The top of this poster uses the elements of the album cover art. The text strips have been moved, and the title has been enlarged, tilted to the right rather than the left, and has had most of its color removed, all to take advantage of the larger space and to be more legible from a distance. Pammy and Nicky have also been tilted sightly to the right. Where we expect to see Tim Curry’s face, we have the RSO cow on a yellow blob, itself atop a red circle. The bottom of the poster is the purple pixellated art from the inside of the album gatefold. The text strips listing the bands have been spaced out, and the punctuation at their ends removed.

This poster is promoting “A 2-Record Set.” Almost offhandedly it mentions that Times Square is “Coming to a Theatre Near You Oct. 17th.”

You know, I may have talked one of these off the wall of the upstairs record store at the Quakerbridge Mall, but I can’t remember for sure anymore.

“Times Square” Original Motion Picture Soundtrack promotional poster p-201
color, 36″ (H) x 24″ (W) (work); 1080 px (H) x 718 px (W), 96 dpi, 571 kb (image)
1980
inscription:
The Original Motion Picture Soundtrack
A Robert Stigwood Production
TIMES SQUARE
RSO® Records, Inc.
Coming to a Theatre Near You Oct. 17th
A 2-RECORD SET
Featuring Music Of:
SUZI QUATRO, THE PRETENDERS, ROXY MUSIC, GARY NUMAN
MARCY LEVY & ROBIN GIBB, TALKING HEADS, JOE JACKSON
XTC, THE RAMONES, ROBIN JOHNSON & TRINI ALVARADO
THE RUTS, D.L. BYRON, LOU REED, DESMOND CHILD & ROUGE
GARLAND JEFFREYS, THE CURE, PATTI SMITH GROUP, DAVID JOHANSEN
PRINTED IN USA P-201
RSO® Records, Inc.

On the left is the same photo as this one, cropped differently and of course without the autograph.

On the right is the photo that may be the one used the most to promote the film. We’ll have a better idea about that once I’m done with all this stuff. Until just now, I always thought it was a cropped version of this photo (that version of which I’ve only seen on the Web and believe to have been cut from a UK lobby card), but now I realize they were taken a second or two apart. Look at their arms.

As always, there is no shot in the film that matches up either of these two photos. Mr. Pearl does throw Johnny into the table as at left, but the shot cuts from a close-up of Pearl grabbing Johnny and pushing him to a close-up of Johnny landing; there is no shot of the two of them. Also, Johnny’s hand never touches the mic stand as it does in the photograph. There is nothing even close enough to bother with a frame grab.

We see Pammy looking in the mirror fairly clearly in the film, but just like these photos, in the film we see it from her father’s perspective, and she’s not quite in the same pose as in the photo. Here’s the closest frame from the film: