Times Square Program Book, Japan, June 1981 (post 1 of 5)

Posted on 18th February 2018 in "Times Square"
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1981 Japanese program book for TIMES SQUARE (1980), p.1 (cover)

This was almost certainly aimed at theatergoers and not the press, but I can’t be 100% certain, since as I’ve noted before, Google Translate makes a total hash of Japanese, and I don’t have the funds to have it professionally translated. (If anyone wants to help on that score, by donating some dough or a homemade translation, I’d be too happy to accept.)

 

It’s a very slick publication and gives the impression that EMI and Towa expected the movie to do well in Japan. I don’t know if it was any more successful there than in the rest of the world, though. It’s most impressive due to the many photos in it that were published nowhere else (as far as I know, as of this writing [and even as I’m writing this, I’m finding previously published examples]), and its use of misapplied pseudo-Americanisms, also present on the Japanese movie poster and promotional flyer.

 

The cover features the image most prominently seen on the picture sleeve for Roxy Music’s “Same Old Scene” Japanese single, released as a Times Square tie-in. The image also appeared in the press folder, on the inside of the soundtrack album, in the songbook, and in Movie 81 No. 2. The other shot, of Nicky and Pammy atop the Times Square Theatre marquee, previously appeared also in Movie 81 No. 2, and as a UK lobby card. The logo is a redesign of the US one, now incorporating a pair of portable headphones.

 

The inside front cover features a photo that had previously appeared, cropped differently and much smaller, in photoplay Vol. 32, No. 1.

The first small photo on the title page appeared, cropped much differently and in color, in the previously mentioned Movie 81 No. 2. The other led off the “interview” with Robin in Joepie No. 365, also in color.

Page 4 is a photo that had been a UK lobby card.

The small inset on page 5 had appeared in color in both Film Review Vol. 31 No. 1 and Movie 81 No 2. The larger photo is a first, I think: an actual frame from the movie (shown below). All the previously published photos had been stills taken at the time of shooting, or during pre-take run-throughs, none of which match up precisely with any similar images from the movie. The Yankees logo was probably there as a token of American and New York authenticity, and I’d bet appeared without the payment of any applicable license fees.

On page 6, the shot with Jay Acovone as the plainclothes cop, and the large photo of Mr. Pearl watching Pammy in the Cleo Club, are making their first, and possibly only, appearances here. The shot of Nicky with her guitar in the hideout is making its first appearance, but will turn up later in color. And the inset of Nicky singing Damn Dog had seen print in color in Joepie No. 365.

On page 7, the shot from the concert in Times Square had appeared on the sleeve for the UK soundtrack sampler. Nicky kneeling on the theater marquee with Pammy standing behind her, is similar to others that had already seen print but is making its first appearance here. The shot of Nicky and Pammy squeegeeing windshields is another frame from the film (!). And the “Burn Pot Not People” button probably signaled “American subculture” to a Japanese audience, but the most generous I could be is that it might be an unfortunate leftover from an early draft of the script, which I doubt anyone involved in making this program book had any knowledge of.

This booklet is 24 pages in total. Another batch of pages next time.

 

 

Times Square program book, p. 1-7
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_1_1080px.jpg
Press Book Japan 1981_2_1080px.jpg
Press Book Japan 1981_3_1080px.jpg
Press Book Japan 1981_4_1080px.jpg
Press Book Japan 1981_5_1080px.jpg
Press Book Japan 1981_6_1080px.jpg
Press Book Japan 1981_7_1080px.jpg
96 dpi (images)

©1980 Butterfly Valley N. V.
 
vlcsnap-2017-12-25-13h28m27s734_1080px.jpg
vlcsnap-2017-12-25-14h50m18s056_1080px.jpg
608 x 1080px, 96dpi (contrast-sdjusted frame captures from Times Square (1980))

 

Times Square ©1980 StudioCanal/Canal+

 

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Times Square promotional flyer, Japan, 1981

Posted on 6th February 2018 in "Times Square"
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"Times Square" promotional flyer from Japan, 1981 "Times Square" promotional flyer from Japan, 1981, p 2

 

The front side of this approximately 7.5 by 10.5 inch sheet reproduces the Japanese movie poster, the only difference being the absence of the credit for EMI at the lower right.

 

The back is breathlessly loaded with more information about the film, the girls, and the soundtrack than you’d think could possibly exist, and if anyone wants to translate it or help pay for a professional translation, I’d be happy to provide all the details hidden therein.

 

 

 

Times Square
Japan : handbill : AAT ID: 300027033 : 26.9 x 19 cm. : 1981 (work);
Japanese Times Square promotional flyer, front auto crop 1080.jpg
1080 x 765 px, 96 dpi, 530 kb
Japanese Times Square promotional flyer, back auto 1 crop 1080.jpg
1080 x 769 px, 96 dpi, 800 kb (images)

 

Times Square ©1980 StudioCanal/Canal+

 

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Times Square movie poster, Japan, June 1981

Posted on 26th January 2018 in "Times Square"
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Times Square Japanese movie poster, 1981
Times Square opened in Japan on June 20, 1981. I don’t know if Robin and her mom made it there on their promotional tour. I do know that the Japanese publicity for the movie relied heavily on it being a hip young American movie, and illustrated that fact in a way that doesn’t translate back particularly well.

I’m speaking of the Nicky’s-jacket inspired buttons floating across the poster. Using buttons as a major design element is actually a good idea, and was in fact used on the very first Times Square poster. The buttons there, however, were of Johnny LaGuardia and two quotations from the movie. Here, the “Nicky” and “Pammie” (sic) ones make sense, but the “I ♥ NY” is unintentionally ironic; the black and white hands holding a dove and “Jesus was a dropout” are both about ten years out of date and celebrate a hippie culture absent from the film (although present in the screenplay); and “Honor America” is entirely out of place.

The main photo is the one that had been used on the inside of the AFD press folder, on the picture sleeve of the Japanese “Same Old Scene” single, and also appeared in the gatefold of the soundtrack album and in the songbook. It had also been published in Movie 81 No. 2 in February 1981, and I suspect it’s also a UK lobby card that hasn’t surfaced yet. The background appears to be a stock photo of Times Square, looking north along Broadway past Bond International Casino towards Castro Convertibles.

The image on the “Nicky” button is one of the Yoram Kahana photos that I believe were shot during the excised Hudson River sequence, which also produced the iconic shot of Nicky used on the soundtrack album cover and the US and Canadian movie posters. This shot had previously also seen publication in Movie 81 No. 2, and will later turn up on a German lobby card. “Pammie” is a detail from one of many publicity stills shot during the excised “looking for Nicky’s father” sequence, which had been a UK lobby card.

