Times Square Program Book, Japan, June 1981, pages 20-24 (post 4 of 5)

Posted on 26th March 2018 in "Times Square"
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“Let’s get together at … Hippy Power” (?)

1981 Japanese program book for TIMES SQUARE (1980), p. 21

 

 

 

Here at the end of the Japanese program book, we get the movie’s credits, an ad for the soundtrack album, and… the Times Square Top Ten? I can only imagine what’s being said, in relation to the film, about Make-Up, Music, Fashion, Life Style, Play, Foods, Dream, Sports, Sex, and Friendship. Okay, Music and Friendship I get, but Sports?

 

Page 21, bearing a “Hippy Power” button and the unfinished caption, “Let’s get together at,” features two shots that are neither frames from the film, nor are publicity stills I’ve yet come across. The shot atop the marquee bears a strong resemblance to this color still, and is probably another still shot at that same time, and the shot of the girls entering the abandoned pier is from an entirely different angle than the scene in the film. Also, neither Nicky nor especially Pammy smiles during that sequence in the film. The point being, this is the only place these pictures appear, as far I know.

 

 

I don’t know if the street photo that is the background of page 20 has anything to do the film, other than being New York City. The inset photo of Nicky is from the shot used on one of the Italian lobby posters. Accompanying the credits on page 22, the shot of Pammy and Nicky erupting onto the street after the chase through the Adonis Theater is I believe making its first appearance here; it will later be a press photo distributed in Germany. The other two photos are frames from the film but with more image visible at the tops and bottoms, which as I mentioned last time lead me to believe that these were taken from a full-frame exposure that was matted for release, and may still exist as a TV print.

Page 23 features the soundtrack album cover, the Japanese “Same Old Scene” single picture sleeve, and, clockwise from top right: a shot of Robin and Trini between takes that had previously appeared in Movie 81 No. 2; the image from the cover of the “Same Old Scene” single, which had also appeared in the soundtrack gatefold, the songbook, and the aforementioned Movie 81 No. 2; a shot of Johnny that had been a UK lobby card and an illustration in Movie 81 No.2; and guess where the shot of Robin had appeared previously? Of course! It was in Film Review Vol. 31 No. 1.

And that perfect image on the back cover is a detail from another publicity still that will appear later as a German lobby card.

 

 

Times Square program book, pp. 20-24
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

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©1980 Butterfly Valley N. V.
 
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Times Square ©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 14-19 (post 3 of 5)

Posted on 14th March 2018 in "Times Square"
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As before, I have no clue as to the text, but the image on page 14 of the Japanese souvenir program for Times Square is another frame from the movie. The photo of Pammy and Nicky on page 15 is the promotional shot which was used for the cover of the Italian “Help Me!” single, and as the illustrations on the soundtrack album’s paper sleeves. The color shot of Johnny and Pammy on page 15, accompanied for some reason by a button featuring black and white hands cradling a dove, looks like a frame from the film, but isn’t. It will turn up later as a lobby card in Germany. For some reason, it’s reversed.

Both photos on page 17 are frames from the film. The photo of the Sleez Girls on page 18, featuring coulda-been-Nicky Zoe Lund, is a frame from the film, but the shot of Nicky just below is a promotional photo that previously appeared in Joepie No. 365. And Pammy and Nicky dancing at each other in the Cleo Club on page 19 is a shot that had been used as a UK lobby card. Whether they were really “honoring America” is a question only they, and perhaps the Japanese, could answer.

Look again at the photo on page 14, and compare it to the frame capture below. There’s a bit more at the bottom, and lot more at the top, of the photo in the program book. This is the first evidence I’ve seen that Times Square was shot “full-frame;” the entire frame of the 35mm film was exposed with a normal lens, and its widescreen aspect ratio achieved by matting the top and bottom when the prints were made. If it was shot so the extra space was clean of production detritus, a film shot that way could be shown on television using that full frame instead of making a pan-and-scan version and losing the sides of the image. It’s been decades since I’ve seen a television-formatted version of Times Square. Does anyone know if the TV/video print was full frame or pan-and-scan? Because if it was full frame, that would be worthy of preservation in its own right.

Closest frame from <strong>Times Square</strong> to the photo on page 16 of the Japanese program book.

Closest frame from Times Square to the photo on page 16 of the Japanese program book.

 

 

Times Square program book, pp. 14-19
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

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©1980 Butterfly Valley N. V.
 
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Times Square©1980 StudioCanal/Canal+

 

Times Square Program Book, Japan, June 1981, pages 8-11 (post 2 of 5)

Posted on 2nd March 2018 in "Times Square"
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Here are the next four pages from the Japanese souvenir program for Time Square. These pages apparently have everything you need to know about the producer, director, and stars. Again, if anyone wants to contribute a translation, or donate to a fund for hiring a professional translator, you will have my thanks and the thanks of a grateful nation.

