“6”

Posted on 24th March 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone
Robin Johnson as Nicky Marotta during the filming of TIMES SQUARE (1980). The number and the stamp on the back imply that it was part of the UK Press Kit. The caption for photo 6 in the Press Kit reads:   15-year-old screen newcomer ROBIN JOHNSON stars as Nicky Marotta, a street-wise young runaway who, thanks to a radio DJ's patronage, is able to fulfil her fantasies of becoming a star of the "new wave".

6/7/8. 15-year-old screen newcomer ROBIN JOHNSON stars as Nicky Marotta, a street-wise young runaway who, thanks to a radio DJ’s patronage, is able to fulfil her fantasies of becoming a star of the “new wave”.

 

 

This, I believe, is one of the photos missing from my copy of the UK Press Kit. The photo caption sheet in the press kit lists photos 6, 7, and 8 as pictures of Robin all with the same caption, and my copy only has a 7 and 8. This photo has a tiny “6” inset on the front, and the back has the same black “TIMES SQUARE” stamp as the Press Kit photos. Add in the fact that this came from a memorabilia dealer in England, and I’m satisfied that it was originally part of the Press Kit package.

 

It’s the same image as TS-69-34A/4 from the US Press Material folder, printed with higher contrast and thus losing some detail, but cropped differently so it shows a little more of the area around Robin. We can now see Trini’s arm, the bottom of the guitar, and not quite enough more of the headstock to be sure whether this was before or after the “Rickenbacker” nameplate was removed. The same image was also used by ITC to promote the film, that one being cropped even closer.

 

 

[Times Square UK Press Kit photo 6]
black and white photographic print, 25.3 x 20.2 cm. (work);
1080 px (H) x 865 px (W), 96 dpi, 334 kb (image)

1980
inscription: [front] 6
[back:] [stamped, black:] TIMES SQUARE
[handwritten:] Robin Johnson | 96 | 429

 

Times Square ©1980 StudioCanal/Canal+

New Musical Express, 24 January 1981

Posted on 13th March 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Cover of NME 24-1-1981, featuring The Jam.  Issue has a review of "Times Square" on pp 14-15.

 

“No, this won’t do.”

 

Monty Smith’s review of Times Square is true to form, giving some light praise to Robin’s and Trini’s performances while tearing the movie itself to shreds. Although he does sometimes go a bit over the top with a particularly English-flavored cooler-than-thou sneering (“a real stiff for the kids, a would-be ‘punk’ epic, three years too late and twice as tasteless”), he does have a bead on exactly what’s causing the film’s problems (“they seem to have been stymied by the prerequisites of marketing… [that’s] what you get for your double album — sorry, film…”)

Review of TIMES SQUARE in New Muscial Express, 24 January 1981, Edit of Pages 14 and 15.  Text:  Page 14 — New Musical Express 24th January, 1981  In a desperate rebellious gesture, Robin Johnson prepares to plummet to the ground three and a half feet below. Behind the times Times Square Directed by Alan Moyle Starring Robin Johnson, Trini Alvarado and Tim Curry (EMI) SO AFTER Grease and Saturday Night Fever, the Stigwood outfit delivers a real stiff for the kids, a would-be 'punk' epic, three years too late and twice as tasteless. This time around, what you get for your double album — sorry, film — is a couple of teenage tearaways doing a bunk from a New York neurological hospital and setting up a squat by a derelict pier. That they are both eminently suitable cases for treatment seems lost on early-hours DJ Johnny LaGuardia, who takes up their cause. Publicly, he mocks the authorities' feeble attempts to find the two girls; privately, he's grooming them for their fifteen minutes of stardom. The Sleaze Sisters are born! And they're not so bad: Robin Johnson as 16-year-old Nicky Marotta is all foul-mouth and fiery temper ("I'm sure her childhood was a complete disaster but that's not the point," says one typically concerned adult), an abrasive-looking ragamuffin who happens to talk like Jimmy Durante; Trini Alvarado as 13-year-old Pamela Pearl is all capped-teeth and catatonic trances (she's the well brought-up one who keeps a diary), an angelic-featured kewpie-doll who could pass for the Mona Lisa's daughter. Believe it or not, they go together well. But Times Square falls apart as soon as Nicky and Pam hit the streets of the city so nice they named it twice. It's all very well plumping for life over TV, vitality over manners and slime over plastic, but I don't think the various pimps, winos, prostitutes and junkies they rub shoulders with would put too much faith in credentials as limp as these. And as for Tim Curry's extraordinary performance as DJ La Guardia ... the hoots of derision that greeted his every solemn utterance, his every knit of brow and pout of lip (denoting his concern for the girls' welfare), could not have been much less loud than those at the opening night of O'Toole's Macbeth. No, this won't do. The writer and director have both before been involved in 'proper' films (The King Of Marvin Gardens, Days Of Heaven, Outrageous, Montreal Main) but here they seem to have been stymied by the prerequisites of marketing. Not only with the soundtrack — and by all means chuck in songs as incongruous as those by Gary Numan and the Ruts, but Talking Heads' 'Life During Wartime' sits mighty uneasily with the feeble on-screen fairy tale — also with the risible climax in which scores of Sleaze Sister lookalikes emerge, lemming-style, from the surburbs for a free midnight gig, man: "We are one minute from history," says LaGuardia, and we all broke up again. Honestly, it's just like The Brady Bunch, but with swear words and a few chewns. Monty Smith