I would translate the Japanese text, but my OCR program doesn’t do a good job identifying the characters, especially when they’re not perfectly aligned, and Google Translate still tends to make a hash of the Japanese language. And, I can’t afford to hire a professional translator. So we’ll just have to sit and be mystified at the single word in English among the bullet points at the top: SEX.

 

 

Times Square
Japan : poster : AAT ID: 300027221 : 72.3 x 51.2 cm. : 1981 (work);
Times Square_1981 Japan Movie Poster_1080px.jpg
1080 x 764 px, 96 dpi, 466 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

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Dolly No. 128, June 1981

Posted on 15th January 2018 in "Times Square"
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“I love to sing but whether people like to hear me, is another matter.”

The cover of Dolly No. 128, June 1981 teasing story "Robin Johnson - From High School to Hollywood"

 

 

 

Times Square was a distant memory in the US in June 1981, when Dolly No. 128 came out in Australia. Alison Gardner’s interview with Robin covers little new ground, repeating Robin’s discovery on the steps of Brooklyn Tech and her then-still upcoming movie projects, although it does add a few little terrific tidbits like the fact that her discoverer wasn’t part of the Times Square production staff; the date she was officially cast; and that the first thing she was asked to do was lose five pounds. And most tantalizing, that there were the beginnings of plans for her to record an album, to be made between Grease 2 and her third film.

 

 

 

 

 

An article about Robin in the Australian magazine Dolly (#128, June 1981).  This is pages 56 & 57, containing four color photographs not published elsewhere.  Text:  Robin Johnson - from high school to Hollywood  Seventeen-year-old Robin is every girl's dream come true ... She was "discovered" and turned into a star. One day Robin was watching films, the next day she was in them. How did it happen? Alison Gardner asked her  Bnow, 17-year-old Robin Johnson, star of the film Times Square, should need no introduction ... Even if you haven't seen the film yet, you can't possibly have missed all of the press coverage Robin received when she visited Australia a few months ago. Robin was big news in all of the papers, who were keen to tell her story and, on TV talk shows, where Robin was invited for a chat, interviewers couldn't get a word in edgeways as she recounted her rise to stardom. You see, it wasn't so much Robin's part in Times Square that everyone was interested in but how she got the part in the first place. Before Times Square, Robin had never acted in her life, not even in a school play. Now she has a three-film contract with the Robert Stigwood Organisation in America and her second film — due to start shooting later this year — is the follow-up to Grease. Robin has the female lead part opposite Andy Gibb. Stories of shy young girls being plucked from the streets and made into Hollywood stars have filled reels and reels of film but Robin's discovery — which would make a great film itself — isn't quite so saccharine-sweet. To begin with, Robin is not shy — as I soon found out when I met her. I am not the first journalist to comment on Robin's ability to talk ... and talk ... and talk, seemingly without ever pausing for breath. Robin herself knows she talks a lot but shrugs it off as if to say "So what? It's no crime". It certainly isn't a crime, not if you talk like Robin Johnson. Oh, her English isn't perfect but then, if you lived in Brooklyn (New YYork) yours wouldn't be, either. Her voice is deep and a bit hoarse and her hands fly everywhere as she speaks, which made it necessary for me to sit well away from her as we talked. But Robin is a rare species from the acting world because she is in¬teresting to talk to and totally unin¬hibited; she is witty, intelligent, cheeky, polite and great fun. She seemed to treat her sudden fame a bit like a new toy and she was having great fun playing with it ... Travelling around the world to promote Times Square gave Robin great joy and she was ready and willing to answer any questions I asked her. So, first off, how did she — a high school kid whose closest contact with showbiz was as part of the audience at the movies — get the part of the rough-and-ready Nicky Marotta? "Well, it's very conveniently Hollywood," Robin said, sounding almost disgusted with this fact. "I was literally discovered on the steps of my high school by a talent-scout. "I was standing outside the school with a friend and I heard this guy say to me: 'Would you be about 16?' I said: 'You talking to me?' I mean, what a way to approach someone! There are not too many things that are weird for New York but that's weird. "Anyway, he asked me again if I was about 16 and when I told him I was, he told me about this advertisement that was in a paper called The Village Voice for auditions for the film, Times Square. He said he thought I would be right for the part of Nicky Marotta. At first I thought the guy was a nut but he talked in detail about the film for an hour and I figured he couldn't be making it all up. "In the end, he gave me a card with a phone number on it and said if I was interested I was to phone the following Monday and ask to speak to Jake — who turned out to be the producer and screen-writer." Robin hasn't seen the guy who "discovered" her, since. She later found out that he wasn't connected with the casting for Times Square. "He hasn't even come asking for his 10 per cent fee and I'm surprised about that," Robin said. Anyway, Robin called the number that Monday and her life has never been the same since. "Before this I had never thought about acting as a career," Robin told me. "Maybe in a wild thought, like 'Gee, it would be nice to be an actress' but never seriously. Me? In a movie? You've got to be kidding. ►Dolly (incorporating Beaut) No.128, June 1981, p. 58 - 3rd page of an article about Robin Johnson - right column only (advertisements cropped out)  Text:  lose and everything to gain. I had the summer holidays stretching out in front of me and nothing to do so I was looking for ways to keep busy." Well, the auditions certainly kept Robin busy, not just for a day or a week, either . . . There was over 2000 girls auditioning for the part of Nicky Marotta but, by the end of the summer and after 20 different auditions, Robin was told she had the part. "On August 24, 1979," Robin announced, her voice taking on a very dramatic tone, "the casting agency called me and said: 'You've got the part. Now lose 4kg and we'll talk about it next week'. So, that was it — that's why I'm sitting here talking to you." The fact that Robin did get the part, that the film has been a huge success, that she — the gum-chewing, fast-talking kid from Brooklyn — has been marked as a talent to watch in the future has not knocked her off-balance one little bit. She is not, she says emphatically, impressed by Hollywood. She doesn't even like it there. "In Los Angeles the people are so laid-back, they're half dead!" Robin said. "I like the work I'm in now but I'm not overwhelmed by the people I meet and the places I get to visit. "Anyone who hasn't been involved in films thinks it's glamorous . . . But what's so glamorous about being in the Hudson River in the middle of winter? That's where I had to be for one of the scenes in Times Square! You can get typhoid and pneumonia from that! It was only 10 degrees — I thought I had frost-bite!" However, before Robin got involved in the film business, there was a lot she didn't know herself. "It's so complicated," she told me. "I didn't know that actors had to do scenes over and over again. It's a bit hard to do the same scene 15 times because it loses spontaneity. But I had a ball making the film. "I don't think I could settle in a nine till five job after this. It's so interesting. Before all of this I wanted to be a lawyer. I would have graduated from school and gone to college but now those plans have been pushed into the background." Robin's third film, which she will make after filming the sequel to Grease, has not been decided on yet. To keep her busy, though, there may be an album. "I love to sing but whether people like to hear me, is another matter," Robin said, smiling. Acting is another love of Robin's now and something that she says she didn't find very hard, despite her lack of practical experience. "I didn't think about what I was doing, I just did it," she told me. "That I didn't have to change my accent or mannerisms for the part helped, too," Robin added. Robin saw a few similarities between herself and Nicky Marotta, the main one being their rebelliousness. "All teen-agers are rebellious at some stage but I think I am permanently rebellious," Robin laughed. "I don't like authority. I can take it from my mother but no one else. "In the film, Nicky likes to do outrageous things and I have done some things like that — although not quite to Nicky's extreme. I'm more stable than Nicky is and more secure, too. I have a great family life." Unlike Nicky, too, Robin's future is definitely rosy. True, she isn't any Brooke Shields or Tatum O'Neal but then that's their problem, not Robin's . . . She has lots of talent and a style all her own and I think it's going to take her a long, long way.