Three of the four pictures on page 8 are more cases of actual frames from the film being used as publicity stills: the shots of the Sleez Girls, Pammy in the phone booth, and Nicky blacking out Pammy’s eyes on the bus poster. Nicky looking directly at us is part of the shot of her in front of the mirror, which previously appeared in Australian Women’s Weekly Vol. 48 No. 5.

Page 9 is two shots that aren’t frames from the movie, and that were distributed for publication as 35mm slides, Pammy and Nicky. The “I ♥ NY” button… well… okay…

Page 10 features some old AFD publicity stills, finally! Trini is cropped from TS-61-14/10, and Robin is TS-57-26/1, the shot used for the album cover and North American poster. Tim Curry’s photo was previously published in color as a UK lobby card and in Movie 81 No 2.

Page 11 is TS-82-30[/4], also used in the AFD campaign pressbook, on the UK soundtrack sampler, and as the basis for a line drawing in a soundtrack ad published in Record Mirror, January 24 1981.

I am not a student of theology. Was Jesus a dropout?

The above-mentioned frames from the movie:

Sleez Girls; Frame from TIMES SQUARE (1980)
Pammy calls her father; frame from TIMES SQUARE (1980)
Nicky blacks out Pammy's eyes; Frame from TIMES SQUARE (1980)

Further reading:

Times Square Press Material folder (post 1 of 5)
Times Square Press Material folder (post 3 of 5)
Times Square Press Material folder (post 5 of 5)
U.K. Lobby Cards (post 1 of 3)
Movie 81 No. 2, February 1981
AFD Campaign Pressbook (pages 1-4)
TIMES SQUARE Trailer
Record Mirror, January 24, 1981

 

 

Times Square program book, pp. 8-11
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_8_1080px.jpg
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Press Book Japan 1981_11_1080px.jpg
96 dpi (images)

©1980 Butterfly Valley N. V.
 
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Times Square©1980 StudioCanal/Canal+

 

Another Italian Times Square Lobby Poster

Posted on 10th November 2017 in "Times Square"
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Two images from the film TIMES SQUARE (1980); ((1) Robin Johnson (2) Tim Curry and Trini Alvarado) with accompanying text:  TIMES SQUARE ROBERT STIGWOOD presenta "TIMES SQUARE"con TIM CURRY • TRINI ALVARADO  e per la prima volta sullo schermo ROBIN JOHNSON con PETER COFFIELD • HERBERT BERGHOF • DAVID MARGULIES  ANNA MARIA HORSFORD  produttori esecutivi KEVIN McCORMICK e JOHN NICOLELLA  diretto da ALAN MOYLE  prodotto da ROBERT STIGWOOD e JACOB BRACKMAN  sceneggiatura di JACOB BRACKMAN  soggetto di ALAN MOYLE e LEANNE UNGER EMI  produttore associato BILL OAKES  una produzione EMI-ITC  Technicolor • STEREOFUTURSOUND  IDIF

This is exactly what the post title says: a second lobby poster from Italy. There may be more, but so far I’ve only come across two.

The text is exactly the same as the other one and the Italian movie poster. Robin as Nicky is on the left, in a photo taken during the shooting of the final sequence, which is I believe making its first published appearance on this poster. We’ll be seeing it a few more times; it’s possible those future items actually came out before this, but they’re all from the spring or summer of 1981.

And on the right, we see an adult man giving vodka to a thirteen-year-old-girl, but it’s okay: he’s not interested in her, he wants to know about her sixteen-year-old roommate. Um… yeah. Sure, there’s really both more and less going on in that scene than that implies, but, I think you’d have a pretty hard time getting that from script to screen nowadays.

 

 

Times Square lobby poster (1)
poster, AAT ID: 300027221
Italy ; 46.9 x 64.5 cm. (work)
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783 px (H) x 1080 px (W), 96 dpi, 427 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

Movie 81 No. 2, February 1981

Posted on 1st July 2017 in "Times Square"
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Australian movie magazine containing article about TIMES SQUARE (1980)

“There’s a hot new talent, Robin Johnson in Robert Stigwood’s Times Square…”

contents and editorial page of Australian movie magazine containing article about TIMES SQUARE (1980) relevant text: There's a hot new talent, Robin Johnson in Robert Stigwood's Times Square...

 

Times Square was still in theaters in London when the February Movie 81 came out in Australia and editor John Fraser made the above announcement.

