Allan Moyle, still at work

Posted on 8th February 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Allan Moyle directs Trini Alvarado and Robin Johnson in the WJAD studio

And here’s another shot of Allan Moyle giving the girls direction, this time for the “Your Daughter Is One” sequence. I can only imagine what Trini and Robin are thinking, based on their expressions. I wonder what Moyle was telling them.

Behind Moyle, on the left and out of focus, is the assistant director, Alan “Hoppy” Hopkins. We can’t see the headstock on Nicky’s guitar, so we can’t tell if this was taken before or after the “Rickenbacker” nameplate was removed (it doesn’t appear in the film).

And again, surprisingly for what should be one of the most interesting Times Square finds ever, that’s all I have to say about this. Here are the stars and director hard at work months before things started to go bad.

I still wonder occasionally whether the WJAD interiors were shot at the top floor of the Candler Building, where the exteriors were shot, or if they were on a set built somewhere, and if so, where. I’ve checked with the NYC Mayor’s Office of Film, Theatre & Broadcasting, and they’ve long since disposed of all the records of location permits for productions that long ago.

The back of this photo has the handwritten notation, “116-16A.” I don’t know when that was written, who wrote it, or what it might mean.

 

 

[Allan Moyle directs Trini Alvarado and Robin Johnson in the WJAD studio]
black-and-white photograph : AAT ID: 300128347 : 20.8 x 25.4 cm : 1979 (work);
116-16A auto_1080px.jpg
882 x 1080 px, 96 dpi, 330 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

Allan Moyle at work

Posted on 28th January 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Allan Moyle directs Robin Johnson and Trini Alvarado on 42nd Street

Way back in October 2014, I posted a photo of Robin and Trini getting ready to shoot a scene that was later cut from the film, and complained that although the vast majority of Times Square publicity stills don’t actually come from shots of takes used in the film, there was a dearth of genuine behind-the-scenes images.

Frame grab from "Times Square"Well, that dearth is slightly less dearthy now. Here’s Allan Moyle directing the girls on 42nd Street. Judging from the neon sign at the left, it’s just as they duck into and get kicked out of the adult novelties shop. That shot was made from the street, not the sidewalk, so the movie camera is likely directly to our right.

Handwritten on the back is “45/35”. I have no idea what that might mean, or when it was written.

And that’s about all I have to say about this, despite the fact that it’s one of the things I’ve been most excited to find. Except maybe to note that Moyle seems to be wearing the same sweater we saw half of in the other photo. I’m sure, though, that quite a few comments will be inspired by the expressions on Robin and Trini’s faces.

 

 

[Allan Moyle directs Robin Johnson and Trini Alvarado on 42nd Street]
black-and-white photograph : AAT ID: 300128347 : 20.8 x 25.4 cm : 1979 (work);
45,35 auto_1080px.jpg
878 x 1080 px, 96 dpi, 378 kb (image)

 

vlcsnap-2017-01-14-19h17m08s269.png
frame grab from Times Square
480 x 853 px, 96dpi, 522 kb

 

Times Square ©1980 StudioCanal/Canal+

 

TS-C-22/27

Posted on 17th January 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Robin Johnson and Trini Alvarado as Nicky and Pammy dance down 42nd Street

I’m going to have to temporarily abandon my mostly chronological posting order, because I’ve recently obtained a few items that If I’d had them previously, they’d have already gone up.

Although, in all honesty, I don’t know where this would go. It’s a publicity still from AFD, in the fashion of the items from the US Press Material folder, but it has a copyright year of 1981. AFD was the company EMI and ITC had created to release films in the US, and it was in dire financial straits at the time and Times Square wasn’t helping. Times Square was long gone from US theaters by 1981, so there should have been no need to produce more publicity materials. Of the stills released in the UK, some are credited to ITC, some from Columbia-EMI-Warner, and the ones in the UK press kit had no information on them but the kit itself was credited to EMI. Why did AFD print this up in 1981? But since it’s American, I feel that chronologically it should have come before the items produced in the UK.

My copy here has crop marks; someone intended in cutting off the very bottom and an inch off the right to make it fit, but what they were making it fit into, I have no idea. There’s probably a magazine or newspaper out there with this photo, cropped like that, in it. If that should turn up, it might give us an idea of why, when, and where this was made.

