As before, I have no clue as to the text, but the image on page 14 of the Japanese souvenir program for Times Square is another frame from the movie. The photo of Pammy and Nicky on page 15 is the promotional shot which was used for the cover of
Here are the next four pages from the Japanese souvenir program for Time Square. These pages apparently have everything you need to know about the producer, director, and stars. Again, if anyone wants to contribute a translation, or donate to a fund for hiring a professional translator, you will have
This is exactly what the post title says: a second lobby poster from Italy. There may be more, but so far I’ve only come across two. The text is exactly the same as the other one and the Italian movie poster. Robin as Nicky is on the left, in a
“There’s a hot new talent, Robin Johnson in Robert Stigwood’s Times Square…” Times Square was still in theaters in London when the February Movie 81 came out in Australia and editor John Fraser made the above announcement. The two-page spread later in the issue is comprised of “An
“With an off-beat beauty all her own, and an engaging rasping singing voice, Ms Johnson has enough female virility to fill many films yet, and is already pencilled in for the sequel to Grease.” There’s no arguing with the fact that in January of 1981, the big movie in
This ad promoting the movie’s opening has the same art as the one published previously in the Leader, but with the addition of the theaters it will be in. It’s essentially a black-and-white version of the quad poster, the top half of the painting by Cummins. It appeared in
There were no lobby cards for Times Square in the US, only 8″ x 10″ black and white stills. The rest of the world was more fortunate. At least eight lobby cards were released to theaters in the UK (although I suspect there was at least one more). Some of
A standard one-sheet movie poster is 40 inches high by 27 inches wide. A “quad” poster, which I don’t think they make anymore, is 40 inches wide by 30 inches high. EMI took this extra space and zoomed in on the top two-thirds of the painting, cutting it off just
After all the work that went into creating the logo on the cover of the UK Press Kit, and the poster-worthy image that had been used to promote the movie’s production in the 21-28 June, 1980 Screen International, EMI went with this image for the UK movie poster. The painting
Here are the last photos from my copy of the UK Press Kit. They don’t have numbers that would match them up with the enclosed caption sheet, so I have doubts as to whether they were actually a part of it. This is the Mick Rock photo of Robin