Movie 81 No. 2, February 1981, pp. 14-15  Text:  TIMES SQUARE  AN APPRAISAL BY TERRY O BRIEN  Like the music which accompanies it on a pulsating soundtrack of rock, Times Square is a story of the streets. It’s about rebellion on a small scale, a search for some kind of basic freedom and a need to live life rather than simply exist. By setting the story in Times Square (surely the definitive microcosm of all that is good and bad in pre-packaged urban society), there’s a perfect, ready-made background of excitement, urgency and even danger that is inherent in that milieu. Surviving day to day in this environment is Nicky Marotta (Robin Johnson) a free spirit with aspirations of becoming a rock star. Her very wayward, uncompromising manner lands her in a psychiatric hospital for tests. While there, she meets Pamela Pearl (Trini Alvarado), a shy girl whose personality, unlike Nicky’s, has been submerged by her environment. She is, in fact, at quite the opposite end of the spectrum to Nicky. Moreover, Pamela’s father is a politician who has promised to clean up the seedier side of Times Square. The two girls escape from the hospital and, in their own way, take on the establishment with acts that supposedly symbolise their rejection of the plastic culture. Their exploits are covered and encouraged by Johnny LaGuardia (Tim Curry), a disc-jockey who turns the couple into celebrities with a following which allows Nicky, ultimately, a brief moment of fame as a rock singer. Another aspect of the story is the effect that each of the girls has on the other. Nicky’s life-style allows Pamela to experiment with her own and to break out of her protective shell. (It’s interesting that once she has had her freedom she decides to return to her father, though, one suspects, on her own terms.) Conversely, the poetic and sensitive Pamela brings about a change in Nicky who finds she has her first real friend and, subsequently, a basis for believing in herself. Robin Johnson, in her movie debut, is a sensation. Her Nicky is vibrant, exciting and fragile—and one of the most interesting movie characters in years. She is a find of the first order! Trini Alvarado is her perfect foil and willing pupil. Tim Curry’s eccentric exploitive disc-jockey is a far cry from his Frank N’ Furter in The Rocky Horror Picture Show, but is, again, a fascinating performance. The movie’s feeling of rebellion and non-acceptance of some of society’s values is reflected in the music—a constant background of rock by some of today’s more prominent performers. James A. Contner’s cameras have caught some spectacular shots of New York, especially from atop the building from which Johnny broadcasts. Times Square is a showcase for some new and little-seen talent.  Producers: Robert Stigwood Jacob Brackman Director: Allan Moyle  The neon nerve centre of young New York, tuned to a furious rock beat—amps up, full power on, with all-night disc jockey Johnny (Tim Curry) perched in his skyscraper studio waiting for the moment.

 

The two-page spread later in the issue is comprised of “An Appraisal by Terry O’Brien,” which from here in the 21st Century reads more like a promotional press release than a critical review. It is, though, an early adopter of the tone of most of the remaining publicity for Times Square, shifting its focus as hard as it can from the movie overall to Robin herself. “She is a find of the first order!”

The neon nerve centre of young New York, tuned to a furious rock beat—amps up, full power on, with all-night disc jockey Johnny (Tim Curry) perched in his skyscraper studio waiting for the moment.

TIMES SQUARE
AN APPRAISAL BY TERRY O BRIEN

Like the music which accompanies it on a pulsating soundtrack of rock, Times Square is a story of the streets. It’s about rebellion on a small scale, a search for some kind of basic freedom and a need to live life rather than simply exist. By setting the story in Times Square (surely the definitive microcosm of all that is good and bad in pre-packaged urban society), there’s a perfect, ready-made background of excitement, urgency and even danger that is inherent in that milieu. Surviving day to day in this environment is Nicky Marotta (Robin Johnson) a free spirit with aspirations of becoming a rock star. Her very wayward, uncompromising manner lands her in a psychiatric hospital for tests. While there, she meets Pamela Pearl (Trini Alvarado), a shy girl whose personality, unlike Nicky’s, has been submerged by her environment. She is, in fact, at quite the opposite end of the spectrum to Nicky. Moreover, Pamela’s father is a politician who has promised to clean up the seedier side of Times Square. The two girls escape from the hospital and, in their own way, take on the establishment with acts that supposedly symbolise their rejection of the plastic culture. Their exploits are covered and encouraged by Johnny LaGuardia (Tim Curry), a disc-jockey who turns the couple into celebrities with a following which allows Nicky, ultimately, a brief moment of fame as a rock singer. Another aspect of the story is the effect that each of the girls has on the other. Nicky’s life-style allows Pamela to experiment with her own and to break out of her protective shell. (It’s interesting that once she has had her freedom she decides to return to her father, though, one suspects, on her own terms.) Conversely, the poetic and sensitive Pamela brings about a change in Nicky who finds she has her first real friend and, subsequently, a basis for believing in herself. Robin Johnson, in her movie debut, is a sensation. Her Nicky is vibrant, exciting and fragile—and one of the most interesting movie characters in years. She is a find of the first order! Trini Alvarado is her perfect foil and willing pupil. Tim Curry’s eccentric exploitive disc-jockey is a far cry from his Frank N’ Furter in The Rocky Horror Picture Show, but is, again, a fascinating performance. The movie’s feeling of rebellion and non-acceptance of some of society’s values is reflected in the music—a constant background of rock by some of today’s more prominent performers. James A. Contner’s cameras have caught some spectacular shots of New York, especially from atop the building from which Johnny broadcasts. Times Square is a showcase for some new and little-seen talent.