The back has some writing on it as well, but I don’t think it’s significant. The same green pen from the front has written “58”, crossed it out, and then written “57%’. A different pen has added “172” and “25” in black.

If this looks familiar, it’s because I’ve posted a color version twice previously, which was originally scanned and posted by Cineplex; I don’t actually have a physical copy, but if you’ve been following me here you know it’s one of the images I believe to have originally been UK lobby cards.

Karen (DefeatedandGifted) has this photo without the crop marks, along with four more AFD stills from 1981. Up till now I was assuming that they were produced for the Australian market, but Times Square was released in Australia by EMI-ITC, so why AFD made any publicity materials at all in 1981 is still a mystery.

 

 

TS-C-22/27
black-and-white photograph : AAT ID: 300128347 : 20.2 x 25.7 cm : Associated Film Distribution, 1981 (work);
TS-C-22 auto_1080px.jpg
849 x 1080 px, 96 dpi, 319 kb (image)

 

©1981 Associated Film Distribution
Times Square ©1980 StudioCanal/Canal+

 

comments: 0 » tags: , , ,

photoplay, Vol. 32 No. 1, January 1981

Posted on 6th January 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Cover of Photoplay Vol. 32 No. 1, January 1981

The January 1981 photoplay featured a cover story on, what else, Flash Gordon.

It also contained a review of Times Square, attributed only to “M.B.”

Review of "Times Square" from Photoplay Vol. 32 No. 1. Text, by "M.B.": TIMES SQUARE Johnny LaGuardia...Tim Curry Pamela Pearl...Trini Alvarado Nicky Marotta...Robin Johnson David Pearl...... Peter Coffield Dr Huber...Herbert Berghof Dr Zymansky....David Margulies Rosie Washington...Anna Maria Horsford JoJo....Michael Margotta Simon....J. C. Quinn Roberto...Miguel Pinero Directed by Alan Moyle. Cert: “AA". Running time: 111 minutes. (Columbia-EMI-Warner) STORY — Nicky, a young punkette suffering from "anti-social behaviour", and Pamela, a misunderstood little rich girl who cracks up at one of her dad's political meetings, are room-mates in a psychiatric hospital. After a shaky start they become friends and decide to run away together. They steal an ambulance for their getaway and set up home in a derelict warehouse, just round the comer from Times Square. Following their plight is local DJ, Johnny LaGuardia. He encourages them as they rename themselves The Sleaze Sisters, sing a few anti-establishment songs, break up TV sets and cover Times Square in graffiti. They become cult heroines and organise a midnight rock concert in Times Square, but the police and Pamela's father are waiting. VERDICT — It's another of those movies about rebellious youth set to rock music. Sound familiar? Whereas Breaking Glass, Quad-rophenia and the like have managed to depict the subject fairly successfully. Times Square fails. It's too naive, the performances of the two girls are weak and even Tim Curry does little to liven up the proceedings. The soundtrack is reasonable, featuring music by The Pretenders, Roxy Music, Gary Numan and Joe Jackson. M.B.


M.B.’s review is atypical, not in that it likes the movie — spoiler, it doesn’t — but in that it goes out of its way to make the point that both Trini’s and Robin’s performances are “weak”. Most of the contemporary reviews were negative but they generally had praise for the girls’ performances.

TIMES SQUARE

Johnny LaGuardia…Tim Curry
Pamela Pearl…Trini Alvarado
Nicky Marotta…Robin Johnson
David Pearl…… Peter Coffield
Dr Huber…Herbert Berghof
Dr Zymansky….David Margulies
Rosie Washington…Anna Maria Horsford
JoJo….Michael Margotta
Simon….J. C. Quinn
Roberto…Miguel Pinero

Directed by Alan Moyle.
Cert: “AA”. Running time: 111 minutes.
(Columbia-EMi-Warner)

STORY — Nicky, a young punkette suffering from “anti-social behaviour”, and Pamela, a misunderstood little rich girl who cracks up at one of her dad’s political meetings, are room-mates in a psychiatric hospital. After a shaky start they become friends and decide to run away together. They steal an ambulance for their getaway and set up home in a derelict warehouse, just round the comer from Times Square. Following their plight is local DJ, Johnny LaGuardia. He encourages them as they rename themselves The Sleaze Sisters, sing a few anti-establishment songs, break up TV sets and cover Times Square in graffiti. They become cult heroines and organise a midnight rock concert in Times Square, but the police and Pamela’s father are waiting.