Robin Johnson – from high school to Hollywood

Seventeen-year-old Robin is every girl’s dream come true … She was “discovered” and turned into a star. One day Robin was watching films, the next day she was in them. How did it happen? Alison Gardner asked her

 
By now, 17-year-old Robin Johnson, star of the film Times Square, should need no introduction … Even if you haven’t seen the film yet, you can’t possibly have missed all of the press coverage Robin received when she visited Australia a few months ago.

Robin was big news in all of the papers, who were keen to tell her story and, on TV talk shows, where Robin was invited for a chat, interviewers couldn’t get a word in edgeways as she recounted her rise to stardom.

You see, it wasn’t so much Robin’s part in Times Square that everyone was interested in but how she got the part in the first place. Before Times Square, Robin had never acted in her life, not even in a school play. Now she has a three-film contract with the Robert Stigwood Organisation in America and her second film — due to start shooting later this year — is the follow-up to Grease. Robin has the female lead part opposite Andy Gibb.

Stories of shy young girls being plucked from the streets and made into Hollywood stars have filled reels and reels of film but Robin’s discovery — which would make a great film itself — isn’t quite so saccharine-sweet.

To begin with, Robin is not shy — as I soon found out when I met her. I am not the first journalist to comment on Robin’s ability to talk … and talk … and talk, seemingly without ever pausing for breath. Robin herself knows she talks a lot but shrugs it off as if to say “So what? It’s no crime”.

It certainly isn’t a crime, not if you talk like Robin Johnson. Oh, her English isn’t perfect but then, if you lived in Brooklyn (New York) yours wouldn’t be, either. Her voice is deep and a bit hoarse and her hands fly everywhere as she speaks, which made it necessary for me to sit well away from her as we talked. But Robin is a rare species from the acting world because she is interesting to talk to and totally uninhibited; she is witty, intelligent, cheeky, polite and great fun.

She seemed to treat her sudden fame a bit like a new toy and she was having great fun playing with it … Travelling around the world to promote Times Square gave Robin great joy and she was ready and willing to answer any questions I asked her. So, first off, how did she — a high school kid whose closest contact with showbiz was as part of the audience at the movies — get the part of the rough-and-ready Nicky Marotta?

“Well, it’s very conveniently Hollywood,” Robin said, sounding almost disgusted with this fact. “I was literally discovered on the steps of my high school by a talent-scout.

“I was standing outside the school with a friend and I heard this guy say to me: ‘Would you be about 16?’ I said: ‘You talking to me?’ I mean, what a way to approach someone! There are not too many things that are weird for New York but that’s weird.

“Anyway, he asked me again if I was about 16 and when I told him I was, he told me about this advertisement that was in a paper called The Village Voice for auditions for the film, Times Square. He said he thought I would be right for the part of Nicky Marotta. At first I thought the guy was a nut but he talked in detail about the film for an hour and I figured he couldn’t be making it all up.

“In the end, he gave me a card with a phone number on it and said if I was interested I was to phone the following Monday and ask to speak to Jake — who turned out to be the producer and screen-writer.”

Robin hasn’t seen the guy who “discovered” her, since. She later found out that he wasn’t connected with the casting for Times Square. “He hasn’t even come asking for his 10 per cent fee and I’m surprised about that,” Robin said.

Anyway, Robin called the number that Monday and her life has never been the same since.

“Before this I had never thought about acting as a career,” Robin told me. “Maybe in a wild thought, like ‘Gee, it would be nice to be an actress’ but never seriously. Me? In a movie? You’ve got to be kidding.

“But when I thought about it I figured I might as well phone. I had nothing to lose and everything to gain. I had the summer holidays stretching out in front of me and nothing to do so I was looking for ways to keep busy.”

Well, the auditions certainly kept Robin busy, not just for a day or a week, either . . . There was over 2000 girls auditioning for the part of Nicky Marotta but, by the end of the summer and after 20 different auditions, Robin was told she had the part.

“On August 24, 1979,” Robin announced, her voice taking on a very dramatic tone, “the casting agency called me and said: ‘You’ve got the part. Now lose 4kg and we’ll talk about it next week’. So, that was it — that’s why I’m sitting here talking to you.”

The fact that Robin did get the part, that the film has been a huge success, that she — the gum-chewing, fast-talking kid from Brooklyn — has been marked as a talent to watch in the future has not knocked her off-balance one little bit. She is not, she says emphatically, impressed by Hollywood. She doesn’t even like it there.

“In Los Angeles the people are so laid-back, they’re half dead!” Robin said. “I like the work I’m in now but I’m not overwhelmed by the people I meet and the places I get to visit.

“Anyone who hasn’t been involved in films thinks it’s glamorous . . . But what’s so glamorous about being in the Hudson River in the middle of winter? That’s where I had to be for one of the scenes in Times Square! You can get typhoid and pneumonia from that! It was only 10 degrees — I thought I had frost-bite!”

However, before Robin got involved in the film business, there was a lot she didn’t know herself.

“It’s so complicated,” she told me. “I didn’t know that actors had to do scenes over and over again. It’s a bit hard to do the same scene 15 times because it loses spontaneity. But I had a ball making the film.