Producers: Robert Stigwood
Jacob Brackman
Director: Allan Moyle

The real treasures here are the accompanying photographs. Within an assortment of publicity stills we’ve seen before are two more behind-the-scenes shots, one of Trini, Tim, and Robin on Pier 56 on the Hudson River, and one of Robin and Trini during the shooting of the concert in Times Square. The three-shot must come from the same break in shooting that produced the top photo on page 22 of Film Review, Vol. 31 No. 1, and the black and white photo in the UK Press Kit, and which I’ve noted before are among the very few photos from Times Square with the actors in costume smiling directly at the camera.

The shot of Robin and Trini probably was taken within moments of the slide of Robin in Aggie Doon makeup on 42nd Street; Nicky is only on that street in the makeup after she jumps from the marquee, and Pammy is never down there with her. This photo was taken either before, during a break in, or after filming.

The other photos are UK lobby cards (or suspected lobby cards), except the Yoram Kahana photograph from the session that also produced the shot that became half of the movie poster and soundtrack album cover, and the slide of Aggie Doon debuting Damn Dog, which I think is seeing its first publication here.

TIMES SQUARE movie advertisement from Movie 81 No. 2, February 1981, p. 47

 

 

 

 

And that’s not all! On page 47, we find an ad featuring for the first time the English South Pacific movie poster. The collaged artwork featuring a Mick Rock photo previously appeared in a production promotional ad in Screen International in June of 1980. Here we see the debut of the new tag line, “… is the music of the streets!” which still doesn’t exactly make sense, but is a step up from England’s “Go sleaze!”

 

 

 

 

 

But wait, there’s more! As a bonus, on pages 59, our friend Terry O’Brien gives the soundtrack a glowing review.

Soundtrack
TERRY O’BRIEN CHECKS OUT THE MOVIE MUSIC SCENE
TIMES SQUARE
Another double-album from the RSO stable and thus packaged for sure-fire entertainment. “Times Square” is “the music of the streets” and features some of the more familiar names of the New Wave. Suzi Quatro gets the set off with a blast on her “Rock Hard”—a gutsy number which happens to be the favourite of the film’s two young female leads played by Robin Johnson and Trini Alvarado. Second up is The Pretenders’ “Talk of the Town” followed by a great Roxy Music number, “Same Old Scene”. The Bowie influence is much in evidence in Gary Numan’s haunting “Down in the Park”, and “Help Me!” has a good commercial sound from Marcy Levy and Robin Gibb. Other standouts are Lou Reed’s classic “Walk on the Wild Side” and a revival of “You Can’t Hurry Love” by D. L. Byron. You’ll also find some good rock from Talking Heads, Joe Jackson, XTC, The Ramones, The Ruts, Desmond Child & Rouge, Garland Jeffreys, The Cure and Patti Smith Group. Robin Johnson and Trini Alvarado themselves are also featured on “Your Daughter is One” a nose-thumbing raspberry to society and “Damn Dog”, a solo by Johnson. A good collection.
TIMES SQUARE-RSO Records

 

 


Movie 81, No. 2, February 1981 (magazine (periodical), AAT ID: 300215389) ; 27.2 x 20 cm.; (contains:)
John Fraser, Editorial (editorial, AAT ID: 300026284), p. 3
Times Square : an appraisal by Terry O’Brien (review (document), AAT ID: 300026480), pp. 14-15
[Times Square is the music of the streets], (advertisement, AAT ID: 300193993), p. 47
Soundtrack : Terry O’Brien checks out the movie music scene : Times Square (review (document), AAT ID: 300026480), pp. 58-59 (work)
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©1981 Modern Magazines (Holdings) Ltd.


 

 

Film Review, Vol. 31 No. 1, January 1981

Posted on 27th December 2016 in "Times Square"
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Cover of UK magazine containing feature artcle on "Times Square"

P. 3 (contents page) Relevant text: 22 TIMES SQUARE The adventures of two teenage girls (Robin Johnson and Trini Alvarado) and the all-night Times Square radio personality (Tim Curry) who gives a boost to their dream of rock stardom.

22
TIMES SQUARE
The adventures of two teenage girls (Robin Johnson and Trini Alvarado) and the all-night Times Square radio personality (Tim Curry) who gives a boost to their dream of rock stardom.

“With an off-beat beauty all her own, and an engaging rasping singing voice, Ms Johnson has enough female virility to fill many films yet, and is already pencilled in for the sequel to Grease.”

 

There’s no arguing with the fact that in January of 1981, the big movie in the UK was Flash Gordon.

 

Despite its title, Film Review didn’t contain an actual review of Times Square, but a promotional article. You can tell it’s not a review because it’s 100% positive.

 

Edit, 14 January 2017: After some consideration, I think this was actually a review, of sorts, and the author had seen the film before composing it. It’s a piece that appears in the next month’s issue of Film Review that’s an unabashed puff piece that might have been written by EMI’s publicity department. I still think this one was more promotion than review, though.