VERDICT — It’s another of those movies about rebellious youth set to rock music. Sound familiar? Whereas Breaking Glass, Quadrophenia and the like have managed to depict the subject fairly successfully, Times Square fails. It’s too naive, the performances of the two girls are weak and even Tim Curry does little to liven up the proceedings. The soundtrack is reasonable, featuring music by The Pretenders, Roxy Music, Gary Numan and Joe Jackson. M.B.

The accompanying photo is from the scene after the girls escape from the plainclothes detective chasing them through the Adonis Theater. I believe this is its first publication, but I think we’ll see a better quality version in the future.

Image of Nicky and Pammy, illustrating  "Times Square" review by "M.B.":

 

 

M.B., “At the Movies – Times Square” (review (document), AAT ID: 300026480)
photoplay, Vol. 32 No. 1, January 1981, p. 52 (magazine (periodical), AAT ID: 300215389)
29.8 cm (H) x 21.3 cm (W) (work);
1981-01 Photoplay vol 32 no 1_p01_1080px.jpg (cover)
1080 px (H) x 848 px (W), 96 dpi, 628 kb
1981-01 Photoplay vol 32 no 1_p52_detail_1080px.jpg (review)
1080 px (H) x 292 px (W), 96 dpi, 193 kb
1981-01 Photoplay vol 32 no 1_p52_detail_2_800px.jpg (illustration detail)
800 px (W) x 738 px (H), 96 dpi, 311 kb (images)
 
photoplay ©1981 The Illustrated Publications Company Limited

 

Times Square ©1980 StudioCanal/Canal+

 

 

Film Review, Vol. 31 No. 1, January 1981

Posted on 27th December 2016 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Cover of UK magazine containing feature artcle on "Times Square"

P. 3 (contents page) Relevant text: 22 TIMES SQUARE The adventures of two teenage girls (Robin Johnson and Trini Alvarado) and the all-night Times Square radio personality (Tim Curry) who gives a boost to their dream of rock stardom.

22
TIMES SQUARE
The adventures of two teenage girls (Robin Johnson and Trini Alvarado) and the all-night Times Square radio personality (Tim Curry) who gives a boost to their dream of rock stardom.

“With an off-beat beauty all her own, and an engaging rasping singing voice, Ms Johnson has enough female virility to fill many films yet, and is already pencilled in for the sequel to Grease.”

 

There’s no arguing with the fact that in January of 1981, the big movie in the UK was Flash Gordon.

 

Despite its title, Film Review didn’t contain an actual review of Times Square, but a promotional article. You can tell it’s not a review because it’s 100% positive.

 

Edit, 14 January 2017: After some consideration, I think this was actually a review, of sorts, and the author had seen the film before composing it. It’s a piece that appears in the next month’s issue of Film Review that’s an unabashed puff piece that might have been written by EMI’s publicity department. I still think this one was more promotion than review, though.

 

The first photo accompanying the article is worth the price of admission, though: a color shot of Robin, Trini, and Tim, taken at the same time as the black and white photo in the UK Press Kit. Also, to my knowledge the shot in the lower left corner, “Robin Johnson sings to her fans in her Sleaze Sisters apparel,” is making its first appearance. The remaining color photo was used as a lobby card, and the black and white photo on the following page is TS-72-8A/14 from the US Press Material Folder, which appeared in the AFD Campaign Pressbook, on the covers of the British and Japanese soundtrack sampler records, in US Magazine, in the Leader, and on one of the strange 2-photo 8x10s that misspelled Robert Stigwood’s name. So far, other than the portraits of Robin and Trini that were used on the soundtrack album cover and the US movie poster, this is the photo that most often helped promote the film.