Behind the times

Times Square
Directed by Alan Moyle
Starring Robin Johnson,
Trini Alvarado and Tim Curry
(EMI)

SO AFTER Grease and Saturday Night Fever, the Stigwood outfit delivers a real stiff for the kids, a would-be ‘punk’ epic, three years too late and twice as tasteless.

This time around, what you get for your double album — sorry, film — is a couple of teenage tearaways doing a bunk from a New York neurological hospital and setting up a squat by a derelict pier. That they are both eminently suitable cases for treatment seems lost on early-hours DJ Johnny LaGuardia, who takes up their cause. Publicly, he mocks the authorities’ feeble attempts to find the two girls; privately, he’s grooming them for their fifteen minutes of stardom. The Sleaze Sisters are born!

And they’re not so bad: Robin Johnson as 16-year-old Nicky Marotta is all foul-mouth and fiery temper (“I’m sure her childhood was a complete disaster but that’s not the point,” says one typically concerned adult), an abrasive-looking ragamuffin who happens to talk like Jimmy Durante; Trini Alvarado as 13-year-old Pamela Pearl is all capped-teeth and catatonic trances (she’s the well brought-up one who keeps a diary), an angelic-featured kewpie-doll who could pass for the Mona Lisa’s daughter. Believe it or not, they go together well.

But Times Square falls apart as soon as Nicky and Pam hit the streets of the city so nice they named it twice. It’s all very well plumping for life over TV, vitality over manners and slime over plastic, but l don’t think the various pimps, winos, prostitutes and junkies they rub shoulders with would put too much faith in credentials as limp as these. And as for Tim Curry’s extraordinary performance as DJ La Guardia … the hoots of derision that greeted his every solemn utterance, his every knit of brow and pout of lip (denoting his concern for the girls’ welfare), could not have been much less loud than those at the opening night of O’Toole’s Macbeth.

No, this won’t do. The writer and director have both before been involved in ‘proper’ films (The King Of Marvin Gardens, Days Of Heaven, Outrageous, Montreal Main) but here they seem to have been stymied by the prerequisites of marketing. Not only with the soundtrack — and by all means chuck in songs as incongruous as those by Gary Numan and the Ruts, but Talking Heads’ ‘Life During Wartime’ sits mighty uneasily with the feeble on-screen fairy tale — also with the risible climax in which scores of Sleaze Sister lookalikes emerge, lemming-style, from the surburbs for a free midnight gig, man: “We are one minute from history,” says LaGuardia, and we all broke up again.

Honestly, it’s just like The Brady Bunch, but with swear words and a few chewns.

Monty Smith

The Box Office chart, with listings borrowed from our old friend Screen International, shows (what else?) Flash Gordon at the top.

Photo accompanying review of TIMES SQUARE in New Muscial Express, 24 January 1981, page 14.  Caption: In a desperate rebellious gesture, Robin Johnson prepares to plummet to the ground three and a half feet below.   Text:  Page 14 — New Musical Express 24th January, 1981  I

In a desperate rebellious gesture, Robin Johnson prepares to plummet to the ground three and a half feet below.

 

The photo accompanying the review seems to have been taken at the same time as TS-28-28/7, but as of this writing I don’t believe it appeared anywhere else but here.