 

The first photo accompanying the article is worth the price of admission, though: a color shot of Robin, Trini, and Tim, taken at the same time as the black and white photo in the UK Press Kit. Also, to my knowledge the shot in the lower left corner, “Robin Johnson sings to her fans in her Sleaze Sisters apparel,” is making its first appearance. The remaining color photo was used as a lobby card, and the black and white photo on the following page is TS-72-8A/14 from the US Press Material Folder, which appeared in the AFD Campaign Pressbook, on the covers of the British and Japanese soundtrack sampler records, in US Magazine, in the Leader, and on one of the strange 2-photo 8x10s that misspelled Robert Stigwood’s name. So far, other than the portraits of Robin and Trini that were used on the soundtrack album cover and the US movie poster, this is the photo that most often helped promote the film.

The one thing the article has in common with most real reviews of the movie is that it ultimately focuses on Robin’s performance as the big reason to see it. It’s also the first mention of Robin’s next scheduled project, as the female lead in Robert Stigwood’s production of Grease 2. Remember that?

TIMES SQUARE

A thought-provoking tale of alienated teenages — their moods, their mad antics and their music

Two runaway teenage girls, a variety of New Wave rock music and a grimy, pristine backdrop of New York make up the ingredients of Times Square (an EMI release), Robert Stigwood’s latest offering to a youthful cinema-going public.

Robin Johnson, a spunky 15-year-old newcomer, plays with admirable bravado the central role of Nicky, a street urchin with destructive inclinations and a yen for musical stardom. In hospital for psychiatric tests, Nicky finds herself in the company of Pamela Pearl (played by Trini Alvarado — from Robert Altman’s Rich Kids), an introverted 12-year-old from a privileged background, also in for tests. Despite their opposing upbringings, the two run away together — from the System that oppresses them both — to lead an exuberant, retaliatory existence on the streets.

It is this slight story-line that makes up the canvas for a gritty but heart-warming story of today’s youth, their problems, their qualities, their understandable misgivings and denied intelligence. They make mistakes — like every young generation before them — but this breed is growing up faster than ever before.

Canadian director Alan Moyle, making his American film debut after a string of successful films and documentaries over the border, conjures up a realistic atmosphere to his scenes beyond the call of Hollywood duty — to the extent you sometimes feel you are watching the runaway duo for real.

Moyle cleverly intercuts his footage with shots of genuine Times Square coke snorters, back street alcoholics, Eighth Avenue prostitutes and pimps, and all the fun of the New York fair. For the climactic sequence he even managed to close 42nd Street’s “Deuce” (a notorious strip of theatres and porno cinemas) for the first time in New York film location history.

Between all this he concentrates his camera almost lovingly on the adventures of Johnson and Alvarado, who have meanwhile taken their anti-establishment hostilities one step further, adopting a dual identity and calling themselves The Sleaze Sisters Not without point!

Under this guise, wearing outrageous costumes pieced together from jumble outcasts and dustbin liners, they tear through the streets of New York begging for money, in their spare time levering tv sets — the ultimate symbol of the bourgeoisie — from the top storeys of Manhattan’s skyscrapers.

It is this singular prank that arouses the interest of the public, and in particular that of a late-night Times Square DJ, played with laid-back relish by England’s own Tim Curry, late of “The Rocky Horror Show”. Providing The Sleaze Sisters with even greater coverage on New York’s air waves, narrating their boardwalk escapades and even allowing them to sing their protests, DJ Johnny LaGuardia becomes the catalyst in Moyle’s story. Like the DJ Curry played on television in “City Sugar”, LaGuardia reaches out from the night to the receptive, confused soul of a young girl wanting, desiring an intimate liaison with an established anti-establishment voice. Here, Curry has two souls to contend with and, even though he is trying to help them and gain public sympathy (by this time the police are now hot on their trail), he is at the same time exploiting them, exploiting their isolation from society, the society which eventually they come to need.

So, Times Square turns out to be many things: an exciting, abrasive look at the uglier face of New York; a compassionate tale of two desperate runaways who find mutual friendship encountering a common enemy; and a musical featuring some of the finest New Wave sounds around, including contributions from The Pretenders, Lou Reed and Suzi Quatro.

But for all Moyle’s perspicacious and sensitive direction, it is young Robin Johnson’s performance that dominates the film. With an off-beat beauty all her own, and an engaging rasping singing voice, Ms Johnson has enough female virility to fill many films yet, and is already pencilled in for the sequel to Grease. □

Karen (DefeatedandGifted) posted her copy of these pages in March 2015.

