{"id":487,"date":"2014-12-08T08:03:09","date_gmt":"2014-12-08T13:03:09","guid":{"rendered":"http:\/\/robinjohnson.net\/wp\/?p=487"},"modified":"2024-05-26T18:17:49","modified_gmt":"2024-05-26T22:17:49","slug":"nicky-marotta-in-limbo","status":"publish","type":"post","link":"https:\/\/robinjohnson.net\/wp\/nicky-marotta-in-limbo\/","title":{"rendered":"Nicky Marotta in Limbo"},"content":{"rendered":"

\"Robin<\/a><\/p>\n

Black limbo, that is. This photo isn’t one of the “Kodak paper” series, but I’m going through these photos in the order they’d appear in the film (since I don’t know the order in which they were shot), and this one comes next. Except…<\/p>\n

You know how I’ve been saying the pictures are from alternate takes that don’t actually appear in the film? This one doubles that. Triples. First, there’s no background. This is one of the very few shots taken only for publicity and not at a recognizable shooting location. Robin is wearing the Aggie Doon costume, so she’s dressed for the world premiere of “Damn Dog” at the Cleo Club, but she’s carrying her cheap Kent that she lost when she was arrested in the opening scene, and not the expensive Rickenbacker she plays with the Blondells. Also, her hair isn’t slicked back like Elvis like it is in the film. This is a glamor shot of Nicky, nothing more, nothing less.<\/p>\n

This photo shoot produced at least four shots: this one; another which along with this one was published in Film Review<\/em> in October 1980; the image that was used on the Australian movie poster and is currently on the UK DVD; and the picture on the back cover of the soundtrack album. (I’ll get to those in time.)<\/p>\n

The back of this photo has crop measurement marks indicating the actual size of the picture. My guess is that was to help in laying out whatever page someone may have been planning to print it on, but I don’t really know.<\/p>\n

\"Frame<\/a>
I’ve lightened all hell out of this dark alley to try to see the guitar better.<\/figcaption><\/figure>
\nThe most interesting thing to me about this picture is, that’s NOT Nicky’s guitar. In all the photos from this shoot, the Kent’s big K logo is plainly visible, it has one pickup in the lead position close to the bridge, and the fretboard has big rectangular inlays. The guitar she plays in the film, however, has no logo, has one pickup in the rhythm position closer to the neck, and the fretboard has little round dot inlays. The pickguard is also a vastly different shape, as is the body itself, and the tuning peg for the B string is missing. It’s a cheap beat-up guitar all right, but it might not even be a Kent. (If you can identify it, please chime in.)<\/p>\n
 <\/div>\n
\n 
\n
\n“Nicky with Her Kent”
\n8 in (H) x 10 in (W) (work);
\n862 px (H) x 1080 px (W), 96 dpi, 338 kb (image)<\/em>
\n1979\/1980<\/em>
\ninscription: [on reverse:] [handwritten in blue ink:] D+P. EAST 170 mm deep x 115 mm wide PA77
\n[handwritten in black ink:] ROBIN JOHNSON. 20
\n[stamped in black:] DEREK AND PAT EAST COLLECTION<\/em>
\n <\/div>\n
\nvlcsnap-2014-11-22-19h40m55s213-enhanced.jpg<\/em>
\n853 px (W) x 480 px (H), 72 dpi, 343kb(image)<\/em>
\nframe capture from <\/em>Times Square (1980)<\/em>
\ncaptured and enhanced 2014-11-22<\/em>
\n <\/div>\n
\nTimes Square<\/strong> \u00a91980 StudioCanal\/Canal+<\/em>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Black limbo, that is. This photo isn’t one of the “Kodak paper” series, but I’m going through these photos in the order they’d appear in the film (since I don’t know the order in which they were shot), and this one comes next. Except… You know how I’ve been saying the pictures are from alternate […]<\/p>\n","protected":false},"author":1,"featured_media":488,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[26,36,37,91,27,23,4,16],"class_list":["post-487","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-times-square","tag-costuming","tag-guitar","tag-kent","tag-mick-rock","tag-nicky","tag-production","tag-robin-johnson","tag-times-square-2"],"_links":{"self":[{"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/posts\/487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/comments?post=487"}],"version-history":[{"count":18,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/posts\/487\/revisions"}],"predecessor-version":[{"id":5260,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/posts\/487\/revisions\/5260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/media\/488"}],"wp:attachment":[{"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/media?parent=487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/categories?post=487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/robinjohnson.net\/wp\/wp-json\/wp\/v2\/tags?post=487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}