Here at the end of the Japanese program book, we get the movie’s credits, an ad for the soundtrack album, and… the Times Square Top Ten? I can only imagine what’s being said, in relation to the film, about Make-Up, Music, Fashion, Life Style, Play, Foods, Dream, Sports, Sex, and Friendship. Okay, Music and Friendship I get, but Sports?

Page 21, bearing a “Hippy Power” button and the unfinished caption, “Let’s get together at,” features two shots that are neither frames from the film, nor are publicity stills I’ve yet come across. The shot atop the marquee bears a strong resemblance to this color still, and is probably another still shot at that same time, and the shot of the girls entering the abandoned pier is from an entirely different angle than the scene in the film. Also, neither Nicky nor especially Pammy smiles during that sequence in the film. The point being, this is the only place these pictures appear, as far I know.

I don’t know if the street photo that is the background of page 20 has anything to do the film, other than being New York City. The inset photo of Nicky is from the shot used on one of the Italian lobby posters. Accompanying the credits on page 22, the shot of Pammy and Nicky erupting onto the street after the chase through the Adonis Theater is I believe making its first appearance here; it will later be a press photo distributed in Germany. The other two photos are frames from the film but with more image visible at the tops and bottoms, which as I mentioned last time lead me to believe that these were taken from a full-frame exposure that was matted for release, and may still exist as a TV print.

Page 23 features the soundtrack album cover, the Japanese “Same Old Scene” single picture sleeve, and, clockwise from top right: a shot of Robin and Trini between takes that had previously appeared in Movie 81 No. 2; the image from the cover of the “Same Old Scene” single, which had also appeared in the soundtrack gatefold, the songbook, and the aforementioned Movie 81 No. 2; a shot of Johnny that had been a UK lobby card and an illustration in Movie 81 No.2; and guess where the shot of Robin had appeared previously? Of course! It was in Film Review Vol. 31 No. 1.

And that perfect image on the back cover is a detail from another publicity still that will appear later as a German lobby card.