0 Comments

Here are the next four pages from the Japanese souvenir program for Time Square. These pages apparently have everything you need to know about the producer, director, and stars. Again, if anyone wants to contribute a translation, or donate to a fund for hiring a professional translator, you will have my thanks and the thanks of a grateful nation.

Three of the four pictures on page 8 are more cases of actual frames from the film being used as publicity stills: the shots of the Sleez Girls, Pammy in the phone booth, and Nicky blacking out Pammy’s eyes on the bus poster. Nicky looking directly at us is part of the shot of her in front of the mirror, which previously appeared in Australian Women’s Weekly Vol. 48 No. 5.

Page 9 is two shots that aren’t frames from the movie, and that were distributed for publication as 35mm slides, Pammy and Nicky. The “I ♥ NY” button… well… okay…

Page 10 features some old AFD publicity stills, finally! Trini is cropped from TS-61-14/10, and Robin is TS-57-26/1, the shot used for the album cover and North American poster. Tim Curry’s photo was previously published in color as a UK lobby card and in Movie 81 No 2.

Page 11 is TS-82-30[/4], also used in the AFD campaign pressbook, on the UK soundtrack sampler, and as the basis for a line drawing in a soundtrack ad published in Record Mirror, January 24 1981.

I am not a student of theology. Was Jesus a dropout?

The above-mentioned frames from the movie:

Sleez Girls; Frame from TIMES SQUARE (1980)
Pammy calls her father; frame from TIMES SQUARE (1980)
Nicky blacks out Pammy's eyes; Frame from TIMES SQUARE (1980)

Further reading:

Times Square Press Material folder (post 1 of 5)
Times Square Press Material folder (post 3 of 5)
Times Square Press Material folder (post 5 of 5)
U.K. Lobby Cards (post 1 of 3)
Movie 81 No. 2, February 1981
AFD Campaign Pressbook (pages 1-4)
TIMES SQUARE Trailer
Record Mirror, January 24, 1981

 

 

Times Square program book, pp. 8-11
Japan : souvenir program : AAT ID: 300253341 : 29.4 x 20.5 cm. : 1981 (work);

Press Book Japan 1981_8_1080px.jpg
Press Book Japan 1981_9_1080px.jpg
Press Book Japan 1981_10_1080px.jpg
Press Book Japan 1981_11_1080px.jpg
96 dpi (images)

©1980 Butterfly Valley N. V.
 
vlcsnap-2017-12-31-19h15m53s001_1080px.jpg
vlcsnap-2017-12-31-19h31m24s151_1080px.jpg
vlcsnap-2017-12-31-19h38m26s765_1080px.jpg
608 x 1080px, 96dpi (contrast-sdjusted frame captures from Times Square (1980))
Times Square©1980 StudioCanal/Canal+

 

Leave a Reply

Your email address will not be published. Required fields are marked *

Related Posts

TIMES SQUARE premiere ticket Text Robert Stigwood presents TIMES SQUARE Ziegfeld Theater, 54th St. & Avenue of the Americas Tuesday, October 14th -- 7:30 p.m. a special premiere to benefit the Police Athletic League Orchestra Row M Seat 16

Times Square premiere ticket, 14 October 1980

The Ziegfeld Theater was a Brutalist concrete cube in the middle of 54th Street. Inside, it was New York City's last great movie palace. Times Square played there for two weeks starting October 17, 1980. The Tuesday before that, the movie had its world premiere there, followed by a gala…

1. Nicky Marotta (ROBIN JOHNSON) is arrested. A scene from "TIMES SQUARE" distributed by COLUMBIA/EMI/WARNER Film Distributors. 1. Nicky Marotta (ROBIN JOHNSON) is arrested. A scene from "TIMES SQUARE" distributed by COLUMBIA/EMI/WARNER Film Distributors. (Number is given as "1" in caption on reverse; there is already a "1" in the series; the number also appears possibly to be a "7" which also is already present in the series.)

U.K. Publicity Still #… uh…

The black and white 8 x 10 stills released in England tend to have a lot of things in common, but the attributes are not absolute... Most of them, but not all, are full-bleed, with no borders. Many of them, but not all, have a caption pasted to their backs.…

Robert Stigwood

Robert Stigwood passed away January 4. If it hadn't been for him, Jacob Brackman and Allan Moyle would have likely continued to develop the screenplay for Times Square for another year or two. The result would have been a more coherent story, somewhat darker in tone, with more overt indicators…