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I confess I don’t quite understand what that title means. Am I missing something clever?

 
"The Trend Settles In New York," by Tony DeSena, "The Aquarian," April 23-30, 1980, p. 22 (10-A)

This article was published at the end of April 1980, from an interview done when there were two weeks left of principal photography, and is chock full of things to raise an eyebrow at. To start with, director Allan Moyle starts off saying that the lab ruined the footage of the crane shot of the crowd at the concert in Times Square. Evidently enough survived to edit into the film, since the movie closes with a shot exactly as he describes, but more interestingly, that was one of the first things shot, and he’s only now finding out that the footage was destroyed? Wasn’t it shot in November of 1979? How long was the shooting schedule anyway? I’m guessing the interview was probably done in December 1979, and then held until the timing was better for advance publicity. (On the Anchor Bay Times Square DVD commentary track, Moyle describes all sorts of things going wrong during the concert shoot, and footage being destroyed during production isn’t one of them.)
 

Moyle is described as “optimistic,” and Robert Stigwood

has been described as “very supportive,” which usually translates into, “He’s not breathing down our necks — he’s letting us work.”

Stop laughing. Oh, you’re crying? I’m sorry.

Regarding the soundtrack, the first artist mentioned is Tom Petty, who isn’t on the soundtrack. This announcement is later repeated in other pre-release articles.

On the day I spoke with him, Allan Moyle was shooting inside the old San Juan Theatre, on 165th Street on Upper Manhattan’s West Side. The scene being shot was a tender reconciliation between father and daughter, near the end of the film.

No such scene appears in the film, or in the early draft of the screenplay we have. This theater must have been doubling for another location, or perhaps had a set built inside it, or the article’s author was describing the scene incorrectly… we may never know. Maybe it was a wrong description of Mr. Pearl’s speech that sets Pammy off?

Also, unlike the movie, the article spells Allan Moyle’s first name correctly.

The article concludes saying the production is “aiming for a late summer release date next year,” which would be 1981. Times Square opened October 17, 1980; assuming the article was written in 1979 and not re-edited when it was published five months later, it’s correct.

I can’t say with 100% certainty, but so far it looks like the two images that accompany this article were published in other magazine articles, but didn’t appear in any of the publicity packages released by AFD or EMI. If I find them, though, you’ll be the first to know.

One last thing: although I may very likely have been reading The Aquarian in April 1980, I never saved any of them, and this article at the time wouldn’t have meant anything to me anyway. This item is a photocopy I came across while going through my Robin Johnson stuff for this project, and I don’t know where it came from.

 

 

“The Trend Settles In New York”
DeSena, Tony; “The Aquarian,” April 23-April 30 1980, p. 22 (10-A) [photocopy of article]
8.5 in (H) x 11 in (W) (work)
839 px (H) x 1080 px (H), 96 dpi, 685 KB (image [jpg])

 

 

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The full opened outside of the 2-sided promotional poster. As this was designed to be looked at while being opened and then turned to the other side, the sections comprising the folded outside are upside down. Text: THERE'S NOTHING TO DO BUT PLAY MUSIC AND SCREAM YOUR LUNGS OUT. TIMES SQUARE ROBERT STIGWOOD PRESENTS TIMES SQUARE STARRING TIM CURRY TRINI ALVARADO ROBIN JOHNSON PETER COFFIELD HERBERT BERGHOF SCREENPLAY BY JACOB BRACKMAN STORY BY ALAN MOYLE AND LEANNE UNGER DIRECTED BY ALAN MOYLE PRODUCED BY ROBERT STIGWOOD AND JACOB BRACKMAN EXECUTIVE PRODUCERS KEVIN McCORMICK AND JOHN NICOLELLA ASSOCIATE PRODUCER BILL OAKES R RESTRICTED UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN SOUNDTRACK AVAILABLE ON RSO RECORDS AND TAPES AN EMI RELEASE DISTRIBUTED BY AFD EMI RSO® Records Inc. AFD ©1980 Associated Film Distribution DESIGN: SEININGER & ASSOCIATES PRINTED IN U.S.A. THERE'S ONLY ONE WAY AND THAT'S RUNNING AWAY AND HANGING OUT AND SETTING YOURSELF FREE. TIMES SQUARE THE ORIGINAL SOUNDTRACK FROM THE MOTION PICTURE 2 RECORD SET FEATURING MUSIC BY "ROCK HARD" - SUZI QUATRO "TALK OF THE TOWN" - THE PRETENDERS "SAME OLD SCENE" - ROXY MUSIC "DOWN IN THE PARK" - GARY NUMAN "HELP ME!" - MARCY LEVY & ROBIN GIBB "LIFE DURING WARTIME" - TALKING HEADS "PRETTY BOYS" - JOE JACKSON "TAKE THIS TOWN" - XTC "I WANNA BE SEDATED" - THE RAMONES "DAMN DOG" - ROBIN JOHNSON "YOUR DAUGHTER IS ONE" - ROBIN JOHNSON & TRINI ALVARADO "BABYLON'S BURNING" - THE RUTS "YOU CAN'T HURRY LOVE" - D.L. BYRON "WALK ON THE WILD SIDE" - LOU REED "THE NIGHT WAS NOT" - DESMOND CHILD & ROUGE "INNOCENT, NOT GUILTY" - GARLAND JEFFREYS "GRINDING HALT" - THE CURE "PISSING IN THE RIVER" - PATTI SMITH GROUP "FLOWERS IN THE CITY" - DAVID JOHANSEN & ROBIN JOHNSON

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