The one thing the article has in common with most real reviews of the movie is that it ultimately focuses on Robin’s performance as the big reason to see it. It’s also the first mention of Robin’s next scheduled project, as the female lead in Robert Stigwood’s production of Grease 2. Remember that?

TIMES SQUARE

A thought-provoking tale of alienated teenages — their moods, their mad antics and their music

Two runaway teenage girls, a variety of New Wave rock music and a grimy, pristine backdrop of New York make up the ingredients of Times Square (an EMI release), Robert Stigwood’s latest offering to a youthful cinema-going public.

Robin Johnson, a spunky 15-year-old newcomer, plays with admirable bravado the central role of Nicky, a street urchin with destructive inclinations and a yen for musical stardom. In hospital for psychiatric tests, Nicky finds herself in the company of Pamela Pearl (played by Trini Alvarado — from Robert Altman’s Rich Kids), an introverted 12-year-old from a privileged background, also in for tests. Despite their opposing upbringings, the two run away together — from the System that oppresses them both — to lead an exuberant, retaliatory existence on the streets.

It is this slight story-line that makes up the canvas for a gritty but heart-warming story of today’s youth, their problems, their qualities, their understandable misgivings and denied intelligence. They make mistakes — like every young generation before them — but this breed is growing up faster than ever before.

Canadian director Alan Moyle, making his American film debut after a string of successful films and documentaries over the border, conjures up a realistic atmosphere to his scenes beyond the call of Hollywood duty — to the extent you sometimes feel you are watching the runaway duo for real.

Moyle cleverly intercuts his footage with shots of genuine Times Square coke snorters, back street alcoholics, Eighth Avenue prostitutes and pimps, and all the fun of the New York fair. For the climactic sequence he even managed to close 42nd Street’s “Deuce” (a notorious strip of theatres and porno cinemas) for the first time in New York film location history.

Between all this he concentrates his camera almost lovingly on the adventures of Johnson and Alvarado, who have meanwhile taken their anti-establishment hostilities one step further, adopting a dual identity and calling themselves The Sleaze Sisters Not without point!

Under this guise, wearing outrageous costumes pieced together from jumble outcasts and dustbin liners, they tear through the streets of New York begging for money, in their spare time levering tv sets — the ultimate symbol of the bourgeoisie — from the top storeys of Manhattan’s skyscrapers.

It is this singular prank that arouses the interest of the public, and in particular that of a late-night Times Square DJ, played with laid-back relish by England’s own Tim Curry, late of “The Rocky Horror Show”. Providing The Sleaze Sisters with even greater coverage on New York’s air waves, narrating their boardwalk escapades and even allowing them to sing their protests, DJ Johnny LaGuardia becomes the catalyst in Moyle’s story. Like the DJ Curry played on television in “City Sugar”, LaGuardia reaches out from the night to the receptive, confused soul of a young girl wanting, desiring an intimate liaison with an established anti-establishment voice. Here, Curry has two souls to contend with and, even though he is trying to help them and gain public sympathy (by this time the police are now hot on their trail), he is at the same time exploiting them, exploiting their isolation from society, the society which eventually they come to need.

So, Times Square turns out to be many things: an exciting, abrasive look at the uglier face of New York; a compassionate tale of two desperate runaways who find mutual friendship encountering a common enemy; and a musical featuring some of the finest New Wave sounds around, including contributions from The Pretenders, Lou Reed and Suzi Quatro.

But for all Moyle’s perspicacious and sensitive direction, it is young Robin Johnson’s performance that dominates the film. With an off-beat beauty all her own, and an engaging rasping singing voice, Ms Johnson has enough female virility to fill many films yet, and is already pencilled in for the sequel to Grease. □

Karen (DefeatedandGifted) posted her copy of these pages in March 2015.