“I don’t think I could settle in a nine till five job after this. It’s so interesting. Before all of this I wanted to be a lawyer. I would have graduated from school and gone to college but now those plans have been pushed into the background.”

Robin’s third film, which she will make after filming the sequel to Grease, has not been decided on yet. To keep her busy, though, there may be an album.

“I love to sing but whether people like to hear me, is another matter,” Robin said, smiling.
Acting is another love of Robin’s now and something that she says she didn’t find very hard, despite her lack of practical experience.

“I didn’t think about what I was doing, I just did it,” she told me. “That I didn’t have to change my accent or mannerisms for the part helped, too,” Robin added.

Robin saw a few similarities between herself and Nicky Marotta, the main one being their rebelliousness.

“All teen-agers are rebellious at some stage but I think I am permanently rebellious,” Robin laughed. “I don’t like authority. I can take it from my mother but no one else.

“In the film, Nicky likes to do outrageous things and I have done some things like that — although not quite to Nicky’s extreme. I’m more stable than Nicky is and more secure, too. I have a great family life.”

Unlike Nicky, too, Robin’s future is definitely rosy. True, she isn’t any Brooke Shields or Tatum O’Neal but then that’s their problem, not Robin’s . . . She has lots of talent and a style all her own and I think it’s going to take her a long, long way.

Most of the articles in the magazine have a photographer credit. This one doesn’t, which is unfortunate, since the four photos of Robin accompanying the article never appeared anywhere else. At first I thought they might come from the same source as the Mirrorpix shots from March 1981, but on closer examination, I don’t think so. Her outfits are less baffling and more just 1980s in style, and most telling, the shape of her eyebrows is entirely different.

Alison Gardner has at least two other articles in this issue of Dolly, so it would seem she was one of the main staff writers, if not the main one. She vividly describes what it’s like to talk to Robin in person, but also mentions that Robin had been in Australia several months before. While it’s possible Dolly had a travel budget big enough to cover a round trip flight to New York for a story billed sixth on the cover, I think it’s more likely that the interview was actually a few months old.

But if there’s one big takeaway from this, it’s that Robin seems to have made a bigger splash in Australia than anywhere else in the world.

 

 

Alison Gardner, “Robin Johnson – from high school to Hollywood” (article), AAT ID: 300048715)
Dolly (incorporating Beaut), No. 128, June 1981, pp. 56-58 (magazine (periodical), AAT ID: 300215389)
20.2 (W) x 27.8 cm. (H), 100 pp (work);
Dolly_No_128_June_1981_p1_auto_crop_1080px.jpg (cover)
1080 px (H) x 788 px (W), 96 dpi, 450 kb
Dolly_No_128_June_1981_pp56-57_auto_2_crop_1080pxh.jpg
1080 px (H) x 1554 px (W), 96 dpi, 820 kb
Dolly_No_128_June_1981_p58_manual_crop_1080px_detail.jpg
1080 px (H) x 395 px (W), 96 dpi, 401 kb
Dolly_photo_3_800px.jpg
800 px (H) x 567 px (W), 96 dpi, 316 kb
Dolly_photo_2_800px.jpg
800 px (W) x 572 px (H), 96 dpi, 305 kb
Dolly_photo_4_800px.jpg
800 px (H) x 545 px (W), 96 dpi, 314 kb
Dolly_photo_1_800px.jpg
800 px (W) x 453 px (H), 96 dpi, 218 kb (images)
 
Dolly (incorporating Beaut) ©1981 Sungravure Pty Ltd

 

Times Square ©1980 StudioCanal/Canal+

 

 

“… a culture of ‘Rag-Dolls’…” 1981 Press Kit, Denmark

Posted on 4th January 2018 in "Times Square"
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This was sold to me as a Press Kit, but it looks to me more like the AFD Campaign Pressbook in intent, as it has a list of available promotional materials on the back. Theater owners might have a use for that, the press wouldn’t.

The Danish publicity for Times Square surprisingly abandoned the Cummins painting used in most of the rest of Europe, and instead went all the way back to the original promotional design by Seiniger & Associates that had only appeared on a promotional piece for American theater owners and record stores, which had inspired simplified versions for the US movie poster and the soundtrack album cover.

The artwork, unfortunately, in black and white. I assume the actual posters were in color, but as of this writing I haven’t seen one. They are essentially the double-sided poster poster art with the English text replaced by Danish.

ROBERT STIGWOOD præsenterer “TIMES SQUARE”
Med TIM CURRY TRINI ALVARADO og ROBIN JOHNSON
Med PETER COFFIELD • HERBERT BERGHOF • DAVID MARGUUES • ANNA MARIA HORSFORD
Executive Producers KEVIN McCORMICK • JOHN NICOLELLA
Instruktion ALAN MOYLE
Produceret af ROBERT STIGWOOD og JACOB BRACKMAN
Drejebog JACOB BRACKMAN
Manuskript af ALAN MOYiE og LEANNE UNGER
Associate Producer Bill OAKES
En EMI-ITC Produktion

Soundtrack forefindes på plade og kassette

RSO

And, here’s the text from the promotional side, with my attempt at a translation. I welcome any corrections. I’d also be interested in copies of the actual publications/reviews the pull quotes came from.

Annonce-kliché nr. 1

Tekst-kliché nr. 2

Annonce-kliché nr. 2

TO PIGER GØR OPRØR MOD DERES FORÆLDRE, MYNDIGHEDERNE, SAMFUNDET – DET HELE!

FILMENS LÆNGDE:
3025 meter
CENSUR-FARVE:
RØD
WIDESCREEN

TRAILER:
35 m/RØD

UDLEJNING:

Udlejning: A/S Nordisk Film Udlejning

2 sp. annonce-kliché nr. 5

I 1955 blev »ungdomsoprør« personificeret i James Dean’s portræt afen rebelsk teenager i filmen »Vildt blod«. I 1969 skildrede Peter Fonda og Dennis Hopper 60-ungdommen i »Easy Rider«. 70’erne producerede en ny helt for de unge, da John Travolta blev berømt på »Saturday Night Fever«, og det er den samme producent, Robert Stigwood, der står bag filmen
TIMES SQUARE
der til tonerne af new wave-musik skildrer et par unge piger i New York i 1980.
Robin Johnson og Trini Alvarado har hovedrollerne som to teenagere, der løber hjemmefra og vender sig mod det bestående samfund ved bl.a. at gå i outreret tøj, dyrke new wave-musik og smadre TV-apparater. En nat-discjockey fatter interesse for dem og opmuntrer dem i sine radioprogrammer, og inden længe har der dannet sig en hel kult af »Klude-dukker« – et begreb, de to piger har skabt. Det går naturligvis ikke i længden, og de to sætteret festligt punktum for deres virksomhed ved at afholde en ulovlig midnatskoncert for deres fans på Times Square.
TIMES SQUARE er instrueret af canadieren Alan Moyle, der er meget kendt i sit hjemland som både skuespiller og instruktør. Robin Johnson debuterer i denne film, og Trini Alvarado har optrådt siden hun var 7. Sin filmdebut fik hun i Robert Altman’s »Rich Kids«. Alan Moyle har skrevet manuskriptet sammen med Leanne Unger. (Moyle fik ideen, da han fandt en ung piges dagbog gemt i en gammel sofa), og drejebogen skyldes Jacob Brackman, der har produceret filmen sammen med Robert Stigwood. Musikken i filmen synges, foruden af Robin Johnson, af en lang række kendte navne, bl.a. Roxy Music, Susi Quatro og Lou Reed.

»NEW YORKS SVAR PÅ STORKESPRINGVANDET…
Der er en masse god new-wave-musik i filmen«. Kaj Gosvig, Aktuelt

»TEENAGE-FILM MED MASSER AF MUSIK…
byder på spænding, dramatik, komik – og masser af musik!«
Peder Lyng, Ung Nu

»Robin Johnson er klart nyt fund som pigen, der er grim som arve-
synden, men har en sjæl, der er smukkere end forårets første blomster
…godt i tråd med de nye toner, der er slået an hos ungdommen«.
★★★★ Vi’unge

TWO GIRLS MAKE REBELLION AGAINST THEIR PARENTS, AUTHORITIES, SOCIETY – ALL OF IT!

FILM LENGTH:
3025 meters
RATED:
RED
WIDESCREEN

TRAILER: 35 m/RED

RENTAL: A/S Nordisk Film Rental

In 1955, ‘youth rebellion’ was personified in James Dean’s portrait of rebel teenager in the movie ‘Wild Blood’. In 1969, Peter Fonda and Dennis Hopper depicted the 60’s youth in ‘Easy Rider’. The 70s produced a new hero for the young when John Travolta became famous in ‘Saturday Night Fever’, and it is the same producer, Robert Stigwood, who is behind the movie
TIMES SQUARE
that to the sound of new wave music portrays a couple of young girls in New York in 1980.

Robin Johnson and Trini Alvarado have the main roles as two teenagers who run from home and turn against the establishment to wear bizarre clothes, play new wave music and smash TVs. A night-disc jockey becomes interested in them and encourages them on his radio programs, and soon creates a culture of “Rag-Dolls” – a concept that the two girls have created. Of course, it does not last long and the two bring their enterprise to a celebratory end by holding an illegal midnight concert for their fans in Times Square.

TIMES SQUARE is directed by Canadian Alan Moyle, who is widely known in his native country as both actor and director. Robin Johnson is debuting in this movie and Trini Alvarado has performed since she was 7. Her film debut had her in Robert Altman’s ‘Rich Kids’. Alan Moyle wrote the original story together with Leanne Unger. (Moyle got the idea when he found a young girl’s diary tucked in an old sofa), and the script is by Jacob Brackman, who produced the film together with Robert Stigwood. The music in the film is performed, besides Robin Johnson, by a number of well-known names, including Roxy Music, Susi Quatro and Lou Reed.

“NEW YORK’S ANSWER TO THE STORK FOUNTAIN … There is a lot of good new wave music in the movie.” Kaj Gosvig, Current

“TEENAGE FILM WITH MASSES OF MUSIC …
Offers excitement, drama, comedy – and lots of music!” Peder Lyng, Young Now

“Robin Johnson is clearly a new find as the girl who is ugly as original sin, but has a soul that is more beautiful than the first flowers of the spring … well in line with the new sounds that have caught on with the youth.” ★★★★ We Young Ones

Rebel Without A Cause was apparently retitled Wild Blood in Denmark. Sleez Sisters were renamed Rag Dolls. The Stork Fountain is a monument in the center of Copenhagen which has been the focus of numerous Danish protest movements. And “We Young Ones” certainly pulled no punches in their assessment of Robin.

Times Square opened in Denmark on May 8, 1981.

 

 

Times Square press kit
Denmark : promotional material : AAT ID: 300249572 : 32.2 x 23.1 cm. : 1981 (work);

TIMES SQUARE_Press Kit Denmark 1981 front_1080px.jpg
1080 x 775 px, 96 dpi, 511 kb
TIMES SQUARE_Press Kit Denmark 1981 back_1080px.jpg
1080 x 775 px, 96 dpi, 504 kb (images)

 
Times Square ©1980 StudioCanal/Canal+

 

“Toda la Basca!” … a Times SquareTimes Square movie poster, Spain

Posted on 24th December 2017 in "Times Square"
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TIMES SQUARE movie poster, Spain, 1981.  Text:  "TODA LA BASCA!"  ... A  TIMES SQUARE TIMES  SQUARE ROBERT STIGWOOD Presents "TIMES SQUARE" Starring TIM CURRY·TRINI ALVARADO  And Introducing ROBIN JOHNSON  Also Starring PETER COFFIELD·HERBERT BERGHOF·DAVID MARGULIES·ANNA MARIA HORSFORD Executive Producers KEVIN McCORMICK·JOHN NICOLELLA  Directed by ALAN MOYLE  Produced by ROBERT STIGWOOD and JACOB BRACKMAN  Screenplay by JACOB BRACKMAN Story by ALAN MOYLE and LEANNE UNGER  Associate Producer BILL OAKES  An EMI-ITC Production  Soundtrack available on RSO Records and TAPES  RSO Distributed by EMI Films Limited.  EMI  A Member of the THORN EMI Group.  ["THE WHOLE GANG!" ... TO TIMES SQUARE]

 

 

 

The IMDb says Times Square opened in Spain on April 30, 1981. (In Barcelona, anyway… apparently Madrid had to wait until the following January 28.) The poster accompanying this release is identical to the UK one-sheet, except that the artist’s signature and the printer’s information have been removed, and the tagline “Go Sleaze! in Times Square” has been replaced by a Spanish equivalent. Near as I can tell, it translates to Nicky ordering “‘The whole gang!’ … to Times Square”. It’s confusing because “basca” seems to mean both “gang of friends” and “nausea.” I’m happy for someone, anyone, to improve my attempt at translation.

