I got this photo at the same time as the Nicky hair and make up test and the preparing-to-shoot-the-excised-scene-of-the-girls-looking-for-Nicky’s-father. Somehow, in my excitement over those two true behind-the-scenes photographs, since there are so very few of those, I lost track of this one. I’d digitized it at the same time,
Way back in October 2014, I posted a photo of Robin and Trini getting ready to shoot a scene that was later cut from the film, and complained that although the vast majority of Times Square publicity stills don’t actually come from shots of takes used in the film, there
The May 1980 issue of Photoplay mentioned Times Square’s production in Ken Johns’ Last Word column. The image of Nicky singing “Damn Dog” in the Cleo Club was later published in at least one more magazine after the film’s release, but I haven’t yet seen it anywhere else, or in
I confess I don’t quite understand what that title means. Am I missing something clever? This article was published at the end of April 1980, from an interview done when there were two weeks left of principal photography, and is chock full of things to raise an eyebrow at.
I’m breaking my rule of one picture per post again, but these are so similar to each other it seemed silly to stretch them out over three posts. These are the last of the Kodak 8 x 10’s: three shots of Robin atop the Times Square Theater marquee. In the
Here we have an 8″x10″ black and white print showing Nicky leaping into the air at the start of the concert in Times Square (as opposed to her leaping into the air at the end of the concert). It has a tiny number “34” printed onto its front. The back
Back to the 8 x 10 Kodak prints… here’s another shot of Robin as Nicky dressed up as Aggie playing “Damn Dog” in the Cleo Club, and as always, there’s no frame in the film that matches up. The frame I’ve chosen is the only one where Robin has both
“Words cannot express the sheer unbelievability of this performer and her material.” Here we have Robin on set at the Cleo Club, in the full Aggie Doon getup. Her hair is now slicked back, and the cheap Kent has been replaced with an expensive Rickenbacker 360 (funny how both guitars
Black limbo, that is. This photo isn’t one of the “Kodak paper” series, but I’m going through these photos in the order they’d appear in the film (since I don’t know the order in which they were shot), and this one comes next. Except… You know how I’ve been saying
“I’m not dancing topless.” 12-year-old Trini Alvarado enacts 13-year-old Pamela Pearl making her debut as an exotic dancer, thankfully not topless. There are other images of this scene that were taken at the same time and differ only slightly, but I only have them published in magazines, on lobby