 

 

Film Review, Vol. 31 No. 1, January 1981;
UK EMI Cinemas Ltd.;
magazine (periodical), AAT ID: 300215389; 29.8 cm (H) x 21.3 cm (W) (work);
1981-01 Film Review Vol 31 No 1 p01_1080px.jpg (cover)
1981-01 Film Review Vol 31 No 1 p03_1080px.jpg (contents)
1981-01 Film Review Vol 31 No 1 p22_1080px.jpg (“TIMES SQUARE”)
1981-01 Film Review Vol 31 No 1 p23_1080px.jpg (“TIMES SQUARE”)
1080 px (H), 96 dpi (images)

 

UK Movie Ad

Posted on 7th December 2016 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

UK magazine ad for "Times Square", 1981 Text: TIMES SQUARE AA  "GO SLEAZE!" ...IN TIMES SQUARE  ROBERT STIGWOOD Presents "TIMES SQUARE"  Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON  Also Starring PETER COFFIELD·HERBERT BERGHOF DAVID MARGULIES·ANNA MARIA HORSFORD  Executive Producers KEVIN McCORMICK·JOHN NICOLELLA  Directed by ALAN MOYLE  Produced by ROBERT STIGWOOD and JACOB BRACKMAN Screenplay by JACOB BRACKMAN  Story by ALAN MOYLE and LEANNE UNGER  Associate Producer BILL OAKES An EMI-ITC Production  Soundtrack available on RSO Records and TAPES RSO  Released by COLUMBIA-EMI-WARNER Distributors Limited.  EMI  A Member of the THORN EMI Group. FROM THURS. 15 JAN. ABC  Shaftesbury Ave  Tel: 836 8861  Licensed Bar  DOLBY STEREO  STUDIO  OXFORD CIRCUS  Tel: 437 3300  DOLBY STEREO  SCENE LEICESTER SQ (WARDOUR ST)  Tel.439.4470  ABC  BAYSWATER  DOLBY STEREO  ABC  EDGWARE RD.  ABC  FULHAM RD.

 

This ad promoting the movie’s opening has the same art as the one published previously in the Leader, but with the addition of the theaters it will be in. It’s essentially a black-and-white version of the quad poster, the top half of the painting by Cummins.

It appeared in a film magazine, but I don’t know which one. It’s on heavy magazine stock, not newsprint, and on the back is an ad for Seems Like Old Times, but unfortunately the portion of the page I have doesn’t have the name of the magazine or the page number.

 

 

[“Times Square” UK movie advertisement]
advertisement, ID: 300193993, 20 cm (W) x 14.3 cm (H) (work);
1080 px (W) x 768 px (H), 96 dpi, 434 kb (image)

1981
Inscription:
TIMES SQUARE AA
"GO SLEAZE!" …IN TIMES SQUARE
ROBERT STIGWOOD Presents "TIMES SQUARE"
Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON
Also Starring PETER COFFIELD·HERBERT BERGHOF
DAVID MARGULIES·ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK·JOHN NICOLELLA
Directed by ALAN MOYLE
Produced by ROBERT STIGWOOD and JACOB BRACKMAN
Screenplay by JACOB BRACKMAN
Story by ALAN MOYLE and LEANNE UNGER
Associate Producer BILL OAKES An EMI-ITC Production
Soundtrack available on RSO Records and TAPES RSO
Released by COLUMBIA-EMI-WARNER Distributors Limited.
EMI
A Member of the THORN EMI Group.
FROM THURS. 15 JAN.
ABC
Shaftesbury Ave
Tel: 836 8861
Licensed Bar
DOLBY STEREO
STUDIO
OXFORD CIRCUS
Tel: 437 3300
DOLBY STEREO
SCENE LEICESTER SQ (WARDOUR ST)
Tel.439.4470
ABC
BAYSWATER
DOLBY STEREO
ABC
EDGWARE RD.
ABC
FULHAM RD.

 

Times Square ©1980 StudioCanal/Canal+

 

U.K. Lobby Cards (post 3 of 3)

Posted on 27th November 2016 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone
UK Lobby Card 7 of 8: Nicky is dragged from the studio. Color 8"x10" lobby card, 1981 Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

Finally we get a couple photos with Robin front and center and facing the camera. The first is as Nicky is dragged from the WJAD studio screaming for Pammy. In the film, we see this entirely looking down from Johnny’s control room. That’s the leg of George Morfogen on the left, playing station manager Don Dowd. All his lines in the script were cut from the film,Nicky is dragged from the WJAD studio : frame from TIMES SQUARE (1980) but he got to deliver a sad nod when Johnny cuts Nicky’s live broadcast, and take Nicky’s guitar as JoJo and Simon drag her from the room. In the shot used in the film, the guitar faces the other way as he grabs it.