 

 

Film Review, Vol. 31 No. 1, January 1981;
UK EMI Cinemas Ltd.;
magazine (periodical), AAT ID: 300215389; 29.8 cm (H) x 21.3 cm (W) (work);
1981-01 Film Review Vol 31 No 1 p01_1080px.jpg (cover)
1981-01 Film Review Vol 31 No 1 p03_1080px.jpg (contents)
1981-01 Film Review Vol 31 No 1 p22_1080px.jpg (“TIMES SQUARE”)
1981-01 Film Review Vol 31 No 1 p23_1080px.jpg (“TIMES SQUARE”)
1080 px (H), 96 dpi (images)

 

UK Movie Ad

Posted on 7th December 2016 in "Times Square"
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UK magazine ad for "Times Square", 1981 Text: TIMES SQUARE AA  "GO SLEAZE!" ...IN TIMES SQUARE  ROBERT STIGWOOD Presents "TIMES SQUARE"  Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON  Also Starring PETER COFFIELD·HERBERT BERGHOF DAVID MARGULIES·ANNA MARIA HORSFORD  Executive Producers KEVIN McCORMICK·JOHN NICOLELLA  Directed by ALAN MOYLE  Produced by ROBERT STIGWOOD and JACOB BRACKMAN Screenplay by JACOB BRACKMAN  Story by ALAN MOYLE and LEANNE UNGER  Associate Producer BILL OAKES An EMI-ITC Production  Soundtrack available on RSO Records and TAPES RSO  Released by COLUMBIA-EMI-WARNER Distributors Limited.  EMI  A Member of the THORN EMI Group. FROM THURS. 15 JAN. ABC  Shaftesbury Ave  Tel: 836 8861  Licensed Bar  DOLBY STEREO  STUDIO  OXFORD CIRCUS  Tel: 437 3300  DOLBY STEREO  SCENE LEICESTER SQ (WARDOUR ST)  Tel.439.4470  ABC  BAYSWATER  DOLBY STEREO  ABC  EDGWARE RD.  ABC  FULHAM RD.

 

This ad promoting the movie’s opening has the same art as the one published previously in the Leader, but with the addition of the theaters it will be in. It’s essentially a black-and-white version of the quad poster, the top half of the painting by Cummins.

It appeared in a film magazine, but I don’t know which one. It’s on heavy magazine stock, not newsprint, and on the back is an ad for Seems Like Old Times, but unfortunately the portion of the page I have doesn’t have the name of the magazine or the page number.

 

 

[“Times Square” UK movie advertisement]
advertisement, ID: 300193993, 20 cm (W) x 14.3 cm (H) (work);
1080 px (W) x 768 px (H), 96 dpi, 434 kb (image)

1981
Inscription:
TIMES SQUARE AA
"GO SLEAZE!" …IN TIMES SQUARE
ROBERT STIGWOOD Presents "TIMES SQUARE"
Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON
Also Starring PETER COFFIELD·HERBERT BERGHOF
DAVID MARGULIES·ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK·JOHN NICOLELLA
Directed by ALAN MOYLE
Produced by ROBERT STIGWOOD and JACOB BRACKMAN
Screenplay by JACOB BRACKMAN
Story by ALAN MOYLE and LEANNE UNGER
Associate Producer BILL OAKES An EMI-ITC Production
Soundtrack available on RSO Records and TAPES RSO
Released by COLUMBIA-EMI-WARNER Distributors Limited.
EMI
A Member of the THORN EMI Group.
FROM THURS. 15 JAN.
ABC
Shaftesbury Ave
Tel: 836 8861
Licensed Bar
DOLBY STEREO
STUDIO
OXFORD CIRCUS
Tel: 437 3300
DOLBY STEREO
SCENE LEICESTER SQ (WARDOUR ST)
Tel.439.4470
ABC
BAYSWATER
DOLBY STEREO
ABC
EDGWARE RD.
ABC
FULHAM RD.

 

Times Square ©1980 StudioCanal/Canal+

 

U.K. Lobby Cards (post 1 of 3)

Posted on 7th November 2016 in "Times Square"
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There were no lobby cards for Times Square in the US, only 8″ x 10″ black and white stills. The rest of the world was more fortunate.

At least eight lobby cards were released to theaters in the UK (although I suspect there was at least one more). Some of the photos hadn’t previously been used, as far as I know. The cards, like the aforementioned stills, measure 8″ x 10″, but the colors somehow give an impression of greater size.

Tim Curry as Johnny LaGuardia: Color 8"x10" lobby card, 1981  Text:  TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

This is the first time we’ve seen this photo of Tim Curry as Johnny LaGuardia, although it’s from the same session as TS-66-28/9 from the US Press Materials Folder; photo #4 from the UK Press Kit, which had been published in the Aquarian and Prevue; and the tiny photo from the Press Folder which was also used inside the soundtrack gatefold cover (except in the UK).

Trini Alvarado as Pamela Pearl: Color 8"x10" lobby card, 1981  Text:  TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

 

And, this is the first time we’ve seen a shot of Pammy from this early in the film. Even more unusually, Trini is looking directly into the camera. There are very few photos of the actors on set and in costume playing to the camera. This… um… is one of them.

