Times Square Blue
This is the last of the… well, what should I call them? The objects that have no publication information printed on them, or aren’t contained in some other package (although some of them turn up
This is the last of the… well, what should I call them? The objects that have no publication information printed on them, or aren’t contained in some other package (although some of them turn up
I’m breaking my rule of one picture per post again, but these are so similar to each other it seemed silly to stretch them out over three posts. These are the last of the Kodak
The WJAD studio, that is. This is an 8 x 10″ print with no border, with the little handwritten identification number 69-34A-4 added to the print in the lower right-hand corner. It was shot during
Back to the 8 x 10 Kodak prints… here’s another shot of Robin as Nicky dressed up as Aggie playing “Damn Dog” in the Cleo Club, and as always, there’s no frame in the film
“Words cannot express the sheer unbelievability of this performer and her material.” Here we have Robin on set at the Cleo Club, in the full Aggie Doon getup. Her hair is now slicked back, and
Black limbo, that is. This photo isn’t one of the “Kodak paper” series, but I’m going through these photos in the order they’d appear in the film (since I don’t know the order in which
“I’m not dancing topless.” 12-year-old Trini Alvarado enacts 13-year-old Pamela Pearl making her debut as an exotic dancer, thankfully not topless. There are other images of this scene that were taken at the same
Another 8×10 color print marked as Kodak paper from the 1970s-80s on the back. Normally when printing an 8×10 the image would be enlarged to fill the 8-inch dimension, cropping out about 2 inches
This is an 8×10 print, showing the full 35mm frame, of Nicky and Pammy running from the plainclothes detective, about to turn left and duck into the adult theater. The paper it’s