 

UK Lobby Card 8 of 8: The Concert in Times Square. Color 8"x10" lobby card, 1981: Pammy watches as Nicky sings "Damn Dog" atop the TImes Square Theater marquee. Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

Pammy beams at Nicky atop the Times Square Theater marquee : frame from TIMES SQUARE (1980)

Pammy beams at Nicky atop the Times Square Theater marquee : frame from TIMES SQUARE (1980)

And here’s Pammy beaming as Nicky sings “Damn Dog” atop the Times Square Theater marquee. Of course nothing in the film is shot from quite this angle; the closest image has Pammy to the left instead of the right. In other similar shots, Nicky’s sweater sleeves are down instead of pushed up by her elbows.

I’ve mentioned previously that these images had been previously scanned and posted, with the lobby card text cropped out. The page on which they’re posted also includes several scans of images from the US Press Materials folder, also with the borders and text information cropped off. There are three color images (reproduced below) that share the dimensions of the UK lobby card images, which leads me to believe that they originally were UK lobby cards. That makes a total of 11 lobby cards, which is a strange number, so I also think there’s one more that’s yet to turn up.

 

 

[Robin Johnson as Nicky being dragged from the WJAD studio]
[Robin Johnson and Trini Alvarado as Nicky and Pammy atop the Times Square Theater marquee]
Lobby cards (AAT ID: 300208593)
8 in (H) x 10 in. (W)
1981, Great Britain (works);
Times_Square_UK_Lobby_Card-7_auto_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 637 kb
Times_Square_UK_Lobby_Card-8_auto_crop_1080.jpg
1080 px (W) x 853 px (H), 96 dpi, 551 kb (images)

 

vlcsnap-2016-08-07-14h21m13s058.png
vlcsnap-2016-08-07-15h01m36s383.png
vlcsnap-2016-08-07-14h54m30s499.png

853 px (W) x 480 px (H), 72 dpi (images)
frame captures from Times Square (1980)
captured 2016-08-07

 

MSDTISQ EC002 (262141_full.jpg)
1000 px (W) x 664 px (H), 300 dpi, 113 KB (image)
MSDTISQ EC001 (262140_full.jpg)
1000 px (W) x 667 px (H), 300 dpi, 83.3 KB (image)
MSDTISQ EC003 (262142_full.jpg)
1000 px (W) x 673 px (H), 300 dpi, 79.4 KB (image)
1979/1980
retrieved on 2014-10-25 from “Times Square.” Cineplex. Cineplex Entertainment LP, n.d.

 

Times Square ©1980 StudioCanal/Canal+

 

U.K. Lobby Cards (post 2 of 3)

Posted on 17th November 2016 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Color 8"x10" lobby card, 1981  Text:  TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

This shot of Nicky joining in as Pammy dances at the Cleo Club appears to me to have been taken within seconds of TS-104-17A/7 from the US Press Materials folder, and this color 8×10, the purpose of which I still don’t know. (Its post is here.) Although the presence of Miguel Pinero and the various extras would seem to indicate all three were taken on the actual day of the shoot, they were shot either during a run-through or an unused take (or an unused portion of a used shot), as none of them match up to the action as shown in the film, even allowing for the different vantage points of the still and movie cameras.

 

Color 8"x10" lobby card, 1981 Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

Another shot of Pammy and Nicky performing, or having just finished performing, “Your Daughter Is One” in the WJAD studio. It’s a shot we haven’t seen so far. The word “Rickenbacker” is clearly visible on the guitar’s headstock, so this photo belongs to the series of photographs from before it was removed (as it appears in the film) (yes, that’s from a different scene, but it’s the same guitar).