Robin Johnson and Trini Alvarado as Nicky and Pammy, on 42nd Street near 6th Avenue: Color 8"x10" lobby card, 1981 Text: TIMES SQUARE AA Released by COLUMBIA - EMI - WARNER Distributors Limited. EMI A Member of the THORN EMI Group An EMI-ITC Production This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

And here’s a photo we have seen before, of Nicky and Pammy walking west along 42nd Street, on their way to Times Square to look for Nicky’s dad. This shot appeared in the Press Folder, and as a black and white print on Kodak paper whose date and purpose I’m not entirely sure of. This is the most complete, uncropped, version of this image I’ve yet seen. (I do have a crummy-looking little .png file that shows a smidge more at the top and on the right, but cuts off some of the left and most of the bottom.) I’ve previously posted a version of it which been scanned by Baseline Research and posted by Cineplex, lacking the text strip at the bottom. They posted five images, four of which appear to be these lobby cards with the bottoms cropped off. I’ve already posted the fifth… but I won’t link to it or the others here because I intend to do it again at the end of this series.

 

Needless to say (but when have I let that stop me), none of these images match up to the film. Johnny smiles all through the shot his lobby card would appear to come from. We only see Pammy in her pajamas and headphones from outside her bedroom window. And as I’ve mentioned many times before, the sequence of Nicky and Pammy looking for and finding Nicky’s dad was removed entirely from the film, probably before it was finished being shot.

The cards all have this text at the bottom:

TIMES SQUARE AA
An EMI-ITC Production
EMI A Member of the THORN EMI Group
Released by COLUMBIA – EMI – WARNER Distributors Limited.
This copyright advertising material is licensed and not sold and is the property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. Printed in Great Britain.

 

 

[Tim Curry as Johnny LaGuardia]
[Trini Alvarado as Pamela Pearl]
[Robin Johnson and Trini Alvarado as Nicky and Pammy on 42nd Street near 6th Avenue]
Lobby cards (AAT ID: 300208593)
8 in (H) x 10 in. (W)
Great Britain (works);
Times_Square_UK_Lobby_Card-1_manual_crop_1080px.jpg
1080 px (W) x 857 px (H), 96 dpi, 512 kb
Times_Square_UK_Lobby_Card-2_manual_crop_1080px.jpg
1080 px (W) x 855 px (H), 96 dpi, 574 kb
Times_Square_UK_Lobby_Card-3_manual_crop_1080px.jpg
1080 px (W) x 854 px (H), 96 dpi, 609 kb (images)

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square U.K. Quad Poster

Posted on 28th October 2016 in "Times Square"
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An edit of the Cummins illustration from the UK movie poster, with two different B&W stills. The "Cummins" signature is edited out. Text: TIMES SQUARE AA "GO SLEAZE!" ...IN TIMES SQUARE ROBERT STIGWOOD Presents "TIMES SQUARE" Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES ANNA MARIA HORSFORD Executive Producers KEVIN McCORMICK·JOHN NICOLELLA Directed by ALAN MOYLE Produced by ROBERT STIGWOOD and JACOB BRACKMAN·Screenplay by JACOB BRACKMAN Story by ALAN MOYLE and LEANNE UNGER Associate Producer BILL OAKES An EMI-ITC Production Soundtrack available on RSO Records and TAPES RSO Released by COLUMBIA-EMI-WARNER Distributors Limited. EMI A Member of the THORN EMI Group. This copyright advertising material is licensed and not sold and is the Property of National Screen Service Ltd. and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd. PRINTED IN ENGLAND BY W. E. BERRY LTD. BRADFORD

 

A standard one-sheet movie poster is 40 inches high by 27 inches wide. A “quad” poster, which I don’t think they make anymore, is 40 inches wide by 30 inches high. EMI took this extra space and zoomed in on the top two-thirds of the painting, cutting it off just above the artist’s signature.

Overall it’s a more pleasing layout, with the credits in the lower left corner over the wet street, and the two inset photos next to each other in the lower right. The photo of Tim Curry has been changed to TS-66-28/8 from the US press kit and AFD Campaign Pressbook, and the photo of Pammy and Nicky is TS-72-8A/14, also from the US press kit and the Campaign Pressbook. Neither of these photos were in the UK Press Kit (at least not in my copy). Perhaps this poster was put together first, and when the one-sheet was designed the American stills were replaced with British ones.

This was the layout used for the newspaper and magazine theater advertisements for the movie’s run.

 

 

Times Square UK quad movie poster
poster, AAT ID: 300027221
30″ (H) x 40″ (W)
Inscription:
TIMES SQUARE AA
“GO SLEAZE!” …IN TIMES SQUARE
ROBERT STIGWOOD Presents "TIMES SQUARE"
Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON
Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES
ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK·JOHN NICOLELLA
Directed by ALAN MOYLE Produced by ROBERT STIGWOOD and
JACOB BRACKMAN·Screenplay by JACOB BRACKMAN
Story by ALAN MOYLE and LEANNE UNGER
Associate Producer BILL OAKES An EMI-ITC Production
Soundtrack available on RSO Records and TAPES RSO
Released by COLUMBIA-EMI-WARNER Distributors Limited.
EMI A Member of the THORN EMI Group.
This copyright advertising material is licensed and not sold and is the Property of National Screen Service Ltd.
and upon completion of the exhibition for which it has been licensed it should be returned to National Screen Service Ltd.
PRINTED IN ENGLAND BY W. E. BERRY LTD. BRADFORD
(work)