 

 

Monty Smith, “Behind the times” (review (document), AAT ID: 300026480)
New Musical Express, January 24, 1981, pp. 14-15 (magazine (periodical), AAT ID: 300215389)
17 in (H) x 11 in (W) (work);
1981-01-24 TS NME 24 Jan 1981 2012 scan ABBYY 12 – 0001_2_1080px.jpg (cover)
1080 px (H) x 699 px (W), 96 dpi, 437 kb
1981-01-24 TS NME 24 Jan 1981 pp 14-15 edit_1080px.jpg (edit of details from pp. 14 & 15)
1080 px (W) x 994 px (H), 96 dpi, 669 kb
1981-01-24 TS NME 24 Jan 1981image from p 14 800px.jpg (detail p. 14)
800 px (W) x 619 px (H), 96 dpi, 301 kb (images)

 

 

Screen International No. 246, June 21-28, 1980

Posted on 2nd March 2017 in "Times Square"
Share on FacebookTweet about this on TwitterShare on TumblrShare on RedditPin on PinterestShare on Google+Email this to someone

Cover page of a UK movie industry trade publication with two-page ad centerfold announcing TIMES SQUARE in production

This is the fifth appearance Times Square made in the press that I know of. The first was a mention in Radio and Records, the date of which I’m uncertain, but since it describes the movie as coming out in the summer I’m placing it first — possibly even as early as November 1979 when shooting would have started and the big WJAD neon sign hoisted into place on the Candler Building. The second was Screen International No. 231 in March 1980, touting Robin’s unlikely “discovery.” The third was an article about the film’s production in The Aquarian in April 1980 which seems to have been written from interviews conducted in November and December 1979. And the fourth, in May 1980, a quote about the movie from Robert Stigwood in Photoplay.

So in mid-June 1980, which, judging by the Radio and Records article, was the originally planned release date for Times Square, EMI plastered a two-page announcement of the film’s impending release in the center spread of this organ aimed at British film exhibitors and producers. Allan Moyle had long since left the project; the spring months had probably been devoted to reshoots and re-editing. The text of the ad, which features a glorious photo of Robin by Mick Rock, places Times Square as the crowning jewel in Robert Stigwood’s crown. Seven months later it would be obvious to all that this was not the case, and the remaining publicity for Times Square would revert to the March Screen International blurb and center around Robin’s discovery and impending stellar career.

 
Two-page centerspread advertisement from a UK movie industry trade publication. Photo by Mick Rock. Text: Saturday Night Fever, Grease, Jesus Christ Superstar, Tommy. The entertainment revolution that Robert Stigwood began, continues with TIMES SQUARE™ AN EMI FILMS PRESENTATION UNITED KINGDOM DISTRIBUTION BY COLUMBIA-EMI-WARNER NORTH AMERICA BY ASSOCIATED FILM DISTRIBUTION AND THROUGHOUT THE REST OF THE WORLD BY EMI FILMS EMI A member of the Thorn EMI Group TIMES SQUARE™ © 1980 Butterfly Valley N.V.

Saturday Night Fever, Grease,
Jesus Christ Superstar, Tommy.
The entertainment revolution
that Robert Stigwood began,
continues with
TIMES SQUARE™
AN EMI FILMS PRESENTATION
UNITED KINGDOM DISTRIBUTION BY COLUMBIA-EMI-WARNER
NORTH AMERICA BY ASSOCIATED FILM DISTRIBUTION AND
THROUGHOUT THE REST OF THE WORLD BY EMI FILMS
EMI
A member of the Thorn EMI Group

TIMES SQUARE™
© 1980 Butterfly Valley N.V.

If you have the feeling you’ve seen this before, or that I’m just vamping here, you’re right: I only just obtained a copy of this magazine, but in December 2015 I posted a link to the copy previously posted by Karen Dean (DefeatedandGifted) and said pretty much all I had to say about it then. At the time I never thought I’d find any copies of Screen International, but I now have three issues in which Robin appears. I’ve been collecting Robin Johnson items for a very long time, and somehow “new” things keep turning up.

 

 


Screen International, No. 246, June 21-28, 1980 (magazine (periodical), AAT ID: 300215389) ; 38.8 x 28.9 cm; (contains:)
[Times Square center spread advertisement] (advertisement, AAT ID: 300193993), pp. 12-13
Screen_International_No_246_1980-06-21_p1_1080px.jpg
777 x 1080 px, 96 dpi, 508 kb
Screen_International_No_246_1980-06-21_pp12-13_1080px.jpg
1080 x 1609 px, 96 dpi, 647 kb (images)

©1980 King Publications Ltd
Times Square ©1980 StudioCanal/Canal+