 

 

“Toda la basca!” … a Times Square
Spain : poster : AAT ID: 300027221 : 99.25 x 67.5 cm. : 1981 (work);
Times_Square_1981-04-30_movie_poster_Spain_1080px.jpg
1080 x 737 px, 96 dpi, 414 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

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The Australian Women’s Weekly, Vol. 48 No. 45, April 15, 1981

Posted on 13th December 2017 in "Times Square"
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Australian entertainment magazine featuring article on Robin Johnson.

 

The April 15, 1981 Australian Women’s Weekly featured Larry Hagman on the cover, a pin-up poster of Adam and the Ants on the inside back cover, and an interview with Robin on page 119. The interview goes over much the same ground as most of the previous interviews she gave: her discovery on the steps of Brooklyn Tech, her working relationships with Trini Alvarado and Tim Curry, her outspoken behavior towards all and sundry while her mom waits in the next room… This interview is maybe most notable for mentioning a television appearance on The Don Lane Show in Melbourne. I don’t suppose anyone managed to record it, back in 1981…?

 

Australian Women's Weekly, Vol 48 No. 45, April 15, 1981, p. 119 Text: Good times for Robin She’s brash, talks non-stop, chain-smokes and is the most unlikely 15-year-old movie star. Robin Johnson, who shot to stardom in the movie Times Square, is New York-born and lives not far from Times Square. Like most teenagers of the area, she’s worldly-wise and a little over-powering. “Discovered” on the steps of her school, Brooklyn High, by a talent scout who gave her the usual line about looking for someone just like her for a movie, Robin wrinkled her nose in disgust. “He gave me a number to call and it led to a screen test. I really don’t know why I rang. At the time I’d thought he was such a jerk,” Robin says. But Robert Stigwood was impressed with Robin’s personality and signed her to star in a total of three movies during the next 18 months. “There is a sequel to Grease which I’ll be doing with Andy Gibb, but it definitely won’t be a Son Of Grease or anything. It’s a sequel, but with entirely new characters, and I won’t be an Olivia Newton-John clone,” she says. The third movie is “still being shopped for” but Robin is happy to sit back and wait for it. After all, promoting her first film has taken her all over the world and she contentedly talks and talks, with her mum tactfully sitting in the next room safely out of earshot. Raising a daughter as outgoing as Robin hasn’t been easy — her mother has no say over the cigarettes or the hours Robin keeps. When she appeared on The Don Lane Show in Melbourne, even Don sat stunned while Robin alternately flicked her hair back and made outrageous remarks about the film industry or her life in general. And then there was the time she had dinner with a group of business executives to promote her movie. Promote she did — Robin talked louder and faster than anyone else. “My sister is a lot quieter than I am,” she giggles. “She doesn’t hang around the streets as much as I and some of my friends do, but we get along really well. “The movie Times Square is a little unrealistic in that Trini Alvarado (who plays Pamela Purl in the movie) and I are never approached, assaulted or mugged in any of the scenes where we walk the streets,” Robin says. “But at home, we really have to protect ourselves. You’ve got to at least have a knife on you, to use if need be.” Tim Curry, one of Britain’s top actors, who recently starred in the ABC-TV series Will Shakespeare, played the crazed disc jockey Johnny La Guardia in Times Square. How did Robin enjoy working with the classically-trained actor? It seems an uncomfortable question, and Robin paused. “He was terrific you know. Tim’s a method actor and, whereas Trini and I would clown around between takes, he’d keep to himself. “I sometimes got the impression he thought we were real silly through the movie and he’d snap at us, but that was usually before a difficult scene. Afterwards, he’d be nice and friendly and we got on fine. “The kids at school were fascinated by him because he’s something of a cult figure because of his role in the Rocky Horror Picture Show. “But he’s a real straight guy, you know, and I consider him a real friend,” Robin says. Life for Robin will not really change even if she is recognized every time she gets a bus or catches the subway in New York. She is happy to work in films, but will finish her education because “it’s important. Our school is pretty rough — racism is a terrible problem — but I’ve always kept my head down and done my work. I’m conscientious and I like to do well.” - FIONA MANNING Above left: The reflection of a misunderstood rebel, Nicky Marotta (played by Robin Johnson) in Times Square. Above: Robin is almost as brash off-screen as she is on. THE AUSTRALIAN WOMEN’S WEEKLY - TV WORLD - APRIL 15, 1981 119

Good times for Robin

She’s brash, talks non-stop, chain-smokes and is the most unlikely 15-year-old movie star. Robin Johnson, who shot to stardom in the movie Times Square, is New York-born and lives not far from Times Square. Like most teenagers of the area, she’s worldly-wise and a little over-powering.

“Discovered” on the steps of her school, Brooklyn High, by a talent scout who gave her the usual line about looking for someone just like her for a movie, Robin wrinkled her nose in disgust.

“He gave me a number to call and it led to a screen test. I really don’t know why I rang. At the time I’d thought he was such a jerk,” Robin says.
But Robert Stigwood was impressed with Robin’s personality and signed her to star in a total of three movies during the next 18 months.

“There is a sequel to Grease which I’ll be doing with Andy Gibb, but it definitely won’t be a Son Of Grease or anything. It’s a sequel, but with entirely new characters, and I won’t be an Olivia Newton-John clone,” she says.

The third movie is “still being shopped for” but Robin is happy to sit back and wait for it.

After all, promoting her first film has taken her all over the world and she contentedly talks and talks, with her mum tactfully sitting in the next room safely out of earshot.

Raising a daughter as outgoing as Robin hasn’t been easy — her mother has no say over the cigarettes or the hours Robin keeps.

When she appeared on The Don Lane Show in Melbourne, even Don sat stunned while Robin alternately flicked her hair back and made outrageous remarks about the film industry or her life in general.

And then there was the time she had dinner with a group of business executives to promote her movie. Promote she did — Robin talked louder and faster than anyone else.

“My sister is a lot quieter than I am,” she giggles. “She doesn’t hang around the streets as much as I and some of my friends do, but we get along really well.

“The movie Times Square is a little unrealistic in that Trini Alvarado (who plays Pamela Purl in the movie) and I are never approached, assaulted or mugged in any of the scenes where we walk the streets,” Robin says.

“But at home, we really have to protect ourselves. You’ve got to at least have a knife on you, to use if need be.”

Tim Curry, one of Britain’s top actors, who recently starred in the ABC-TV series Will Shakespeare, played the crazed disc jockey Johnny La Guardia in Times Square. How did Robin enjoy working with the classically-trained actor? It seems an uncomfortable question, and Robin paused. “He was terrific you know. Tim’s a method actor and, whereas Trini and I would clown around between takes, he’d keep to himself.