1981 UK Quad Poster_1080px.jpg
1080 px (W) x 812 px (H), 96 dpi, 500 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

Times Square U.K. Movie Poster

Posted on 18th October 2016 in "Times Square"
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"Times Square" UK movie poster, featuring a painting by Cummins of Nicky over a collage of Times Square theater marquees Text: "GO SLEAZE!" ...IN TIMES SQUARE CUMMINS TIMES SQUARE ROBERT STIGWOOD Presents "TIMES SQUARE" Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES·ANNA MARIA HORSFORD Executive Producers KEVIN McCORMICK·JOHN NICOLELLA Directed by ALAN MOYLE Produced by ROBERT STIGWOOD and JACOB BRACKMAN Screenplay by JACOB BRACKMAN Story by ALAN MOYLE and LEANNE UNGER Associate Producer BILL OAKES An EMI-ITC Production Soundtrack available on RSO Records and TAPES RSO Distributed by EMI Films Limited. EMI A Member of the THORN EMI Group. PRINTED IN ENGLAND BY W. E. BERRY LTD. BRADFORD


 

After all the work that went into creating the logo on the cover of the UK Press Kit, and the poster-worthy image that had been used to promote the movie’s production in the 21-28 June, 1980 Screen International, EMI went with this image for the UK movie poster. The painting of a frightfully gaunt Nicky, signed by “Cummins” (about whom I’ve been unable to find any information), was used for all the UK movie advertising, and for several of the other European posters. The film title and “‘Go Sleaze! …in Times Square” tagline are in a jagged faux-handwriting that’s probably supposed to look like graffiti, but doesn’t.

The small inset photos are the same ones used as insets on the inside of the UK Press Kit. The photo of Tim Curry is #4 from that Press Kit, previously published in The Aquarian in April 1980 and the September-October 1980 Prevue. The one of Robin and Trini is TS-22-11, or 1, from the UK Press Kit, depending on which copy I’ve pulled out first. The posters and ads that used this painting didn’t all use the same photos as the insets.

"Times Square" Screenplay by Jacob Brackman, 1979, 129 pp  Text:  1 EXT THE STARSHIP DISCOVERY NIGHT The hot ethnic nightclub on 42nd Street, near Port Authority. Flashily dressed kids mill around the door. NICKY, a dark skinny while girl dressed in a man's leather jacket and a biker's cap, walks through the area, ignoring the others. Her.air is deliberate She is about 16. She pulls a laundry cart. The camera follows NICKY around to the back of the club. She tries the door. It is locked. Very loud music is coming through the wall. NICKY unpacks a guitar, a frayed speaker-amp and a radio cassette player from the cart. Lashed into the cart is an old car battery to power it all. She starts playing along with the band inside the club. What she lacks in skill she makes up in imagination. Soon she is taking solo licks and posing for an imaginary audience. The music from inside flares as the back door of the club opens and an angry black ROADIE shouts to her. ROADIE What the fuck do you think you're doing? She ignores him. She juts her jaw out defiantly. He walks over, We can hear you inside. Get outta here. NICKY Do you own this land I'm standing on? Do you fuckin' own the airwaves around here? NICKY continues playing. Another man joins the first. 2nd ROADIE This is a restricted area. We're asking you politely to disappear. CONTINUED
Nicky is first described in the 1979 screenplay as a “dark, skinny white girl.” We know Robin didn’t fit Allan Moyle’s original idea of what his Nicky looked like, winning the part through sheer charisma and making it hers. It’s possible that Cummins was working from a combination of photos of Robin and earlier descriptions of Nicky, coming up with this angry, and hungry, creature of the streets.

 

 

Times Square UK one-sheet movie poster
one-sheet poster, AAT ID: 300196848
27″ (W) x 40″ (H)
Inscription:
"GO SLEAZE!" …IN TIMES SQUARE
CUMMINS
TIMES SQUARE
ROBERT STIGWOOD Presents "TIMES SQUARE" Starring TIM CURRY·TRINI ALVARADO And Introducing ROBIN JOHNSON Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES·ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK·JOHN NICOLELLA Directed by ALAN MOYLE Produced by ROBERT STIGWOOD and JACOB BRACKMAN Screenplay by JACOB BRACKMAN
Story by ALAN MOYLE and LEANNE UNGER Associate Producer BILL OAKES An EMI-ITC Production Soundtrack available on RSO Records and TAPES RSO
Distributed by EMI Films Limited. EMI A Member of the THORN EMI Group.
PRINTED IN ENGLAND BY W. E. BERRY LTD. BRADFORD
(work)
1981 UK Poster_1080px.jpg
1080 px (H) x 734 px (W), 96 dpi, 396 kb (image)

 

TIMES SQUARE, p. 1
Screenplay by Jacob Brackman
1979

 

Times Square ©1980 StudioCanal/Canal+