This was sold as a “Press Kit,” but it’s just the one sheet of A4-size paper with a very complete synopsis of the film on one side and the full cast and credits on the other. It was definitely used for publicity purposes in the UK, but the logo on
I should have posted this along with the other versions of the soundtrack album I have, but I somehow had it in my head that it was released in 1981. It wasn’t; all the international editions of the soundtrack were released in 1980, with only one exception I know of,
“‘Oh, I’ve been known to curse in my time…'” RSO had evidently come to the realization that Robin was the film’s major selling point, so they sent her to England accompanied by her mom to promote Times Square’s opening and herself. The interviews she gave must have occurred even
No, not the magazine Record Mirror. This was a promotional item given by an RSO music rep to the music director of WLKI in Angola, Indiana, along with 25 copies of the soundtrack album to give away as contest prizes. It was on display as part of his enormous
“No, this won’t do.” Monty Smith’s review of Times Square is true to form, giving some light praise to Robin’s and Trini’s performances while tearing the movie itself to shreds. Although he does sometimes go a bit over the top with a particularly English-flavored cooler-than-thou sneering (“a real
This is the fifth appearance Times Square made in the press that I know of. The first was a mention in Radio and Records, the date of which I’m uncertain, but since it describes the movie as coming out in the summer I’m placing it first — possibly even as
“All things vaguely sensible suddenly disappear in a puff of smoke.” Chris Westwood’s review of Times Square in the January 24, 1981, Record Mirror was sadly typical, finding it an unbelievable melodramatic mess that “tries too many things and pulls none of them off.” He sees some value
And here’s another shot of Allan Moyle giving the girls direction, this time for the “Your Daughter Is One” sequence. I can only imagine what Trini and Robin are thinking, based on their expressions. I wonder what Moyle was telling them. Behind Moyle, on the left and out of focus,
Way back in October 2014, I posted a photo of Robin and Trini getting ready to shoot a scene that was later cut from the film, and complained that although the vast majority of Times Square publicity stills don’t actually come from shots of takes used in the film, there