Here we have an 8″x10″ black and white print showing Nicky leaping into the air at the start of the concert in Times Square (as opposed to her leaping into the air at the end of the concert). It has a tiny number “34” printed onto its front. The back
Despite recent appearances, this is a Robin Johnson site, not a Times Square site. But, for better or worse, there’s far more Times Square material out there than for the rest of her career combined. Plus, the vast majority of her fans (though not all) found her through Times Square.
Back to the 8 x 10 Kodak prints… here’s another shot of Robin as Nicky dressed up as Aggie playing “Damn Dog” in the Cleo Club, and as always, there’s no frame in the film that matches up. The frame I’ve chosen is the only one where Robin has both
“I’m not dancing topless.” 12-year-old Trini Alvarado enacts 13-year-old Pamela Pearl making her debut as an exotic dancer, thankfully not topless. There are other images of this scene that were taken at the same time and differ only slightly, but I only have them published in magazines, on lobby
Another 8×10 color print marked as Kodak paper from the 1970s-80s on the back. Normally when printing an 8×10 the image would be enlarged to fill the 8-inch dimension, cropping out about 2 inches of the longer dimension, but these photos are printed to show the entire exposure. I
This is an 8×10 print, showing the full 35mm frame, of Nicky and Pammy running from the plainclothes detective, about to turn left and duck into the adult theater. The paper it’s printed on, as are most of the next batch of photos I’ll be posting, is
So: the girls are east of Times Square and headed for it. They’ve already traded clothes, and are on foot. In the film, this happens after they’ve been on the subway in those outfits, except they’re on their way to “the hideout” (as it’s called in the script).
This is the only photo I’ve come across showing the production of Times Square. The assistant director’s full name is is Alan Hopkins. In the center are, of course, Robin and Trini Alvarado. All the way to the right, we can see half of director Allan Moyle. This is the