Foxy Miss Pearl

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Color production photo from "Times Square" replicating but not duplicating the scene in which Pammy makes her debut as an exotic dancer. Inscription: on back: repeated stamp THIS PAPER / MANUFACTURED / BY KODAK, which was printed on Kodak photo paper between 1972 and 1989

“I’m not dancing topless.”

 

12-year-old Trini Alvarado enacts 13-year-old Pamela Pearl making her debut as an exotic dancer, thankfully not topless. There are other images of this scene that were taken at the same time and differ only slightly, but I only have them published in magazines, on lobby cards, or in promotional packages. This one is an unmarked 8 X 10 like the last few and next few photos. All the promotional shots of this scene have in common is, again, that they’re not the shot as it appears in the film.

Pammy dances for Nicky, not topless, in a frame captured from "Times Square" (1980)

 

 

 

This is the closest image from the film. (I hope I’m not boring you with this.)

Pammy, not topless dances for Nicky, in a frame captured from "Times Square" (1980)

 

 

 

It’s possible that the stills were shot while the movie camera was taking this reverse angle.

The screenplay is adamant that Pammy dances topless, and has her appear topless in a few other short scenes before and after. I think everybody is glad that Trini and her parents refused to let her do it. The change was probably a very late one, but even though it never fails to get a laugh when Roberto hires her anyway because “I like that. Class. Respect. That’s good for the club. Good for business,” it’s also the point where the film takes its deepest plunge into the dream-logic that permeates it, making it so emotionally affecting in ways that defy rational analysis. After all, no sense makes sense.

Or, it’s left over from another theme in the screenplay that’s almost gone from the finished film, in which it’s shown that there’s an underground community in Times Square that knows Nicky and is looking out for the runaways behind the scenes, like a surrogate family. Roberto is determined to hire Pammy no matter what, in order to help her and Nicky, and needs to come up with an excuse that will fool a desperate 13-year-old girl. This still ignores the potential legal jeopardy he’s putting himself into, so… we’re back in dream-world again.

Whatever you think of the film’s rationalization for Pammy stripping without taking off her clothes, in the long run at the very least it’s kept the movie from potentially becoming illegal to own or view in the United States. So I’m happy with it.

It also helps keep the film from devolving into just another exploitation flick. I personally believe that most (not all, but most) of the material that was cut from the film, that everyone is so sad about, would actually weaken the film were we to see it presented explicitly.

There’s a much richer and wittier look at the situation at DefeatedandGifted’s Times Square Fandom blog.

 

“Foxy Miss Pearl”
8 in (H) x 10 in (W) (work) [w/o border 6.5 in x 9.625 in];
862 px (H) x 1080 px (W), 96 dpi, 407 kb (image)

1979/1980
inscription: [on reverse:] [stamped:] THIS PAPER / MANUFACTURED / BY KODAK
 
vlcsnap-2014-10-19-14h07m31s167.png
vlcsnap-2014-10-19-14h04m10s248.png

853 px (W) x 480 px (H), 72 dpi (images)
screen captures from Times Square (1980)
captured 2014-10-19
 
Times Square ©1980 StudioCanal/Canal+

One Reply to “Foxy Miss Pearl”

  1. Thank you for the link and the kind comments, Sean. I was very much inspired to do my Times Square fandom blog because of the great effort you have put into researching and writing about the work of the great Robin Johnson. I hope that I will be able to add more to my blog soon.
    Thanks again 🙂

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The full opened outside of the 2-sided promotional poster. As this was designed to be looked at while being opened and then turned to the other side, the sections comprising the folded outside are upside down. Text: THERE'S NOTHING TO DO BUT PLAY MUSIC AND SCREAM YOUR LUNGS OUT. TIMES SQUARE ROBERT STIGWOOD PRESENTS TIMES SQUARE STARRING TIM CURRY TRINI ALVARADO ROBIN JOHNSON PETER COFFIELD HERBERT BERGHOF SCREENPLAY BY JACOB BRACKMAN STORY BY ALAN MOYLE AND LEANNE UNGER DIRECTED BY ALAN MOYLE PRODUCED BY ROBERT STIGWOOD AND JACOB BRACKMAN EXECUTIVE PRODUCERS KEVIN McCORMICK AND JOHN NICOLELLA ASSOCIATE PRODUCER BILL OAKES R RESTRICTED UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN SOUNDTRACK AVAILABLE ON RSO RECORDS AND TAPES AN EMI RELEASE DISTRIBUTED BY AFD EMI RSO® Records Inc. AFD ©1980 Associated Film Distribution DESIGN: SEININGER & ASSOCIATES PRINTED IN U.S.A. THERE'S ONLY ONE WAY AND THAT'S RUNNING AWAY AND HANGING OUT AND SETTING YOURSELF FREE. TIMES SQUARE THE ORIGINAL SOUNDTRACK FROM THE MOTION PICTURE 2 RECORD SET FEATURING MUSIC BY "ROCK HARD" - SUZI QUATRO "TALK OF THE TOWN" - THE PRETENDERS "SAME OLD SCENE" - ROXY MUSIC "DOWN IN THE PARK" - GARY NUMAN "HELP ME!" - MARCY LEVY & ROBIN GIBB "LIFE DURING WARTIME" - TALKING HEADS "PRETTY BOYS" - JOE JACKSON "TAKE THIS TOWN" - XTC "I WANNA BE SEDATED" - THE RAMONES "DAMN DOG" - ROBIN JOHNSON "YOUR DAUGHTER IS ONE" - ROBIN JOHNSON & TRINI ALVARADO "BABYLON'S BURNING" - THE RUTS "YOU CAN'T HURRY LOVE" - D.L. BYRON "WALK ON THE WILD SIDE" - LOU REED "THE NIGHT WAS NOT" - DESMOND CHILD & ROUGE "INNOCENT, NOT GUILTY" - GARLAND JEFFREYS "GRINDING HALT" - THE CURE "PISSING IN THE RIVER" - PATTI SMITH GROUP "FLOWERS IN THE CITY" - DAVID JOHANSEN & ROBIN JOHNSON

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