“I sometimes got the impression he thought we were real silly through the movie and he’d snap at us, but that was usually before a difficult scene. Afterwards, he’d be nice and friendly and we got on fine.

“The kids at school were fascinated by him because he’s something of a cult figure because of his role in the Rocky Horror Picture Show.

“But he’s a real straight guy, you know, and I consider him a real friend,” Robin says.

Life for Robin will not really change even if she is recognized every time she gets a bus or catches the subway in New York. She is happy to work in films, but will finish her education because “it’s important. Our school is pretty rough — racism is a terrible problem — but I’ve always kept my head down and done my work. I’m conscientious and I like to do well.”

– FIONA MANNING

Photo of Robin Johnson from Australian Women's Weekly, Vol 48 No. 45, April 15, 1981, p. 119.  Caption:  Robin is almost as brash off-screen as she is on..

 

 

 

The other notable thing about this article are the accompanying photos. There are very few promo photos from Times Square where the subject is looking directly at the camera, but these are two of them. One is a close-up of Robin in costume for the chase-through-the-Adonis-Theatre scene, which as far as I know was never published anywhere else. (I would love to see it uncropped; it wouldn’t surprise me if Trini was standing right next to her.)

 

Photo of Robin Johnson from Australian Women's Weekly, Vol 48 No. 45, April 15, 1981, p. 119, possibly from a deleted scene from TIMES SQUARE. Caption: The reflection of a misunderstood rebel, Nicky Marotta (played by Robin Johnson) in Times Square.

 

 

 

The other will appear later in the Japanese program book, cropped and in black and white. While it may simply be a publicity photo, I suspect it’s evidence of another sequence shot and cut from the film: the 1979 screenplay includes a scene of Nicky in a holding room, performing in front of an observation window that could easily have been redressed as a one-way mirror. Robin had described improvising a scene in front of a one-way mirror as being part of her audition, in an interview in Seventeen magazine.

I think the similarity in the titles between this and the Paul Wilson column segment in the April 1981 photoplay is a coincidence.

 

 

Fiona Manning, “Good times for Robin” (article), AAT ID: 300048715)
Australian Women’s Weekly, Vol. 48 No. 45, April 15 1981, p. 119 (magazine (periodical), AAT ID: 300215389)
28.3 cm (H) x 21.5 cm (W) (work);
1981-04-15 Australian Women’s Weekly Vol 48 No 45 cover_1080px.jpg (cover)
1080 px (H) x 819 px (W), 96 dpi, 593 kb
1981-04-15 Australian Women’s Weekly Vol 48 No 45 p 119_1080px.jpg
1080 px (H) x 800 px (W), 96 dpi, 528 kb
1981-04-15 Australian Women’s Weekly Vol 48 No 45 p 119_detail_2_800px.jpg (large photo)
800 px (H) x 658 px (W), 96 dpi, 423 kb
1981-04-15 Australian Women’s Weekly Vol 48 No 45 p 119_detail_1_800px.jpg (inset photo)
800 px (W) x 558 px (H), 96 dpi, 496 kb (images)
 
The Australian Women’s Weekly ©1981 Australian Consolidated Press Ltd

 

Times Square ©1980 StudioCanal/Canal+

 

photoplay, Vol. 32 No. 4, April 1981

Posted on 2nd December 2017 in "Times Square"
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Cover of British movie magazine featuring brief article on Robin Johnson.

 

The Paul Wilson Column (“The man you want to read every month…”) in the April 1981 photoplay contained a brief bit of publicity that was typical of the coverage Robin and Times Square was getting by now in Great Britain (where the movie had long since closed) and Australia: it admitted the movie was “not particularly good,” but crowed about her “remarkable” performance, while retelling the legend of her discovery and pushing her three-picture deal and upcoming starring role in Grease 2.

Photoplay, Vol 32 No. 4, 4 April 1981, p. 62. Part of the multi-page column by (and titled) Paul Wilson.  Text:  Good Times For Robin Johnson  • ROBIN JOHNSON was a 15-year-old standing on the steps of her school, Brooklyn High, when a mysterious stranger approached her.  “I know a part in a film you’d be ideal for,” he told her. Robin was unimpressed. But the man (to this day she doesn’t know who he was) persisted; gave her a number to call... and the rest, if it isn’t exactly history, is the stuff of teenage fiction.  Robin signed a three-film contract including the lead in Times Square, a not particularly good movie — which somehow made Robin’s performance seem all the more remarkable.  She’s 16 now, with the sense of a 30-year-old, and an astonishing gift of non-stop conversation that floods from her lips in a voice as husky as Katharine Hepburn’s.  “I do a lot of shouting in Brooklyn, maybe that’s why it’s so deep,” she says when we meet.  Brooklyn is unmistakably her home, and neither films nor wild horses will drag her away. “I love it there, and I don’t think I could take Los Angeles.”  Later this year she’ll be making the Crease sequel, with Andy Gibb as co-star. But for the time being, it’s back to school, where she’s heading for a degree, hopefully in law.  “I’m not sure I want to make acting, or singing, my full-time career. If this hadn’t happened I would have gone in for law, and I’d still like to have something to give me the choice.  “I don’t want to get locked into anything.”  Times Square star, Robin Johnson, says her husky voice is due to "a lot of shouting"

 

 

I don’t believe the quote that generated the photo caption appeared anywhere else, which implies that Wilson may have actually spoken with Robin. Other than that, however, there’s nothing new here: the publicity machine had abandoned Times Square and was focusing on Robin herself.

 

 

 

Photoplay, Vol 32 No. 4, 4 April 1981, p. 62. Part of the multi-page column by (and titled) Paul Wilson.  Text:  Good Times For Robin Johnson  • ROBIN JOHNSON was a 15-year-old standing on the steps of her school, Brooklyn High, when a mysterious stranger approached her.  “I know a part in a film you’d be ideal for,” he told her. Robin was unimpressed. But the man (to this day she doesn’t know who he was) persisted; gave her a number to call... and the rest, if it isn’t exactly history, is the stuff of teenage fiction.  Robin signed a three-film contract including the lead in Times Square, a not particularly good movie — which somehow made Robin’s performance seem all the more remarkable.  She’s 16 now, with the sense of a 30-year-old, and an astonishing gift of non-stop conversation that floods from her lips in a voice as husky as Katharine Hepburn’s.  “I do a lot of shouting in Brooklyn, maybe that’s why it’s so deep,” she says when we meet.  Brooklyn is unmistakably her home, and neither films nor wild horses will drag her away. “I love it there, and I don’t think I could take Los Angeles.”  Later this year she’ll be making the Crease sequel, with Andy Gibb as co-star. But for the time being, it’s back to school, where she’s heading for a degree, hopefully in law.  “I’m not sure I want to make acting, or singing, my full-time career. If this hadn’t happened I would have gone in for law, and I’d still like to have something to give me the choice.  “I don’t want to get locked into anything.”  Times Square star, Robin Johnson, says her husky voice is due to "a lot of shouting"

Good Times For Robin Johnson

• ROBIN JOHNSON was a 15-year-old standing on the steps of her school, Brooklyn High, when a mysterious stranger approached her.

