The black and white 8 x 10 stills released in England tend to have a lot of things in common, but the attributes are not absolute… Most of them, but not all, are full-bleed, with no borders. Many of them, but not all, have a caption pasted to their backs.
Most of the Times Square posters have some identifying information on them — a copyright notice, the film’s local distributor, a code number — but not this one, so we have to go on what’s on it. The logo and the artwork are from the UK movie poster, which was
I first encountered lobby cards from this series several years ago in the collection of DefeatedandGifted, and I assumed they were Australian, partly because that’s where she was, and because they used the American form of the logo which was used on the Australian movie poster while listing EMI as
I nearly passed over this lot of five black and white stills, except it had one photo I’d never seen. Rather than try to haggle for just the one photo, I bought the lot, and I’m glad I did, because they’re all from the UK series, three of them
This is the center spread of the glossy UK pressbook for Times Square. Of the seven images circling the European logo, four are cropped from photos used on UK lobby cards (clockwise from top left, that would be One, Two, Five, and Seven). Of the three remaining: Four is a
The second half of the US pressbook was entirely made up of variations of the movie poster for different sized newspaper ads. The UK version relegates the available promotional materials to the last three pages, and devotes pages 8, 9, and 10 to reprinting biographical articles from the
I’d given up all hope of ever finding one of these when, bam, two of them turn up. It’s the EMI version of the pressbook issued in the USA by AFD. It’s shorter in page count, but larger in size, and printed in color on heavier, glossier paper. It doesn’t
Typically, shortly before my last post was published (but weeks after I’d initially written it), five more stills from the UK series turned up. Two were duplicates of numbers 20 and 29, but the others were new to me. They follow the series’ general conventions of being black and white
As before, I have no clue as to the text, but the image on page 14 of the Japanese souvenir program for Times Square is another frame from the movie. The photo of Pammy and Nicky on page 15 is the promotional shot which was used for the cover of
This was almost certainly aimed at theatergoers and not the press, but I can’t be 100% certain, since as I’ve noted before, Google Translate makes a total hash of Japanese, and I don’t have the funds to have it professionally translated. (If anyone wants to help on that score, by