Movie posters in Thailand are an art form unto themselves. Google “Thai movie posters” and you will go down a rabbit hole you may take days to emerge from. Thai film distributors discard the authorized promotional materials and commission original painted montages in glorious colors. Some of
By August 1981, Robin might already have figured out that neither she nor Andy Gibb were going to get a call telling them when to report to the Grease 2 set. Most of the world had already forgotten about Times Square. But it wasn’t quite over yet.
I nearly passed over this lot of five black and white stills, except it had one photo I’d never seen. Rather than try to haggle for just the one photo, I bought the lot, and I’m glad I did, because they’re all from the UK series, three of them
The soundtrack album cover image on the cover of Australia’s Juke no. 302 is the only Robin content in the issue, but it’s still a remarkable piece of Times Square history. In Melbourne at least, PolyGram Records promoted the heck out of the film’s premiere for an entire weekend, and
“If there’s one thing I defend fiercely, it’s my private life.” The Sunday entertainment supplement to El Heraldo de Mexico put Robin on its cover on August 9, 1981. I don’t know for sure if Robin’s publicity tour took her to Mexico City, but the two photos by Raul “Speedy”
Mexico’s Guerreras de Nueva York got at least one lobby card, too, and here it is, with the same photo used on two items in Karen Dean’s (DefeatedandGifted’s) collection: one of three lobby cards from somewhere that used the US logo, but had EMI as the film’s distributor; and a
Warriors of New York came out in Mexico in 1981, and its poster was a collage of publicity stills and the European poster painting. To my mind, though, the most interesting thing about it, even more than the new title, is that Robin Johnson has top billing, and Tim Curry
This is the last version of the soundtrack album I have, and the one in the worst condition. I’ve seen one or two other copies and they were as beat up as this one is. They might have had their spines intact, where this one’s is completely worn away (which
The June 1981 issue of the Mexican pop music magazine Sonido contained on pages 38 and 39 an article credited to “Vicco,” but which seems to be exactly the same kind of AFD/RSO-written publicity published in English in similar magazines a year before. The article calls
Times Square probably hadn’t had its January 15th opening yet when the February issue of Film Review came out. Unlike the article in the previous month’s issue, this isn’t a review at all, but a promotional summary of the film, with the exception of the backhanded compliment that most of