![Robin Johnson signs autographs at a taping of the Merv Griffin Show in October 1980. Text on back: [handwritten] Robin Johnson (Times Square) 10/80 - Merv [stamped] Photo by Audrey L. Chiu Michelson Agency](https://storage.googleapis.com/rjnet-wordpress/2025/03/b06c2806-1980-10_rj_by_audrey_l_chiu_merv_griffin_show_1080p.jpg)
The information on the back of this photograph indicates it was taken by Audrey L. Chiu for the Michelson Agency, in October 1980, at the taping of Robin’s appearance on The Merv Griffin Show. That show was broadcast in November 1980 as I recall, well before my family could afford
![24. Pamela's father [Peter Coffield] loses his temper with Nicky (ROBIN JOHNSON) when she refuses to tell him the whereabouts of his daughter. A scene from "TIMES SQUARE" distributed by COLUMBIA/EMI/WARNER Film Distributors.](https://storage.googleapis.com/rjnet-wordpress/2023/03/0f553055-ts-uk-still-no-24-front_1080p.jpg)
“You’re a big man, hit me again!” I’m starting to think that there are two separate sets of UK black-and-white publicity stills, one with borders, one without. You know, just to make things more confusing. Thankfully, so far at least there isn’t another one labeled “24” but not full-bleed. On
The black and white 8 x 10 stills released in England tend to have a lot of things in common, but the attributes are not absolute… Most of them, but not all, are full-bleed, with no borders. Many of them, but not all, have a caption pasted to their backs.
Most of the Times Square posters have some identifying information on them — a copyright notice, the film’s local distributor, a code number — but not this one, so we have to go on what’s on it. The logo and the artwork are from the UK movie poster, which was
“I’m convinced that if I do this long enough, I’ll have to start laying low in public, to endure the intrusion of strangers asking for autographs. I deeply admire Bette Midler, but I would never dare to ask her for an autograph; I wouldn’t bother her with nonsense like
Movie posters in Thailand are an art form unto themselves. Google “Thai movie posters” and you will go down a rabbit hole you may take days to emerge from. Thai film distributors discard the authorized promotional materials and commission original painted montages in glorious colors. Some of
Warriors of New York came out in Mexico in 1981, and its poster was a collage of publicity stills and the European poster painting. To my mind, though, the most interesting thing about it, even more than the new title, is that Robin Johnson has top billing, and Tim Curry
More recently-turned-up Times Square publicity from England. Exactly how these fit in with the rest of it, I’m not sure. I’m guessing they were relatively early UK publicity, since the photos still have the American numbers on them. Perhaps before their own publicity machine got going, EMI contracted with Alan
The center two pages of the Japanese souvenir book feature, alongside a somewhat out of place Yankees logo, three beautifully reproduced photos. The first, of Pammy and Nicky atop the Times Square Theater marquee, isn’t a frame from the film, and I haven’t yet found it as a publicity still,
“Of course Robert [Stigwood] wants to make money. Money is the bottom line. But I don’t think he is using me for that prime reason … I hope not, God.” Robin made the cover of London’s Time Out, sort of, to illustrate their cover story, an in-depth analysis of