, that’s all I have to say about this. Here are the stars and director hard at work months before things started to go bad.

I still wonder occasionally whether the WJAD interiors were shot at the top floor of the Candler Building, where the exteriors were shot, or if they were on a set built somewhere, and if so, where. I’ve checked with the NYC Mayor’s Office of Film, Theatre & Broadcasting, and they’ve long since disposed of all the records of location permits for productions that long ago.

The back of this photo has the handwritten notation, “116-16A.” I don’t know when that was written, who wrote it, or what it might mean.

 

 

[Allan Moyle directs Trini Alvarado and Robin Johnson in the WJAD studio]
black-and-white photograph : AAT ID: 300128347 : 20.8 x 25.4 cm : 1979 (work);
116-16A auto_1080px.jpg
882 x 1080 px, 96 dpi, 330 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

Allan Moyle at work

Posted on 28th January 2017 in "Times Square"
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Allan Moyle directs Robin Johnson and Trini Alvarado on 42nd Street

Way back in October 2014, I posted a photo of Robin and Trini getting ready to shoot a scene that was later cut from the film, and complained that although the vast majority of Times Square publicity stills don’t actually come from shots of takes used in the film, there was a dearth of genuine behind-the-scenes images.

Frame grab from "Times Square"Well, that dearth is slightly less dearthy now. Here’s Allan Moyle directing the girls on 42nd Street. Judging from the neon sign at the left, it’s just as they duck into and get kicked out of the adult novelties shop. That shot was made from the street, not the sidewalk, so the movie camera is likely directly to our right.

Handwritten on the back is “45/35”. I have no idea what that might mean, or when it was written.

And that’s about all I have to say about this, despite the fact that it’s one of the things I’ve been most excited to find. Except maybe to note that Moyle seems to be wearing the same sweater we saw half of in the other photo. I’m sure, though, that quite a few comments will be inspired by the expressions on Robin and Trini’s faces.

 

 

[Allan Moyle directs Robin Johnson and Trini Alvarado on 42nd Street]
black-and-white photograph : AAT ID: 300128347 : 20.8 x 25.4 cm : 1979 (work);
45,35 auto_1080px.jpg
878 x 1080 px, 96 dpi, 378 kb (image)

 

vlcsnap-2017-01-14-19h17m08s269.png
frame grab from Times Square
480 x 853 px, 96dpi, 522 kb

 

Times Square ©1980 StudioCanal/Canal+

 

TS-C-22/27

Posted on 17th January 2017 in "Times Square"
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Robin Johnson and Trini Alvarado as Nicky and Pammy dance down 42nd Street

I’m going to have to temporarily abandon my mostly chronological posting order, because I’ve recently obtained a few items that If I’d had them previously, they’d have already gone up.

Although, in all honesty, I don’t know where this would go. It’s a publicity still from AFD, in the fashion of the items from the US Press Material folder, but it has a copyright year of 1981. AFD was the company EMI and ITC had created to release films in the US, and it was in dire financial straits at the time and Times Square wasn’t helping. Times Square was long gone from US theaters by 1981, so there should have been no need to produce more publicity materials. Of the stills released in the UK, some are credited to ITC, some from Columbia-EMI-Warner, and the ones in the UK press kit had no information on them but the kit itself was credited to EMI. Why did AFD print this up in 1981? But since it’s American, I feel that chronologically it should have come before the items produced in the UK.

My copy here has crop marks; someone intended in cutting off the very bottom and an inch off the right to make it fit, but what they were making it fit into, I have no idea. There’s probably a magazine or newspaper out there with this photo, cropped like that, in it. If that should turn up, it might give us an idea of why, when, and where this was made.

The back has some writing on it as well, but I don’t think it’s significant. The same green pen from the front has written “58”, crossed it out, and then written “57%’. A different pen has added “172” and “25” in black.

If this looks familiar, it’s because I’ve posted a color version twice previously, which was originally scanned and posted by Cineplex; I don’t actually have a physical copy, but if you’ve been following me here you know it’s one of the images I believe to have originally been UK lobby cards.

Karen (DefeatedandGifted) has this photo without the crop marks, along with four more AFD stills from 1981. Up till now I was assuming that they were produced for the Australian market, but Times Square was released in Australia by EMI-ITC, so why AFD made any publicity materials at all in 1981 is still a mystery.

 

 

TS-C-22/27
black-and-white photograph : AAT ID: 300128347 : 20.2 x 25.7 cm : Associated Film Distribution, 1981 (work);
TS-C-22 auto_1080px.jpg
849 x 1080 px, 96 dpi, 319 kb (image)

 

©1981 Associated Film Distribution
Times Square ©1980 StudioCanal/Canal+

 

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