The promotional stills for Times Square in the UK generally had a few things in common. They were full-bleed, with no white border like their US counterparts. When they did have a border, it was even all the way around, where the American ones often had a large area at the bottom with the name of the film and the distributor (and in some cases, a caption). And, where the US stills had a complicated number written near their bottom edge (in the style of “TS-72-8A/14”), the UK ones had a tiny one- or two-digit number written on what looked like a small pasted-in square. Most of them also had “TIMES SQUARE” stamped on the back; this one doesn’t.

This one also doesn’t have the number anywhere on its front — I’ve checked with varying levels of darkness and contrast, and it’s not just hard to see, it isn’t there — but it does have a piece of paper pasted to its back with the number and a caption. The number is also handwritten in blue ink, and there’s a little blue scribble on the front — I don’t know whether that’s part of its original condition or if it was added later.

The UK Press Kit contained photos 1 – 11, although the eleven photos in my copy are almost certainly not all the ones originally issued with it. The highest numbered shot from this series I’ve yet found is 36, the widely distributed head shot of Robin as Nicky used on the American movie poster and the soundtrack album cover.

This particular photo was also half of a two-photo 8×10, also used for promotion in the UK. This one had a slightly longer caption, and included a credit for Robert Stigwood that misspelled his name “Stigward.” I’ve found two of these 2-on-1’s so far, and finding this item leads me to suspect, or at least hope, that the other three images used on them will also one day turn up as 8x10s.

Judging by the angle, this was taken shortly before the picture on the UK lobby card. The shooting schedule was so short that it must have been the same day as the take that appeared in the film, but the publicity shots are all from either run-throughs or alternate takes, or were staged expressly for the publicity stills.