Times Square Press Synopsis and Credits

0 Comments

This was sold as a “Press Kit,” but it’s just the one sheet of A4-size paper with a very complete synopsis of the film on one side and the full cast and credits on the other. It was definitely used for publicity purposes in the UK, but the logo on

The full opened outside of the 2-sided promotional poster. As this was designed to be looked at while being opened and then turned to the other side, the sections comprising the folded outside are upside down. Text: THERE'S NOTHING TO DO BUT PLAY MUSIC AND SCREAM YOUR LUNGS OUT. TIMES SQUARE ROBERT STIGWOOD PRESENTS TIMES SQUARE STARRING TIM CURRY TRINI ALVARADO ROBIN JOHNSON PETER COFFIELD HERBERT BERGHOF SCREENPLAY BY JACOB BRACKMAN STORY BY ALAN MOYLE AND LEANNE UNGER DIRECTED BY ALAN MOYLE PRODUCED BY ROBERT STIGWOOD AND JACOB BRACKMAN EXECUTIVE PRODUCERS KEVIN McCORMICK AND JOHN NICOLELLA ASSOCIATE PRODUCER BILL OAKES R RESTRICTED UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN SOUNDTRACK AVAILABLE ON RSO RECORDS AND TAPES AN EMI RELEASE DISTRIBUTED BY AFD EMI RSO® Records Inc. AFD ©1980 Associated Film Distribution DESIGN: SEININGER & ASSOCIATES PRINTED IN U.S.A. THERE'S ONLY ONE WAY AND THAT'S RUNNING AWAY AND HANGING OUT AND SETTING YOURSELF FREE. TIMES SQUARE THE ORIGINAL SOUNDTRACK FROM THE MOTION PICTURE 2 RECORD SET FEATURING MUSIC BY "ROCK HARD" - SUZI QUATRO "TALK OF THE TOWN" - THE PRETENDERS "SAME OLD SCENE" - ROXY MUSIC "DOWN IN THE PARK" - GARY NUMAN "HELP ME!" - MARCY LEVY & ROBIN GIBB "LIFE DURING WARTIME" - TALKING HEADS "PRETTY BOYS" - JOE JACKSON "TAKE THIS TOWN" - XTC "I WANNA BE SEDATED" - THE RAMONES "DAMN DOG" - ROBIN JOHNSON "YOUR DAUGHTER IS ONE" - ROBIN JOHNSON & TRINI ALVARADO "BABYLON'S BURNING" - THE RUTS "YOU CAN'T HURRY LOVE" - D.L. BYRON "WALK ON THE WILD SIDE" - LOU REED "THE NIGHT WAS NOT" - DESMOND CHILD & ROUGE "INNOCENT, NOT GUILTY" - GARLAND JEFFREYS "GRINDING HALT" - THE CURE "PISSING IN THE RIVER" - PATTI SMITH GROUP "FLOWERS IN THE CITY" - DAVID JOHANSEN & ROBIN JOHNSON

The Mystery of the Double-Sided Poster, Side One

0 Comments

I think this was the first promotional piece I found after Times Square had come, been, and gone. (Not this copy, but I’ll get to that.) I don’t recall exactly where it came from… it was a tiny store dealing in rock memorabilia in Manhattan somewhere, probably between 34th and

Times Square isn’t a punk picture”

0 Comments

  Magazines are dated ahead by their publishers to try to keep them on the stands longer than their competitors. The date on a magazine usually refers to when it is supposed to be replaced by the next issue, not when it actually comes out. Anyway, although this issue of

“The Trend Settles in New York”

0 Comments

I confess I don’t quite understand what that title means. Am I missing something clever?   This article was published at the end of April 1980, from an interview done when there were two weeks left of principal photography, and is chock full of things to raise an eyebrow at.

Aggie Doon

0 Comments

“Words cannot express the sheer unbelievability of this performer and her material.” Here we have Robin on set at the Cleo Club, in the full Aggie Doon getup. Her hair is now slicked back, and the cheap Kent has been replaced with an expensive Rickenbacker 360 (funny how both guitars

Foxy Miss Pearl

0 Comments

“I’m not dancing topless.”   12-year-old Trini Alvarado enacts 13-year-old Pamela Pearl making her debut as an exotic dancer, thankfully not topless. There are other images of this scene that were taken at the same time and differ only slightly, but I only have them published in magazines, on lobby

42nd & 6th

0 Comments

    So: the girls are east of Times Square and headed for it. They’ve already traded clothes, and are on foot. In the film, this happens after they’ve been on the subway in those outfits, except they’re on their way to “the hideout” (as it’s called in the script).

Nicky Marotta, 1980

2 Comments

And this, of course, is the look they settled on for Nicky, ultimately using this photo on nearly all the American publicity materials. As this is the outfit she wears when the girls escape from the hospital, it was likely taken near the end of production, so the shaggy hair

TIMES SQUARE Screenplay, 1979

4 Comments

So the story goes, Allan Moyle and Leanne Ungar rented an apartment on 42nd Street, having come to New York from a vibrant filmmaking scene in Montreal. They bought a used couch and found in the cushions a handwritten journal that appeared to be the work of an obsessive, possibly