Color 8"x10" lobby card, 1981: Pammy and Nicky drop a television off the roof of a New York City building. Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

Here Pammy and Nicky push their first television off a rooftop. A shot of them throwing their last one appeared in the songbook and inside the soundtrack album. In the film, Pammy doesn’t hold the box flap back, and Nicky is barely visible behind the box until after the TV is gone. Pammy and Nicky dropping their first television [Image 3 from the "Times Square" 2-sided poster] However, another shot that was obviously taken a split second after this one appeared way back as a tiny part of the collage that made up the double-sided promo poster. In that shot, the television is obviously on its way out of the box and down. Of course they didn’t really let the TV’s plummet to the street if it wasn’t shown happening in that shot), but it never occurred to me before now that not only did they catch them, they had to catch them completely intact right after they left the shot so they could be thrown off again in retakes. Either that, or part of the budget went for multiple identical junk television sets.

Pammy and Nicky throw their first television; frame from "Times Square" (1980)

 

 

[Robin Johnson and Trini Alvarado as Nicky and Pammy in the Cleo Club]
[Robin Johnson and Trini Alvarado as Nicky and Pammy in the WJAD studio]
[Robin Johnson and Trini Alvarado as Nicky and Pammy drop a television]
Lobby cards (AAT ID: 300208593)
8 in (H) x 10 in. (W)
1981, Great Britain (works);

 

Times_Square_UK_Lobby_Card-4_manual_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 515 kb
Times_Square_UK_Lobby_Card-5_manual_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 592 kb
Times_Square_UK_Lobby_Card-6_manual_crop_1080px.jpg
1080 px (W) x 854 px (H), 96 dpi, 648 kb (images)

 

[Robin Johnson and Trini Alvarado as Nicky and Pammy drop a television]
detail from [Double-sided promotional poster, outside] (image)
image 3 from 2-sided poster_800px.jpg
800 px (W) x 686 px (H), 96 dpi, 411 kb (image)

 

vlcsnap-2016-07-23-20h33m29s240.png
853 px (W) x 480 px (H), 72 dpi, 449 kb (image)
frame capture from Times Square (1980)
captured 2016-07-23

 

Times Square ©1980 StudioCanal/Canal+

 

U.K. Lobby Cards (post 1 of 3)

Posted on 7th November 2016 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

There were no lobby cards for Times Square in the US, only 8″ x 10″ black and white stills. The rest of the world was more fortunate.

At least eight lobby cards were released to theaters in the UK (although I suspect there was at least one more). Some of the photos hadn’t previously been used, as far as I know. The cards, like the aforementioned stills, measure 8″ x 10″, but the colors somehow give an impression of greater size.

Tim Curry as Johnny LaGuardia: Color 8"x10" lobby card, 1981  Text:  TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

This is the first time we’ve seen this photo of Tim Curry as Johnny LaGuardia, although it’s from the same session as TS-66-28/9 from the US Press Materials Folder; photo #4 from the UK Press Kit, which had been published in the Aquarian and Prevue; and the tiny photo from the Press Folder which was also used inside the soundtrack gatefold cover (except in the UK).

Trini Alvarado as Pamela Pearl: Color 8"x10" lobby card, 1981  Text:  TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

 

And, this is the first time we’ve seen a shot of Pammy from this early in the film. Even more unusually, Trini is looking directly into the camera. There are very few photos of the actors on set and in costume playing to the camera. This… um… is one of them.

Robin Johnson and Trini Alvarado as Nicky and Pammy, on 42nd Street near 6th Avenue: Color 8"x10" lobby card, 1981 Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

And here’s a photo we have seen before, of Nicky and Pammy walking west along 42nd Street, on their way to Times Square to look for Nicky’s dad. This shot appeared in the Press Folder, and as a black and white print on Kodak paper whose date and purpose I’m not entirely sure of. This is the most complete, uncropped, version of this image I’ve yet seen. (I do have a crummy-looking little .png file that shows a smidge more at the top and on the right, but cuts off some of the left and most of the bottom.) I’ve previously posted a version of it which been scanned by Baseline Research and posted by Cineplex, lacking the text strip at the bottom. They posted five images, four of which appear to be these lobby cards with the bottoms cropped off. I’ve already posted the fifth… but I won’t link to it or the others here because I intend to do it again at the end of this series.

 

Needless to say (but when have I let that stop me), none of these images match up to the film. Johnny smiles all through the shot his lobby card would appear to come from. We only see Pammy in her pajamas and headphones from outside her bedroom window. And as I’ve mentioned many times before, the sequence of Nicky and Pammy looking for and finding Nicky’s dad was removed entirely from the film, probably before it was finished being shot.

