24. Pamela's father [Peter Coffield] loses his temper with Nicky (ROBIN JOHNSON) when she refuses to tell him the whereabouts of his daughter. A scene from "TIMES SQUARE" distributed by COLUMBIA/EMI/WARNER Film Distributors.

UK Publicity Still #24

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“You’re a big man, hit me again!” I’m starting to think that there are two separate sets of UK black-and-white publicity stills, one with borders, one without. You know, just to make things more confusing. Thankfully, so far at least there isn’t another one labeled “24” but not full-bleed. On

Times Square UK Lobby Cards, 1st Set (post 3 of 4)

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Cards 9 through 12 from what I believe to be the first of two sets of Times Square lobby cards distributed in the UK in late 1980 or early 1981:     David Pearl watching his daughter practice dance moves at the strip club was reproduced on the first Yugoslavian

Tajms Skver – lobby card poster 1 of 3, Yugoslavia, 1981

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I originally thought that these were uncut sheets of lobby cards intended to be separated into individual items, but after digitally doing exactly that I’ve come to the conclusion that, no, they were intended to be displayed just as they are. First, there’s not enough interior border area to cut

Times Square German press photos, 1982

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  Schröder-Filmverleih, Times Square’s German distributor, put out a handful of black-and-white press photos to promote the movie along with the poster and lobby card set. They aren’t printed all that well, appearing to be copies of copies, which is a shame because most of them are images that never

15 or 16 UK Promo Photos

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As promised, here are all I have so far from the series of 8×10 black and white publicity stills from the UK, whose only true common denominator is that they have a small one- or two-digit number on a tiny inset square as part of the print. The typical still

UK Promo Photos 4, 13, and 21, 1980-81

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Typically, shortly before my last post was published (but weeks after I’d initially written it), five more stills from the UK series turned up. Two were duplicates of numbers 20 and 29, but the others were new to me. They follow the series’ general conventions of being black and white

Times Square Press Material folder (post 4 of 5)

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  On the left is the same photo as this one, cropped differently and of course without the autograph. On the right is the photo that may be the one used the most to promote the film. We’ll have a better idea about that once I’m done with all this