Allan Moyle, still at work

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And here’s another shot of Allan Moyle giving the girls direction, this time for the “Your Daughter Is One” sequence. I can only imagine what Trini and Robin are thinking, based on their expressions. I wonder what Moyle was telling them. Behind Moyle, on the left and out of focus,

Allan Moyle at work

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Way back in October 2014, I posted a photo of Robin and Trini getting ready to shoot a scene that was later cut from the film, and complained that although the vast majority of Times Square publicity stills don’t actually come from shots of takes used in the film, there

TS-C-22/27

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I’m going to have to temporarily abandon my mostly chronological posting order, because I’ve recently obtained a few items that If I’d had them previously, they’d have already gone up. Although, in all honesty, I don’t know where this would go. It’s a publicity still from AFD, in the fashion

photoplay, Vol. 32 No. 1, January 1981

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The January 1981 photoplay featured a cover story on, what else, Flash Gordon. It also contained a review of Times Square, attributed only to “M.B.” M.B.’s review is atypical, not in that it likes the movie — spoiler, it doesn’t — but in that it goes out of its way

Film Review, Vol. 31 No. 1, January 1981

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“With an off-beat beauty all her own, and an engaging rasping singing voice, Ms Johnson has enough female virility to fill many films yet, and is already pencilled in for the sequel to Grease.”   There’s no arguing with the fact that in January of 1981, the big movie in

Another UK Movie Ad

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This is almost identical to the ad from my last post, which appeared a in an unknown film magazine, but it promotes the film’s wide opening “All Over London from Sunday.” The previous ad has the premiere date, Thursday, 15 January, so it must have been published first. Either way,

UK Movie Ad

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  This ad promoting the movie’s opening has the same art as the one published previously in the Leader, but with the addition of the theaters it will be in. It’s essentially a black-and-white version of the quad poster, the top half of the painting by Cummins. It appeared in

U.K. Lobby Cards (post 3 of 3)

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Finally we get a couple photos with Robin front and center and facing the camera. The first is as Nicky is dragged from the WJAD studio screaming for Pammy. In the film, we see this entirely looking down from Johnny’s control room. That’s the leg of George Morfogen on the

U.K. Lobby Cards (post 2 of 3)

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  This shot of Nicky joining in as Pammy dances at the Cleo Club appears to me to have been taken within seconds of TS-104-17A/7 from the US Press Materials folder, and this color 8×10, the purpose of which I still don’t know. (Its post is here.) Although the presence

U.K. Lobby Cards (post 1 of 3)

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There were no lobby cards for Times Square in the US, only 8″ x 10″ black and white stills. The rest of the world was more fortunate. At least eight lobby cards were released to theaters in the UK (although I suspect there was at least one more). Some of