The cards all have this text at the bottom:

TIMES SQUARE AA
An EMI-ITC Production
EMI A Member of the THORN EMI Group
Released by COLUMBIA – EMI – WARNER Distributors Limited.
This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

[Tim Curry as Johnny LaGuardia]
[Trini Alvarado as Pamela Pearl]
[Robin Johnson and Trini Alvarado as Nicky and Pammy on 42nd Street near 6th Avenue]
Lobby cards (AAT ID: 300208593)
8 in (H) x 10 in. (W)
Great Britain (works);
Times_Square_UK_Lobby_Card-1_manual_crop_1080px.jpg
1080 px (W) x 857 px (H), 96 dpi, 512 kb
Times_Square_UK_Lobby_Card-2_manual_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 574 kb
Times_Square_UK_Lobby_Card-3_manual_crop_1080px.jpg
1080 px (W) x 854 px (H), 96 dpi, 609 kb (images)

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square U.K. Quad Poster

Posted on 28th October 2016 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone
An edit of the Cummins illustration from the UK movie poster, with two different B&W stills. The "Cummins" signature is edited out. Text: TIMES SQUARE AA "GO SLEAZE!" ...IN TIMES SQUARE ROBERT STIGWOOD Presents "TIMES SQUARE" Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES ANNA MARIA HORSFORD Executive Producers KEVIN McCORMICK·JOHN NICOLELLA Directed by ALAN MOYLE Produced by ROBERT STIGWOOD and JACOB BRACKMAN·Screenplay by JACOB BRACKMAN Story by ALAN MOYLE and LEANNE UNGER Associate Producer BILL OAKES An EMI-ITC Production Soundtrack available on RSO Records and TAPES RSO Released by COLUMBIA-EMI-WARNER Distributors Limited. EMI A Member of the THORN EMI Group. This copyright advertising material is licensed and not sold and is the Property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. PRINTED IN ENGLAND BY W. E. BERRY LTD. BRADFORD

 

A standard one-sheet movie poster is 40 inches high by 27 inches wide. A “quad” poster, which I don’t think they make anymore, is 40 inches wide by 30 inches high. EMI took this extra space and zoomed in on the top two-thirds of the painting, cutting it off just above the artist’s signature.

Overall it’s a more pleasing layout, with the credits in the lower left corner over the wet street, and the two inset photos next to each other in the lower right. The photo of Tim Curry has been changed to TS-66-28/8 from the US press kit and AFD Campaign Pressbook, and the photo of Pammy and Nicky is TS-72-8A/14, also from the US press kit and the Campaign Pressbook. Neither of these photos were in the UK Press Kit (at least not in my copy). Perhaps this poster was put together first, and when the one-sheet was designed the American stills were replaced with British ones.

This was the layout used for the newspaper and magazine theater advertisements for the movie’s run.

 

 

Times Square UK quad movie poster
poster, AAT ID: 300027221
30″ (H) x 40″ (W)
Inscription:
TIMES SQUARE AA
“GO SLEAZE!” …IN TIMES SQUARE
ROBERT STIGWOOD Presents "TIMES SQUARE"
Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON
Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES
ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK·JOHN NICOLELLA
Directed by ALAN MOYLE Produced by ROBERT STIGWOOD and
JACOB BRACKMAN·Screenplay by JACOB BRACKMAN
Story by ALAN MOYLE and LEANNE UNGER
Associate Producer BILL OAKES An EMI-ITC Production
Soundtrack available on RSO Records and TAPES RSO
Released by COLUMBIA-EMI-WARNER Distributors Limited.
EMI A Member of the THORN EMI Group.
This copyright advertising material is licensed and not sold and is the Property of National Screen Service Ltd.
and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd.
PRINTED IN ENGLAND BY W. E. BERRY LTD. BRADFORD
(work)

1981 UK Quad Poster_1080px.jpg
1080 px (W) x 812 px (H), 96 dpi, 500 kb (image)

 

Times Square ©1980 StudioCanal/Canal+