“I know a part in a film you’d be ideal for,” he told her. Robin was unimpressed. But the man (to this day she doesn’t know who he was) persisted; gave her a number to call… and the rest, if it isn’t exactly history, is the stuff of teenage fiction.

Robin signed a three-film contract including the lead in Times Square, a not particularly good movie — which somehow made Robin’s performance seem all the more remarkable.

She’s 16 now, with the sense of a 30-year-old, and an astonishing gift of non-stop conversation that floods from her lips in a voice as husky as Katharine Hepburn’s.

“I do a lot of shouting in Brooklyn, maybe that’s why it’s so deep,” she says when we meet.

Brooklyn is unmistakably her home, and neither films nor wild horses will drag her away. “I love it there, and I don’t think I could take Los Angeles.”

Later this year she’ll be making the Grease sequel, with Andy Gibb as co-star. But for the time being, it’s back to school, where she’s heading for a degree, hopefully in law.

“I’m not sure I want to make acting, or singing, my full-time career. If this hadn’t happened I would have gone in for law, and I’d still like to have something to give me the choice.

“I don’t want to get locked into anything.”

 

 

Paul Wilson, “Good times for Robin Johnson” (excerpt from “The Paul Wilson column”) (article, AAT ID: 300048715)
photoplay, Vol. 32 No. 4, April 1981, p. 62 (magazine (periodical), AAT ID: 300215389)
29.8 cm (H) x 21.3 cm (W) (work);
Photoplay Vol 32 No 4 April 1981 p1_layers_1080px.jpg (cover)
1080 px (H) x 796 px (W), 96 dpi, 451 kb
Photoplay Vol 32 No 4 April 1981 p62_layers_1080px.jpg
1080 px (H) x 788 px (W), 96 dpi, 487 kb
Photoplay Vol 32 No 4 April 1981 p62_detail_1080px_rev.jpg (arranged detail)
1080 px (W) x 596 px (H), 96 dpi, 366 kb (images)
 
photoplay ©1981 The Illustrated Publications Company Limited

 

Times Square ©1980 StudioCanal/Canal+

 

 

Tajms SkverTimes Square Movie Poster, Yugoslavia, 1981

Posted on 21st November 2017 in "Times Square"
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TIMES SQUARE movie poster, Yugolslavia, 1981 Text: Rȇžija: ALAN MOYLE TIM CURRY TRINI ALVARADO ROBIN JOHNSON AMERIČKI FILM kolor TAJMS SKVER TIMES SQUARE ZETA FILM ZF BUDVA EMI [Direction: ALAN MOYLE TIM CURRY TRINI ALVARADO ROBIN JOHNSON AMERICAN FILM color TAJMS SKVER TIMES SQUARE ZETA FILM ZF BUDVA EMI]

 

Budva is in what is now Montenegro, and in 1981 Zeta Film imported Times Square for the Yugoslavian film market. I don’t know when it opened or how well it did, or if it was subtitled in Serbian. All I know about it is that there was this poster, which replicates the UK poster. It’s a reproduction of the Cummins painting, losing a lot of detail and the artist’s signature, but at least it’s not a redrawing of it like the Belgian poster seems to have been. This was definitely a legitimate release. I have my doubts abut Belgium.

Rȇžija:
ALAN MOYLE

TIM CURRY

TRINI ALVARADO
ROBIN JOHNSON

AMERIČKI FILM kolor

TAJMS SKVER
TIMES SQUARE

ZETA FILM
ZF
BUDVA

EMI

 

 

Tajms Skver
Yugoslavia : poster : AAT ID: 300027221 : 68.6 x 47.5 cm. : 1981 (work);
Tajms_Skver_1981_Serbian poster_1080px.jpg
1080 x 744 px, 96 dpi, 424 kb (image)

 

Times Square ©1980 StudioCanal/Canal+

 

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Another Italian Times Square Lobby Poster

Posted on 10th November 2017 in "Times Square"
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Two images from the film TIMES SQUARE (1980); ((1) Robin Johnson (2) Tim Curry and Trini Alvarado) with accompanying text:  TIMES SQUARE ROBERT STIGWOOD presenta "TIMES SQUARE"con TIM CURRY • TRINI ALVARADO  e per la prima volta sullo schermo ROBIN JOHNSON con PETER COFFIELD • HERBERT BERGHOF • DAVID MARGULIES  ANNA MARIA HORSFORD  produttori esecutivi KEVIN McCORMICK e JOHN NICOLELLA  diretto da ALAN MOYLE  prodotto da ROBERT STIGWOOD e JACOB BRACKMAN  sceneggiatura di JACOB BRACKMAN  soggetto di ALAN MOYLE e LEANNE UNGER EMI  produttore associato BILL OAKES  una produzione EMI-ITC  Technicolor • STEREOFUTURSOUND  IDIF

This is exactly what the post title says: a second lobby poster from Italy. There may be more, but so far I’ve only come across two.

The text is exactly the same as the other one and the Italian movie poster. Robin as Nicky is on the left, in a photo taken during the shooting of the final sequence, which is I believe making its first published appearance on this poster. We’ll be seeing it a few more times; it’s possible those future items actually came out before this, but they’re all from the spring or summer of 1981.

And on the right, we see an adult man giving vodka to a thirteen-year-old-girl, but it’s okay: he’s not interested in her, he wants to know about her sixteen-year-old roommate. Um… yeah. Sure, there’s really both more and less going on in that scene than that implies, but, I think you’d have a pretty hard time getting that from script to screen nowadays.

 

 

Times Square lobby poster (1)
poster, AAT ID: 300027221
Italy ; 46.9 x 64.5 cm. (work)
Times Square 1981 Italy Lobby Poster 1_1080px.jpg
783 px (H) x 1080 px (W), 96 dpi, 427 kb (image)

 

Times Square ©1980 StudioCanal/Canal+